Though the believe-in-yourself theme has been told in many ways, Liam holds his own with his quiet determination. Who can...
Another entry in the well-populated genre of animals that experience an existential crisis features a pig who wants to be the Easter Bunny.
Liam the piglet practices hopping and delivering eggs. He tries to like salad. And he copes with his siblings, who tease him, and his parents, who offer lots of advice about what a perfect piglet son he is, without any need for change. His grandparents, however, are more supportive of his unusual ambition, and they provide him with an Easter Bunny suit. (They order it from the Internet, as they are modern grandparents who don’t do homemade costumes.) The costume isn’t perfect, but it gives Liam the confidence to believe in his transformation, and others then accept his new role as well. The understated conclusion could even be interpreted to mean that Liam becomes the Easter Bunny, but each reader can decide what Liam’s role really means. Simple cartoon-style illustrations with thick black outlines are set off against bright backgrounds with lots of pink accents playing up the porcine premise.
Though the believe-in-yourself theme has been told in many ways, Liam holds his own with his quiet determination. Who can resist a piglet who introduces himself with “Hello, my name is Liam and I’ll be your Easter Bunny”? (Picture book. 3-6)Pub Date: Feb. 28, 2012
ISBN: 978-0-312-64988-3
Page Count: 32
Publisher: Feiwel & Friends
Review Posted Online: Feb. 14, 2012
Kirkus Reviews Issue: March 1, 2012
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BOOK REVIEW
BOOK REVIEW
Safe to creep on by.
Carle’s famous caterpillar expresses its love.
In three sentences that stretch out over most of the book’s 32 pages, the (here, at least) not-so-ravenous larva first describes the object of its love, then describes how that loved one makes it feel before concluding, “That’s why… / I[heart]U.” There is little original in either visual or textual content, much of it mined from The Very Hungry Caterpillar. “You are… / …so sweet,” proclaims the caterpillar as it crawls through the hole it’s munched in a strawberry; “…the cherry on my cake,” it says as it perches on the familiar square of chocolate cake; “…the apple of my eye,” it announces as it emerges from an apple. Images familiar from other works join the smiling sun that shone down on the caterpillar as it delivers assurances that “you make… / …the sun shine brighter / …the stars sparkle,” and so on. The book is small, only 7 inches high and 5 ¾ inches across when closed—probably not coincidentally about the size of a greeting card. While generations of children have grown up with the ravenous caterpillar, this collection of Carle imagery and platitudinous sentiment has little of his classic’s charm. The melding of Carle’s caterpillar with Robert Indiana’s iconic LOVE on the book’s cover, alas, draws further attention to its derivative nature.
Safe to creep on by. (Picture book. 3-6)Pub Date: Dec. 15, 2015
ISBN: 978-0-448-48932-2
Page Count: 32
Publisher: Grosset & Dunlap
Review Posted Online: Feb. 1, 2021
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
As ephemeral as a valentine.
Daywalt and Jeffers’ wandering crayons explore love.
Each double-page spread offers readers a vision of one of the anthropomorphic crayons on the left along with the statement “Love is [color].” The word love is represented by a small heart in the appropriate color. Opposite, childlike crayon drawings explain how that color represents love. So, readers learn, “love is green. / Because love is helpful.” The accompanying crayon drawing depicts two alligators, one holding a recycling bin and the other tossing a plastic cup into it, offering readers two ways of understanding green. Some statements are thought-provoking: “Love is white. / Because sometimes love is hard to see,” reaches beyond the immediate image of a cat’s yellow eyes, pink nose, and black mouth and whiskers, its white face and body indistinguishable from the paper it’s drawn on, to prompt real questions. “Love is brown. / Because sometimes love stinks,” on the other hand, depicted by a brown bear standing next to a brown, squiggly turd, may provoke giggles but is fundamentally a cheap laugh. Some of the color assignments have a distinctly arbitrary feel: Why is purple associated with the imagination and pink with silliness? Fans of The Day the Crayons Quit (2013) hoping for more clever, metaliterary fun will be disappointed by this rather syrupy read.
As ephemeral as a valentine. (Picture book. 4-6)Pub Date: Dec. 24, 2019
ISBN: 978-1-5247-9268-8
Page Count: 32
Publisher: Penguin Workshop
Review Posted Online: Feb. 1, 2021
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
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