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THE WALRUS WHO ESCAPED

Though it's not clear whether this is an original or a traditional tale, it's an appealing addition to the pourquoi shelf.

A tale from an Inuit folklorist and her husband explains how the walrus' tusks came to be straight.

Long ago, the tale begins, creatures could draw upon the Land's mystical Strength to take whatever shape they liked. Walrus uses his lovely, long spiraled tusks to scoop clams up from the seabed. Raven, who loves clams, was envious. Not brave enough to change shape to dive for them herself, she just digs "each clam from the icky shore." One day Walrus makes the mistake of mocking Raven, and she uses the Strength of the Land to freeze the walrus in ice; only his head and snout are above its surface. After Raven's protracted gloating, Walrus finally summons the Strength to break free, emerging with red eyes and straight tusks. The Qitsualik-Tinsleys tell an elemental tale, humor and emotions equally broad and visceral. Short sentences both evoke the oral experience and keep the pacing brisk. Brennan's illustrations meld an animation aesthetic with a cool palette appropriate to the setting. They are at their most successful when depicting the tale's emotional high points; Raven's crackling anger is made manifest with lightning bolts, while Walrus' icy fury is barely contained in his looming bulk. Less emotive moments are weaker, but throughout, there's a pleasing child-friendliness.

Though it's not clear whether this is an original or a traditional tale, it's an appealing addition to the pourquoi shelf. (Picture book. 3-6)

Pub Date: Dec. 1, 2014

ISBN: 978-1-927095-68-3

Page Count: 32

Publisher: Inhabit Media

Review Posted Online: Nov. 3, 2014

Kirkus Reviews Issue: Nov. 15, 2014

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SUN FLOWER LION

As brilliant as can be.

A sun, a flower, and a lion. They look similar, no?

Introduced in a wordless panel before the title page, the three figures bear at least two shapes in common. They’re also the same combination of warm yellow and (somehow just as warm) white, outlined in thick black line that pops against the muted yellow background. The text, divided into six short chapters, goes on to introduce the figures in isolation: “This is the sun. / Can you see it?” the narrator asks before going on to proclaim that the sun “is as bright as a flower.” When the flower is introduced, it’s compared to a lion. The lion? He isn’t compared to anything but instead smells the flower and warms himself in the sun. In the next chapter, the lion dreams that the flowers are sun-sized cookies. He wakes up hungry and runs home as fast as he can. Can readers spot him on the page? Using a vocabulary of fewer than 60 words and their variants—and a visual vocabulary of even fewer shapes and colors—Henkes creates an impeccably designed story that’s rewarding for toddlers and early readers alike. The repetitive structure and tone call to mind the playful simplicity of Mem Fox and Judy Horacek’s Where Is the Green Sheep? (2004). With imagination at its center, this participatory read-aloud also cleverly introduces the concept of simile (“It looks like a lion”) and metaphor (“The flowers are cookies”).

As brilliant as can be. (Picture book. 3-6)

Pub Date: Sept. 22, 2020

ISBN: 978-0-06-286610-3

Page Count: 40

Publisher: Greenwillow Books

Review Posted Online: June 2, 2020

Kirkus Reviews Issue: June 15, 2020

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YOU ARE HOME WITH ME

Instills a sense of well-being in youngsters while encouraging them to explore the natural world.

This reassuring picture book exemplifies how parents throughout the animal kingdom make homes for their offspring.

The narrative is written from the point of view of a parent talking to their child: “If you were a beaver, I would gnaw on trees with my teeth to build a cozy lodge for us to sleep in during the day.” Text appears in big, easy-to-read type, with the name of the creature in boldface. Additional facts about the animal appear in a smaller font, such as: “Beavers have transparent eyelids to help them see under water.” The gathering of land, air, and water animals includes a raven, a flying squirrel, and a sea lion. “Home” might be a nest, a den, or a burrow. One example, of a blue whale who has homes in the north and south (ocean is implied), will help children stretch the concept into feeling at home in the larger world. Illustrations of the habitats have an inviting luminosity. Mature and baby animals are realistically depicted, although facial features appear to have been somewhat softened, perhaps to appeal to young readers. The book ends with the comforting scene of a human parent and child silhouetted in the welcoming lights of the house they approach: “Wherever you may be, you will always have a home with me.”

Instills a sense of well-being in youngsters while encouraging them to explore the natural world. (Informational picture book. 3-5)

Pub Date: Nov. 12, 2019

ISBN: 978-1-63217-224-2

Page Count: 32

Publisher: Little Bigfoot/Sasquatch

Review Posted Online: July 27, 2019

Kirkus Reviews Issue: Aug. 15, 2019

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