This culturally relevant, STEM-savvy picture book showcases a strong female protagonist.
It’s the Hindu holiday Raksha Bandhan, when sisters give brothers bracelets to ask for their protection from harm.
This year, Bina is old enough to make bracelets for her three older brothers: Vijay, Siddharth, and Arjun. To prepare, she asks each brother about their favorite and least favorite colors. At the craft store, Bina and her mother pick out blue, orange, and green beads along with some special beads that represent each of the brother’s interests: a book, a basketball, and a pair of musical notes. When they return from the store, and with the help of her dog, Tara, Bina gets to work. For each bracelet, she creates a pattern using the colors that each brother likes—something that can be confusing to remember and results in a few do-overs. Eventually, Bina creates three different bracelets using three different color patterns, each one perfect for her brothers. On Raksha Bandhan, Bina’s gifts are a hit—and so is the gift that the brothers give Bina, even if it doesn’t necessarily follow a pattern. Basing a plot on Raksha Bandhan, which has come under criticism for its gendered emphasis on girls’ needing protection from boys, feels like a strange way to introduce a spunky female protagonist like Bina. Still, the text does seamlessly integrate the mathematical concept of patterning into a fun and accurate modern twist on an ancient religious tradition. The colorful illustrations perfectly capture Bina’s impish spirit as well as her love for her family. An author’s note expands on both Raksha Bandhan and patterns.
This culturally relevant, STEM-savvy picture book showcases a strong female protagonist. (Picture book. 3-6)Pub Date: April 20, 2021
ISBN: 978-1-62354-129-3
Page Count: 32
Publisher: Charlesbridge
Review Posted Online: March 1, 2021
Kirkus Reviews Issue: March 15, 2021
Safe to creep on by.
Carle’s famous caterpillar expresses its love.
In three sentences that stretch out over most of the book’s 32 pages, the (here, at least) not-so-ravenous larva first describes the object of its love, then describes how that loved one makes it feel before concluding, “That’s why… / I[heart]U.” There is little original in either visual or textual content, much of it mined from The Very Hungry Caterpillar. “You are… / …so sweet,” proclaims the caterpillar as it crawls through the hole it’s munched in a strawberry; “…the cherry on my cake,” it says as it perches on the familiar square of chocolate cake; “…the apple of my eye,” it announces as it emerges from an apple. Images familiar from other works join the smiling sun that shone down on the caterpillar as it delivers assurances that “you make… / …the sun shine brighter / …the stars sparkle,” and so on. The book is small, only 7 inches high and 5 ¾ inches across when closed—probably not coincidentally about the size of a greeting card. While generations of children have grown up with the ravenous caterpillar, this collection of Carle imagery and platitudinous sentiment has little of his classic’s charm. The melding of Carle’s caterpillar with Robert Indiana’s iconic LOVE on the book’s cover, alas, draws further attention to its derivative nature.
Safe to creep on by. (Picture book. 3-6)Pub Date: Dec. 15, 2015
ISBN: 978-0-448-48932-2
Page Count: 32
Publisher: Grosset & Dunlap
Review Posted Online: Feb. 1, 2021
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
As ephemeral as a valentine.
Daywalt and Jeffers’ wandering crayons explore love.
Each double-page spread offers readers a vision of one of the anthropomorphic crayons on the left along with the statement “Love is [color].” The word love is represented by a small heart in the appropriate color. Opposite, childlike crayon drawings explain how that color represents love. So, readers learn, “love is green. / Because love is helpful.” The accompanying crayon drawing depicts two alligators, one holding a recycling bin and the other tossing a plastic cup into it, offering readers two ways of understanding green. Some statements are thought-provoking: “Love is white. / Because sometimes love is hard to see,” reaches beyond the immediate image of a cat’s yellow eyes, pink nose, and black mouth and whiskers, its white face and body indistinguishable from the paper it’s drawn on, to prompt real questions. “Love is brown. / Because sometimes love stinks,” on the other hand, depicted by a brown bear standing next to a brown, squiggly turd, may provoke giggles but is fundamentally a cheap laugh. Some of the color assignments have a distinctly arbitrary feel: Why is purple associated with the imagination and pink with silliness? Fans of The Day the Crayons Quit (2013) hoping for more clever, metaliterary fun will be disappointed by this rather syrupy read.
As ephemeral as a valentine. (Picture book. 4-6)Pub Date: Dec. 24, 2019
ISBN: 978-1-5247-9268-8
Page Count: 32
Publisher: Penguin Workshop
Review Posted Online: Feb. 1, 2021
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
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