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SHADOW CHILD

A long and winding fusion of sorrow and psychological processing.

A mother’s traumas haunt her twin daughters, whose own intricate relationship further complicates an intense psychodrama.

What begins as a thriller—who tried to strangle Hana Swanson’s identical twin sister, Kei, found unconscious in the shower?—morphs rapidly into something far more melancholy and introspective in Rizzuto’s (Hiroshima in the Morning, 2010, etc.) second novel. Narrated in multiple voices, it explores the sisters’ contrasting identities and responses to their mother Lillie’s experience as a Japanese-American during and after World War II. Lillie, an orphan, marries Donald, the son of Japanese immigrants, soon after the U.S. is attacked at Pearl Harbor. Soon, Lillie and her new family are relocated to Manzanar, a harsh internment camp, where she gives birth to a son, Toshi. Then, after Donald refuses to foreswear allegiance to the Japanese emperor, his father manages to get the family passage on a Swedish ship heading for Japan. The family settles in Hiroshima, where history will catch up with them. Lillie is a poisoned survivor of the atomic bomb, while Donald and Toshi disappear. Resettled in Hawaii after the war, Lillie gives birth to Hana and Kei, the good twin and the rebellious one, who sometimes swap identities or merge into a single personality, Koko, or can even seem to contain their lost brother, “two souls battling for the same body.” Rizzuto’s blurring of the twins’ identities is perhaps the most interesting aspect of her relentlessly dark saga of loss, fear, guilt, alienation, and scarring (both physical and psychological). Hana’s narration predominates, a broken account of an unhappy childhood leading to a withdrawn adulthood. Crises, revelations, and corrected misunderstandings fill the final chapters, offering some clarity but not much cheer.

A long and winding fusion of sorrow and psychological processing.

Pub Date: May 8, 2018

ISBN: 978-1-5387-1145-3

Page Count: 352

Publisher: Grand Central Publishing

Review Posted Online: March 5, 2018

Kirkus Reviews Issue: March 15, 2018

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THE NIGHTINGALE

Still, a respectful and absorbing page-turner.

Hannah’s new novel is an homage to the extraordinary courage and endurance of Frenchwomen during World War II.

In 1995, an elderly unnamed widow is moving into an Oregon nursing home on the urging of her controlling son, Julien, a surgeon. This trajectory is interrupted when she receives an invitation to return to France to attend a ceremony honoring passeurs: people who aided the escape of others during the war. Cut to spring, 1940: Viann has said goodbye to husband Antoine, who's off to hold the Maginot line against invading Germans. She returns to tending her small farm, Le Jardin, in the Loire Valley, teaching at the local school and coping with daughter Sophie’s adolescent rebellion. Soon, that world is upended: The Germans march into Paris and refugees flee south, overrunning Viann’s land. Her long-estranged younger sister, Isabelle, who has been kicked out of multiple convent schools, is sent to Le Jardin by Julien, their father in Paris, a drunken, decidedly unpaternal Great War veteran. As the depredations increase in the occupied zone—food rationing, systematic looting, and the billeting of a German officer, Capt. Beck, at Le Jardin—Isabelle’s outspokenness is a liability. She joins the Resistance, volunteering for dangerous duty: shepherding downed Allied airmen across the Pyrenees to Spain. Code-named the Nightingale, Isabelle will rescue many before she's captured. Meanwhile, Viann’s journey from passive to active resistance is less dramatic but no less wrenching. Hannah vividly demonstrates how the Nazis, through starvation, intimidation and barbarity both casual and calculated, demoralized the French, engineering a community collapse that enabled the deportations and deaths of more than 70,000 Jews. Hannah’s proven storytelling skills are ideally suited to depicting such cataclysmic events, but her tendency to sentimentalize undermines the gravitas of this tale.

Still, a respectful and absorbing page-turner.

Pub Date: Feb. 3, 2015

ISBN: 978-0-312-57722-3

Page Count: 448

Publisher: St. Martin's

Review Posted Online: Nov. 19, 2014

Kirkus Reviews Issue: Dec. 1, 2014

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THE GREAT ALONE

A tour de force.

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In 1974, a troubled Vietnam vet inherits a house from a fallen comrade and moves his family to Alaska.

After years as a prisoner of war, Ernt Allbright returned home to his wife, Cora, and daughter, Leni, a violent, difficult, restless man. The family moved so frequently that 13-year-old Leni went to five schools in four years. But when they move to Alaska, still very wild and sparsely populated, Ernt finds a landscape as raw as he is. As Leni soon realizes, “Everyone up here had two stories: the life before and the life now. If you wanted to pray to a weirdo god or live in a school bus or marry a goose, no one in Alaska was going to say crap to you.” There are many great things about this book—one of them is its constant stream of memorably formulated insights about Alaska. Another key example is delivered by Large Marge, a former prosecutor in Washington, D.C., who now runs the general store for the community of around 30 brave souls who live in Kaneq year-round. As she cautions the Allbrights, “Alaska herself can be Sleeping Beauty one minute and a bitch with a sawed-off shotgun the next. There’s a saying: Up here you can make one mistake. The second one will kill you.” Hannah’s (The Nightingale, 2015, etc.) follow-up to her series of blockbuster bestsellers will thrill her fans with its combination of Greek tragedy, Romeo and Juliet–like coming-of-age story, and domestic potboiler. She re-creates in magical detail the lives of Alaska's homesteaders in both of the state's seasons (they really only have two) and is just as specific and authentic in her depiction of the spiritual wounds of post-Vietnam America.

A tour de force.

Pub Date: Feb. 6, 2018

ISBN: 978-0-312-57723-0

Page Count: 448

Publisher: St. Martin's

Review Posted Online: Oct. 30, 2017

Kirkus Reviews Issue: Nov. 15, 2017

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