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RODINSKY'S ROOM

Flawed in structure but beautifully written and completely captivating. (photos)

Fascinating tale of Jewish mystic-hermit David Rodinsky, whose London room is opened up after nearly 20 years, by artist Lichtenstein and with contributions by author Sinclair (Downriver, 1993).

The term quirky doesn't come close to describing this work, which blends Lichtenstein's autobiography, her biography of Rodinsky, a social history of London's Jewish immigrant neighborhood, and Sinclair's critical look at Lichtenstein's attempts to discover the truth about herself and Rodinsky. Lichtenstein begins the story with her attempts to discover what she can of her family's immigrant past in the London neighborhood of Spitalfields, and then is quickly engrossed by the story of David Rodinsky, who was legendary in his neighborhood for his seeming disappearance. Rodinsky's room was left exactly as he had last left it—a small garret above a synagogue, filled with notebooks in a number of languages, religious texts, and his personal effects. From this room, Lichtenstein's journey to discover what she can of this strange man spirals outward to encompass a cross section of London's Jewish community and takes her to Israel, a shtetl in Poland, and just about anyone who ever remembered Rodinsky. Lichtenstein's intensely personal writing is first-rate, and she quickly creates a stirring portrait of Rodinsky as a man who suddenly found himself alone in his room as London's Jewish community moved away from his surrounding neighborhood. Less interesting are the chapters by Sinclair, which are interspersed throughout the work and serve to distract from a story that is intrinsically one of Lichtenstein and Rodinsky. As Lichtenstein discovers more and more of Rodinsky, her mission becomes less to discover the man than to discover his place of burial and to put his soul to rest through telling his story and saying Kaddish over the grave.

Flawed in structure but beautifully written and completely captivating. (photos)

Pub Date: May 1, 2000

ISBN: 1-86207-257-4

Page Count: 362

Publisher: Granta

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: April 1, 2000

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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INTO THE WILD

A wonderful page-turner written with humility, immediacy, and great style. Nothing came cheap and easy to McCandless, nor...

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The excruciating story of a young man on a quest for knowledge and experience, a search that eventually cooked his goose, told with the flair of a seasoned investigative reporter by Outside magazine contributing editor Krakauer (Eiger Dreams, 1990). 

Chris McCandless loved the road, the unadorned life, the Tolstoyan call to asceticism. After graduating college, he took off on another of his long destinationless journeys, this time cutting all contact with his family and changing his name to Alex Supertramp. He was a gent of strong opinions, and he shared them with those he met: "You must lose your inclination for monotonous security and adopt a helter-skelter style of life''; "be nomadic.'' Ultimately, in 1992, his terms got him into mortal trouble when he ran up against something—the Alaskan wild—that didn't give a hoot about Supertramp's worldview; his decomposed corpse was found 16 weeks after he entered the bush. Many people felt McCandless was just a hubris-laden jerk with a death wish (he had discarded his map before going into the wild and brought no food but a bag of rice). Krakauer thought not. Admitting an interest that bordered on obsession, he dug deep into McCandless's life. He found a willful, reckless, moody boyhood; an ugly little secret that sundered the relationship between father and son; a moral absolutism that agitated the young man's soul and drove him to extremes; but he was no more a nutcase than other pilgrims. Writing in supple, electric prose, Krakauer tries to make sense of McCandless (while scrupulously avoiding off-the-rack psychoanalysis): his risky behavior and the rites associated with it, his asceticism, his love of wide open spaces, the flights of his soul.

A wonderful page-turner written with humility, immediacy, and great style. Nothing came cheap and easy to McCandless, nor will it to readers of Krakauer's narrative. (4 maps) (First printing of 35,000; author tour)

Pub Date: Jan. 1, 1996

ISBN: 0-679-42850-X

Page Count: 320

Publisher: Villard

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Oct. 15, 1995

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