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POETRY MATTERS

Name: POETRY MATTERS
Author: Ralph Fletcher
ISBN: 0-380-79703-8

WRITING A POEM FROM THE INSIDE OUT

by Ralph Fletcher ‧ RELEASE DATE: March 1, 2002

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In this pep talk for aspiring poets, Fletcher (Have You Been to the Beach Lately, 2001, etc.) speaks directly to his readers in a chatty, non-threatening manner, as if he were a guest lecturer in their classrooms or homes and he reminds his audience that poetry must be an honest expression of the heart and soul. In the first of two parts, he focuses on what he calls “the guts” of poetry: “emotion, image, and music.” He explains the key role that each of these elements plays in the creative process and he also tackles the tricky problem of selecting a subject. The second part involves the nuts and bolts of crafting a poem. Throughout, he cites extensively from his own work, as well as those by other published writers and students. Also included are several interviews with poets who are asked about their inspirations, methods of writing, and advice to young poets. There is a lot of information to digest and understand, and it is not always presented clearly; ideas are thrown at the reader in rapid succession with hardly a breath in between. Each idea is ostensibly illustrated by a poem, but in too many cases neither the idea nor the poem is adequately explained before the next one comes along. Fletcher is obviously passionate about his subject. However, he might do well to follow the warning he gives to young poets: “beware of going on and on and draining the energy.” Someone already intrigued with the idea of writing poetry might find just the right hints and tools here to spark that first successful poem. Anyone else will be overwhelmed and confused. (Nonfiction. 10-12)

Pub Date: March 1, 2002

ISBN: 0-380-79703-8

Page Count: 128

Publisher: HarperCollins

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Feb. 15, 2002

Categories:

CHILDREN'S POETRY

- BOOK REVIEW
THE WORLD'S LONELIEST ELEPHANT
by Ralph Fletcher ; illustrated by Naoko Stoop

- BOOK REVIEW
MARSHFIELD MEMORIES
by Ralph Fletcher

- BOOK REVIEW
GUY-WRITE
by Ralph Fletcher

THE OXFORD ILLUSTRATED BOOK OF AMERICAN CHILDREN'S POEMS

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THE OXFORD ILLUSTRATED BOOK OF AMERICAN CHILDREN'S POEMS

by Donald Hall ‧ RELEASE DATE: Nov. 11, 1999

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Hall (The Oxford Book of Children’s Verse in America, 1985, etc.), offers up a chestnut-flavored alternative for younger readers, matching roughly contemporary illustrations to one or two selections from each of 57 American poets. To the usual suspects—Eugene Field’s “Wynken, Blynken and Nod,” Emily Dickinson’s “I’m nobody, who are you?” and even Carl Sandburg’s “Fog”—he adds more recent works from the likes of Jack Prelutsky, Gary Soto, Sandra Cisneros, and Janet S. Wong; he also includes three poems attributed somewhat baldly to an “Anonymous Native American.” The art comprises a gallery of American illustration, from crude 18th-century woodcuts, through Jessie Willcox Smith, to Marcia Brown and the Dillons. Writing that “poetry is most poetry when it makes noise,” Hall recommends these verses for reading aloud and memorization, exhorting parents and children to appreciate how they “preserve a moment of the American past.” A safe collection, seldom veering from the canon. (index) (Poetry. 9-11)

Pub Date: Nov. 11, 1999

ISBN: 0-19-512373-5

Page Count: 93

Publisher: Oxford Univ.

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Nov. 15, 1999

Categories:

CHILDREN'S POETRY

- BOOK REVIEW
THE MILKMAN'S BOY
by Donald Hall & illustrated by Greg Shed

- BOOK REVIEW
OLD HOME DAY
by Donald Hall & illustrated by Emily Arnold McCully

- BOOK REVIEW
WHEN WILLARD MET BABE RUTH
by Donald Hall & illustrated by Barry Moser

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HERE COMES MOTHER GOOSE

edited by Iona Opie ‧ RELEASE DATE: Oct. 1, 1999

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This oversized companion to the much ballyhooed My Very First Mother Goose (1996) will take toddlers and ex-toddlers deeper into the playscapes of the language, to meet Old King Cole, Old Mother Hubbard, and Dusty Bill From Vinegar Hill; to caper about the mulberry bush, polka with My Aunt Jane, and dance by the light of the moon. Mixing occasional humans into her furred and feathered cast, Wells creates a series of visual scenarios featuring anywhere from one big figure, often dirty or mussed, to every single cat on the road to St. Ives (over a thousand). Opie cuts longer rhymes down to two or three verses, and essays a sly bit of social commentary by switching the answers to what little girls and boys are made of. Though Wells drops the ball with this last, legitimizing the boys’ presence in a kitchen by dressing them as chefs, in general the book is plainly the work of a match made in heaven, and merits as much popularity as its predecessor. (Folklore. 1-6)