Manipulative but moving, for readers who don’t mind having their strings pulled.
Those with the patience to accompany the protagonist on this meandering journey will receive an emotional payoff at the end.
The debut novel by an award-winning British radio playwright (and actor) offers an allegory that requires many leaps of faith, while straddling the line between the charming and cloying (as well as the comic and melodramatic). The title character has recently retired from his office job at a brewery, lives with a wife who hasn’t loved him for decades—since their intelligent, perhaps disturbed son sparked her estrangement from her husband—and appears destined to live his life in everyday limbo until the grave. Then, one day, he receives a letter from a female co-worker with whom he had once been close but hasn’t been in contact for 20 years. She is dying from cancer and has written to let him know, to say goodbye. Without planning or preparation, he embarks on the title’s “unlikely pilgrimage,” somehow believing that if he can walk the hundreds of miles over the many months it will take him, she will remain alive to welcome him. On his journey, he meets a bunch of characters, becomes something of a celebrity and learns a little bit more about the meaning of life. These lessons are articulated in homilies such as “you could be ordinary and attempt something extraordinary,” and “Maybe it’s what the world needs. A little less sense, and a little more faith.” Maybe, but if such sentiments seem akin to those from one of Mitch Albom’s bestselling parables, the novel’s evocation of everyday British reticence, heartbreak and wonder occasionally suggest the depths of the great Graham Swift. The final chapters of the novel resolve the mysteries that have been underlying the rest—how the son divided his parents, why the co-worker had disappeared from Harold’s life—and there’s a powerful resolution in which all’s well that ends well.
Manipulative but moving, for readers who don’t mind having their strings pulled.Pub Date: July 24, 2012
ISBN: 978-0-8129-9329-5
Page Count: 320
Publisher: Random House
Review Posted Online: April 29, 2012
Kirkus Reviews Issue: June 1, 2012
King handles his first novel with considerable accomplishment and very little hokum—it's only too easy to believe that these...
Figuratively and literally shattering moments of hoRRRRRipilication in Chamberlain, Maine where stones fly from the sky rather than from the hands of the villagers (as they did in "The Lottery," although the latter are equal to other forms of persecution).
All beginning when Carrie White discovers a gift with telekinetic powers (later established as a genetic fact), after she menstruates in full ignorance of the process and thinks she is bleeding to death while the other monsters in the high school locker room bait and bully her mercilessly. Carrie is the only child of a fundamentalist freak mother who has brought her up with a concept of sin which no blood of the Lamb can wash clean. In addition to a sympathetic principal and gym teacher, there's one girl who wishes to atone and turns her date for the spring ball over to Carrie who for the first time is happy, beautiful and acknowledged as such. But there will be hell to pay for this success—not only her mother but two youngsters who douse her in buckets of fresh-killed pig blood so that Carrie once again uses her "wild talent," flexes her mind and a complete catastrophe (explosion and an uncontrolled fire) virtually destroys the town.
King handles his first novel with considerable accomplishment and very little hokum—it's only too easy to believe that these youngsters who once ate peanut butter now scrawl "Carrie White eats shit." But as they still say around here, "Sit a spell and collect yourself."Pub Date: April 8, 1974
ISBN: 0385086954
Page Count: 216
Publisher: Doubleday
Review Posted Online: Sept. 26, 2011
Kirkus Reviews Issue: April 1, 1974
PERSPECTIVES
SEEN & HEARD
BOOK TO SCREEN
A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.
Pub Date: July 11, 1960
ISBN: 0060935464
Page Count: 323
Publisher: Lippincott
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: July 1, 1960
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
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