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NO VISIBLE BRUISES

WHAT WE DON’T KNOW ABOUT DOMESTIC VIOLENCE CAN KILL US

Bracing and gut-wrenching, with slivers of hope throughout, this is exemplary, moving reportage on an important subject that...

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A powerful exploration of the sinister, insidious nature of domestic violence in America.

As an international reporter for more than two decades, Snyder (Literature/American Univ.; What We've Lost Is Nothing, 2014, etc.) encountered regular acts of violence against women adjacent to the issues she covered. The grim statistics about and the prevalence of unreported incidents both startled and motivated her to begin chronicling the universality of an issue that “is too often hidden.” Through a graphically portrayed series of in-depth profiles, the author discusses how domestic violence has reached epidemic levels while efforts to curb the trend have been historically underfunded and ineffective. She elucidates this point in stories spotlighting both victims and assailants alongside the investigators and family members who’ve become all-consumed with sleuthing the crimes that have torn their relationships apart. She also tackles the complex conundrum facing victims of familial violence who choose to remain in abusive households. Intriguingly, Snyder probes the chilling territory of the perpetrators, sketching them from the inside out. Especially memorable is the author’s incisive coverage of the communities responsible for creating change through victim advocacy, rehabilitative jail programs, batterer intervention groups, and transitional housing. In one scene, Snyder describes a state prison’s group therapy session in which former abusers discuss “their own incidents of violence, times they…denied any wrongdoing, moments they manipulated or verbally threatened partners [and] instances of trivializing their own violent events. They begin to see, some of them for the first time ever, the effect their violence may have had on their victims.” As these stories and perspectives evolve and deepen, the author contributes her own profound introspection on the nature of empathy and relatability, weaving in themes of enduring emotional trauma, the resilience of “deep stereotypes,” and the many manifestations of physical and emotional violence.

Bracing and gut-wrenching, with slivers of hope throughout, this is exemplary, moving reportage on an important subject that often remains in the dark due to shame and/or fear.

Pub Date: May 7, 2019

ISBN: 978-1-63557-097-7

Page Count: 320

Publisher: Bloomsbury

Review Posted Online: Feb. 27, 2019

Kirkus Reviews Issue: March 15, 2019

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WHEN BREATH BECOMES AIR

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...

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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.

Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.

Pub Date: Jan. 19, 2016

ISBN: 978-0-8129-8840-6

Page Count: 248

Publisher: Random House

Review Posted Online: Sept. 29, 2015

Kirkus Reviews Issue: Oct. 15, 2015

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A PEOPLE'S HISTORY OF THE UNITED STATES

For Howard Zinn, long-time civil rights and anti-war activist, history and ideology have a lot in common. Since he thinks that everything is in someone's interest, the historian—Zinn posits—has to figure out whose interests he or she is defining/defending/reconstructing (hence one of his previous books, The Politics of History). Zinn has no doubts about where he stands in this "people's history": "it is a history disrespectful of governments and respectful of people's movements of resistance." So what we get here, instead of the usual survey of wars, presidents, and institutions, is a survey of the usual rebellions, strikes, and protest movements. Zinn starts out by depicting the arrival of Columbus in North America from the standpoint of the Indians (which amounts to their standpoint as constructed from the observations of the Europeans); and, after easily establishing the cultural disharmony that ensued, he goes on to the importation of slaves into the colonies. Add the laborers and indentured servants that followed, plus women and later immigrants, and you have Zinn's amorphous constituency. To hear Zinn tell it, all anyone did in America at any time was to oppress or be oppressed; and so he obscures as much as his hated mainstream historical foes do—only in Zinn's case there is that absurd presumption that virtually everything that came to pass was the work of ruling-class planning: this amounts to one great indictment for conspiracy. Despite surface similarities, this is not a social history, since we get no sense of the fabric of life. Instead of negating the one-sided histories he detests, Zinn has merely reversed the image; the distortion remains.

Pub Date: Jan. 1, 1979

ISBN: 0061965588

Page Count: 772

Publisher: Harper & Row

Review Posted Online: May 26, 2012

Kirkus Reviews Issue: Jan. 1, 1979

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