by Rafe Bartholomew ‧ RELEASE DATE: May 9, 2017
Bartholomew does both his father and McSorley’s proud with this touching, redolent memoir.
A boy comes of age in one of New York’s most storied watering holes.
There is no bar in New York City—perhaps even all of America—with as much history as McSorley’s Old Ale House, which opened on East 7th Street in 1854. It was a campaign stop for Abraham Lincoln, a gathering spot for Boss Tweed and his Tammany Hall cronies, and a hangout for decades of artists, poets, and musicians. But for former Grantland editor Bartholomew (Pacific Rims: Beermen Ballin' in Flip-Flops and the Philippines' Unlikely Love Affair with Basketball, 2010), McSorley’s was just home. His father, Geoffrey “Bart” Bartholomew, was a bartender, doling out pints of the bar’s signature light and dark ales for 45 years—an almost unimaginable career choice for a recovering alcoholic. As a child, Bartholomew would spend magical weekend mornings at the bar with his father, playing with the mouser cat in the basement, eating hamburgers in the kitchen, and doing odd jobs. Bart never wanted to see his son behind the bar; he was a working-class kid from Ohio who’d nearly been killed by his drunk of a father and a long-suffering aspiring writer who’d never seen his literary dreams actualized. But when Rafe had a college degree in hand and a day job as an editorial assistant at Harper’s, Bart acquiesced and let Rafe pick up a few shifts (Rafe quickly realized that his tips would eclipse his full-time publishing salary). The author expertly weaves together entertaining stories from his nights behind the bar (note: never work at an Irish pub on St. Paddy’s Day) with more poignant moments between father and son—particularly after Rafe’s mother (who was not much a part of life at McSorley’s but “was everything else”) died from a quick and unexpected bout with cancer.
Bartholomew does both his father and McSorley’s proud with this touching, redolent memoir.Pub Date: May 9, 2017
ISBN: 978-0-316-23159-6
Page Count: 288
Publisher: Little, Brown
Review Posted Online: March 1, 2017
Kirkus Reviews Issue: March 15, 2017
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by Elie Wiesel & translated by Marion Wiesel ‧ RELEASE DATE: Jan. 16, 2006
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
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by Elie Wiesel ; edited by Alan Rosen
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by Elie Wiesel ; illustrated by Mark Podwal
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by Elie Wiesel ; translated by Marion Wiesel
by Paul Kalanithi ‧ RELEASE DATE: Jan. 19, 2016
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
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