by Rachel Howard ‧ RELEASE DATE: July 25, 2005
A slight work with memorable portraits of a fragmented family.
A young woman tries to reconcile her memories of her father’s murder with the recollections of others.
Howard—dance critic and book reviewer for the San Francisco Chronicle—was ten in 1986, when her father was stabbed to death. Seventeen years later, she began her quest to make sense of things, sort out what happened and put to rest her suspicions and fears. Her depiction of life with her mother, her addicted and abusive stepfather, Howdy, and her half-brother Emmet is vivid, as are those early years spent with her father and beloved and loving first stepmother, Nanette. When her cocaine-sniffing father moves on to his next wife, the sexy young Sherrie, visiting arrangements are such that she spends considerable time with them and with her new young stepbrother Bobby. She adores her father but fears and dislikes Sherrie and must get along with Bobby. Blue-collar life in California’s Central Valley is rich in detail: shabby tract homes, trucks, fights, language, clothes, pop music—all ring true, whether actually from memory or reconstructions. Indeed, the question of memory and its reliability is one Howard has to face in her search. Accounts of her father’s murder differ: her own memories of the night of the murder, on the one hand, differ from what she learns from the police, which differ from the recollections of her stepmother and stepbrother. She seeks out and interviews family members she hasn’t been in touch with for years, questions detectives who worked on the case and tracks down old newspaper articles. Yet this is not a detective story, and Howard doesn’t solve the crime. Although she hates the overused word “closure,” that’s what in fact she is searching for, and it’s what she finds. By the end, her adoration of her father and her hatred and suspicion of her stepmother have been tempered, and her need to find someone to blame, vanquished.
A slight work with memorable portraits of a fragmented family.Pub Date: July 25, 2005
ISBN: 0-525-94862-7
Page Count: 288
Publisher: Dutton
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 15, 2005
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by Ta-Nehisi Coates ‧ RELEASE DATE: July 8, 2015
This moving, potent testament might have been titled “Black Lives Matter.” Or: “An American Tragedy.”
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The powerful story of a father’s past and a son’s future.
Atlantic senior writer Coates (The Beautiful Struggle: A Father, Two Sons, and an Unlikely Road to Manhood, 2008) offers this eloquent memoir as a letter to his teenage son, bearing witness to his own experiences and conveying passionate hopes for his son’s life. “I am wounded,” he writes. “I am marked by old codes, which shielded me in one world and then chained me in the next.” Coates grew up in the tough neighborhood of West Baltimore, beaten into obedience by his father. “I was a capable boy, intelligent and well-liked,” he remembers, “but powerfully afraid.” His life changed dramatically at Howard University, where his father taught and from which several siblings graduated. Howard, he writes, “had always been one of the most critical gathering posts for black people.” He calls it The Mecca, and its faculty and his fellow students expanded his horizons, helping him to understand “that the black world was its own thing, more than a photo-negative of the people who believe they are white.” Coates refers repeatedly to whites’ insistence on their exclusive racial identity; he realizes now “that nothing so essentialist as race” divides people, but rather “the actual injury done by people intent on naming us, intent on believing that what they have named matters more than anything we could ever actually do.” After he married, the author’s world widened again in New York, and later in Paris, where he finally felt extricated from white America’s exploitative, consumerist dreams. He came to understand that “race” does not fully explain “the breach between the world and me,” yet race exerts a crucial force, and young blacks like his son are vulnerable and endangered by “majoritarian bandits.” Coates desperately wants his son to be able to live “apart from fear—even apart from me.”
This moving, potent testament might have been titled “Black Lives Matter.” Or: “An American Tragedy.”Pub Date: July 8, 2015
ISBN: 978-0-8129-9354-7
Page Count: 176
Publisher: Spiegel & Grau
Review Posted Online: May 5, 2015
Kirkus Reviews Issue: July 1, 2015
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by Ta-Nehisi Coates ; illustrated by Jackie Aher
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BOOK TO SCREEN
by Elie Wiesel & translated by Marion Wiesel ‧ RELEASE DATE: Jan. 16, 2006
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
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by Elie Wiesel ; edited by Alan Rosen
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by Elie Wiesel ; illustrated by Mark Podwal
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by Elie Wiesel ; translated by Marion Wiesel
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