A daughter’s tender portrait of a woman who lived through terror.
Journalist Unreich makes a graceful book debut with a family history, gleaned from interviews that she conducted with her 89-year-old mother, Mira, before she died from cancer.
Born in a Czech village in 1927, Mira was the youngest of five children of Dolfie and Genya Blumenstock, Jewish shopkeepers. Her peaceful childhood ended in September 1940, when she was 13. Jews were banned from owning businesses or attending school, and their private property was confiscated by Czechoslovakian officials. In 1942, the round-ups began. Vowing to keep his family safe, Dolfie strategized their escape. Mira, like her siblings, had non-Jewish papers, but for her safety was sent away from the family to another town, where she rented a room and worked. At the same time as Dolfie protected his own family, he and his son smuggled Jews out of the Bochnia and Warsaw Ghettos, with the help of non-Jewish drivers. They hid the fugitives in homes, including Dolfie’s own, before sending them on to Budapest. But in 1944, the family met the fate of so many other Jews: Mira witnessed as Dolfie was murdered outside of his house; she and her mother were sent to a camp, one of over 40,000 situated all over Eastern Europe. Kraków-Płaszów, where Mira was sent first, was located in the south of Poland. “Originally a forced labour camp,” Unreich writes, “it had become an effective killing location.” By the time the war ended, Mira had spent nearly eight months in four camps; her mother and a brother had been killed. Mira’s recollections of the cruelty and sadism of the Holocaust are wrenching, yet the experiences did not quash her abiding faith in humanity. As a wife, mother, neighbor, and friend, she both embraced and enacted goodness.
A daughter’s tender portrait of a woman who lived through terror.Pub Date: Nov. 28, 2023
ISBN: 9780063328754
Page Count: 352
Publisher: HarperCollins
Review Posted Online: Sept. 5, 2023
Kirkus Reviews Issue: Oct. 1, 2023
It’s not Shakespeare, not by a long shot. But at least it’s not James Franco.
A noted actor turns to verse: “Poems are a Saturday in the middle of the week.”
McConaughey, author of the gracefully written memoir Greenlights, has been writing poems since his teens, closing with one “written in an Australian bathtub” that reads just as a poem by an 18-year-old (Rimbaud excepted) should read: “Ignorant minds of the fortunate man / Blind of the fate shaping every land.” McConaughey is fearless in his commitment to the rhyme, no matter how slight the result (“Oops, took a quick peek at the sky before I got my glasses, / now I can’t see shit, sure hope this passes”). And, sad to say, the slight is what is most on display throughout, punctuated by some odd koanlike aperçus: “Eating all we can / at the all-we-can-eat buffet, / gives us a 3.8 education / and a 4.2 GPA.” “Never give up your right to do the next right thing. This is how we find our way home.” “Memory never forgets. Even though we do.” The prayer portion of the program is deeply felt, but it’s just as sentimental; only when he writes of life-changing events—a court appearance to file a restraining order against a stalker, his decision to quit smoking weed—do we catch a glimpse of the effortlessly fluent, effortlessly charming McConaughey as exemplified by the David Wooderson (“alright, alright, alright”) of Dazed and Confused. The rest is mostly a soufflé in verse. McConaughey’s heart is very clearly in the right place, but on the whole the book suggests an old saw: Don’t give up your day job.
It’s not Shakespeare, not by a long shot. But at least it’s not James Franco.Pub Date: Sept. 16, 2025
ISBN: 9781984862105
Page Count: 208
Publisher: Crown
Review Posted Online: Aug. 15, 2025
Kirkus Reviews Issue: Sept. 15, 2025
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
A blissfully vicarious, heartfelt glimpse into the life of a Manhattan burlesque dancer.
A former New York City dancer reflects on her zesty heyday in the 1970s.
Discovered on a Manhattan street in 2020 and introduced on Stanton’s Humans of New York Instagram page, Johnson, then 76, shares her dynamic history as a “fiercely independent” Black burlesque dancer who used the stage name Tanqueray and became a celebrated fixture in midtown adult theaters. “I was the only black girl making white girl money,” she boasts, telling a vibrant story about sex and struggle in a bygone era. Frank and unapologetic, Johnson vividly captures aspects of her former life as a stage seductress shimmying to blues tracks during 18-minute sets or sewing lingerie for plus-sized dancers. Though her work was far from the Broadway shows she dreamed about, it eventually became all about the nightly hustle to simply survive. Her anecdotes are humorous, heartfelt, and supremely captivating, recounted with the passion of a true survivor and the acerbic wit of a weathered, street-wise New Yorker. She shares stories of growing up in an abusive household in Albany in the 1940s, a teenage pregnancy, and prison time for robbery as nonchalantly as she recalls selling rhinestone G-strings to prostitutes to make them sparkle in the headlights of passing cars. Complemented by an array of revealing personal photographs, the narrative alternates between heartfelt nostalgia about the seedier side of Manhattan’s go-go scene and funny quips about her unconventional stage performances. Encounters with a variety of hardworking dancers, drag queens, and pimps, plus an account of the complexities of a first love with a drug-addled hustler, fill out the memoir with personality and candor. With a narrative assist from Stanton, the result is a consistently titillating and often moving story of human struggle as well as an insider glimpse into the days when Times Square was considered the Big Apple’s gloriously unpolished underbelly. The book also includes Yee’s lush watercolor illustrations.
A blissfully vicarious, heartfelt glimpse into the life of a Manhattan burlesque dancer.Pub Date: July 12, 2022
ISBN: 978-1-250-27827-2
Page Count: 192
Publisher: St. Martin's
Review Posted Online: July 27, 2022
© Copyright 2025 Kirkus Media LLC. All Rights Reserved.
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