Exceptional writing, a harrowing coming-of-age story, and critical awareness combine to make a must-read memoir.
The propulsive, forceful account of a young woman making her way against the odds.
Snyder, a professor of creative writing and journalism and the author of No Visible Bruises, a groundbreaking book on domestic violence, shares her own riveting story. The author lost her mother at age 8, and her grieving father threw her into an Evangelical stepfamily that operated with strict hierarchy, control, and violence. “Cancer took my mother,” writes Snyder. “But religion would take my life.” Now known for her extraordinary work as a far-flung journalist (in “Tibet, Nepal, India, Honduras, Guatemala, Mexico, Laos, Cuba, Belize, Romania,” among other locales), as a teenager, the author abused drugs and failed out of high school after compiling “a combined GPA of 0.467.” The tenacity and bravery of a young woman determined to survive and make her own mark on the world move the narrative with unstoppable force as the sentences build in intensity and poignancy. This chronicle of her journey from a troubled teen to globally recognized journalist and new mother is nearly impossible to put down. Most admirably, for all the failings of the adults in her life, Snyder manages the incredible feat of forgiveness. Without downplaying her frank depictions of abuse and neglect, she conveys as much hope as suffering, demonstrating “the bottomless capacity for both human cruelty and human survival.” Writing with a highly effective mixture of distance, reflection, and compassion, the author never loses a palpable sense of immediacy. She has the ability to bring readers to her side, experiencing her life every step of the way. Her astonishing resilience and strength are front and center in her powerful, beautifully rendered prose, which describes her odyssey to “create a life in which I had something to lose.” Anyone moved by No Visible Bruises should put this at the top of their to-read list.
Exceptional writing, a harrowing coming-of-age story, and critical awareness combine to make a must-read memoir.Pub Date: May 23, 2023
ISBN: 9781635579123
Page Count: 272
Publisher: Bloomsbury
Review Posted Online: Feb. 24, 2023
Kirkus Reviews Issue: March 15, 2023
BOOK REVIEW
BOOK REVIEW
It’s not Shakespeare, not by a long shot. But at least it’s not James Franco.
A noted actor turns to verse: “Poems are a Saturday in the middle of the week.”
McConaughey, author of the gracefully written memoir Greenlights, has been writing poems since his teens, closing with one “written in an Australian bathtub” that reads just as a poem by an 18-year-old (Rimbaud excepted) should read: “Ignorant minds of the fortunate man / Blind of the fate shaping every land.” McConaughey is fearless in his commitment to the rhyme, no matter how slight the result (“Oops, took a quick peek at the sky before I got my glasses, / now I can’t see shit, sure hope this passes”). And, sad to say, the slight is what is most on display throughout, punctuated by some odd koanlike aperçus: “Eating all we can / at the all-we-can-eat buffet, / gives us a 3.8 education / and a 4.2 GPA.” “Never give up your right to do the next right thing. This is how we find our way home.” “Memory never forgets. Even though we do.” The prayer portion of the program is deeply felt, but it’s just as sentimental; only when he writes of life-changing events—a court appearance to file a restraining order against a stalker, his decision to quit smoking weed—do we catch a glimpse of the effortlessly fluent, effortlessly charming McConaughey as exemplified by the David Wooderson (“alright, alright, alright”) of Dazed and Confused. The rest is mostly a soufflé in verse. McConaughey’s heart is very clearly in the right place, but on the whole the book suggests an old saw: Don’t give up your day job.
It’s not Shakespeare, not by a long shot. But at least it’s not James Franco.Pub Date: Sept. 16, 2025
ISBN: 9781984862105
Page Count: 208
Publisher: Crown
Review Posted Online: Aug. 15, 2025
Kirkus Reviews Issue: Sept. 15, 2025
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
A blissfully vicarious, heartfelt glimpse into the life of a Manhattan burlesque dancer.
A former New York City dancer reflects on her zesty heyday in the 1970s.
Discovered on a Manhattan street in 2020 and introduced on Stanton’s Humans of New York Instagram page, Johnson, then 76, shares her dynamic history as a “fiercely independent” Black burlesque dancer who used the stage name Tanqueray and became a celebrated fixture in midtown adult theaters. “I was the only black girl making white girl money,” she boasts, telling a vibrant story about sex and struggle in a bygone era. Frank and unapologetic, Johnson vividly captures aspects of her former life as a stage seductress shimmying to blues tracks during 18-minute sets or sewing lingerie for plus-sized dancers. Though her work was far from the Broadway shows she dreamed about, it eventually became all about the nightly hustle to simply survive. Her anecdotes are humorous, heartfelt, and supremely captivating, recounted with the passion of a true survivor and the acerbic wit of a weathered, street-wise New Yorker. She shares stories of growing up in an abusive household in Albany in the 1940s, a teenage pregnancy, and prison time for robbery as nonchalantly as she recalls selling rhinestone G-strings to prostitutes to make them sparkle in the headlights of passing cars. Complemented by an array of revealing personal photographs, the narrative alternates between heartfelt nostalgia about the seedier side of Manhattan’s go-go scene and funny quips about her unconventional stage performances. Encounters with a variety of hardworking dancers, drag queens, and pimps, plus an account of the complexities of a first love with a drug-addled hustler, fill out the memoir with personality and candor. With a narrative assist from Stanton, the result is a consistently titillating and often moving story of human struggle as well as an insider glimpse into the days when Times Square was considered the Big Apple’s gloriously unpolished underbelly. The book also includes Yee’s lush watercolor illustrations.
A blissfully vicarious, heartfelt glimpse into the life of a Manhattan burlesque dancer.Pub Date: July 12, 2022
ISBN: 978-1-250-27827-2
Page Count: 192
Publisher: St. Martin's
Review Posted Online: July 27, 2022
© Copyright 2025 Kirkus Media LLC. All Rights Reserved.
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