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RIDING THE BUS WITH MY SISTER

HOW I LEARNED TO SLOW DOWN AND ENJOY THE RIDE

The three disparate narratives come together quite well and leave the reader cheering for a reconciliation between the...

Family relationships and forgiveness converge in this true-life chronicle by novelist Simon (The Magic Touch, 1994) of a year that gave her better understanding of her mentally retarded sister.

Beth Simon has ridden buses for years. Not the way most people do, to get from point A to point B, but “a dozen a day, some for five minutes, others for hours.” When hyper-busy, thirtysomething Rachel comes for a visit, Beth asks for a holiday gift: for one year, several times a month, her sister will ride the buses with her. Reluctantly, Rachel agrees. Over the course of the year, she slowly comes to appreciate Beth’s ingenuity and stops viewing her solely as a burden. The author gracefully avoids sounding preachy or didactic; she reveals herself to be at times supremely frustrated with her sister’s behavior. (“On seventeen buses, over twelve hours, Beth’s talk brims with spite about the brutes she encounters. . . . Her babble is unceasing, booming, and unvarying from bus to bus.”) The real heroes here are the drivers, who include Beth in family outings, visit her in the hospital, encourage her to try new things, provide her with stability and human connections absent in her highly dysfunctional family. Rachel begins to see that her own life consists of nothing but work; she shut out friends and lovers long ago. This realization, along with Beth’s helpful matchmaking (“I wAnt to havE a driver as a BrothEr in law,” she writes), leads to a significant relationship. Rachel’s reflections on her own life are interspersed with memories of a far-from-ideal childhood: undiagnosed depression exacerbated by Beth’s condition toppled their mother, who took up with a violent ex-con after a nasty divorce.

The three disparate narratives come together quite well and leave the reader cheering for a reconciliation between the sisters and the rest of the family.

Pub Date: Aug. 26, 2002

ISBN: 0-618-04599-6

Page Count: 304

Publisher: Houghton Mifflin

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: June 1, 2002

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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WHEN BREATH BECOMES AIR

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...

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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.

Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.

Pub Date: Jan. 19, 2016

ISBN: 978-0-8129-8840-6

Page Count: 248

Publisher: Random House

Review Posted Online: Sept. 29, 2015

Kirkus Reviews Issue: Oct. 15, 2015

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