Literary readers will prefer Michael Shaara and Shelby Steele, and unliterary ones will want their Newt Gingrich. But...

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CAIN AT GETTYSBURG

Action-packed treatment of one of the bloodiest episodes of the Civil War, rendered with all due gruesomeness.

Michael Shaara’s 1974 novel The Killer Angels, writes Peters (The Officers’ Club, 2011, etc.), is the gold standard of fiction about the Battle of Gettysburg, adding that it appeared in a time when regard for the military was low and “citizens had to be reminded that towering heroes wore our country’s uniform.” Or, perhaps better, our country’s, and another country’s, uniforms. Whatever the case, Peters, a former military officer, is more reverentially disposed to the people who fight wars in a time when the culture seems worshipful of armed might. His version of Gettysburg, therefore, is vigorous, decisive, stern and otherwise populated by heroic figures. Regardless of the two authors’ respective attitude toward the business of killing, Peters is both historically accurate and a well-practiced storyteller. He also has a good sense of the language and culture of the time; when Robert E. Lee enters the scene, for instance, Peters’ prose becomes somber and portentous: “Still a mere John Churchill, he had seen to it that new shoes awaited his soldiers along his line of march. But Lee had men who had gone without shoes for months. At Chancellorsville, he had hoped for a Blenheim, but ended with a gory Malplaquet.” When Lee’s counterpart, George Meade, is on stage, Peters’ back-and-forth is snappier, suggesting Meade’s impatience; he even provides Meade with a motivation for success, for “fending off Lee would secure his family’s place in Philadelphia for generations.” Among the many strong points of Peters’ version is his attention to the immigrant players on the battlefield, the Polish and Irish and German soldiers from North and South who fought and died for their version of freedom. Familiar figures—Chamberlain, Longstreet—are here too, but these overlooked characters add depth and diversity to the tale.

Literary readers will prefer Michael Shaara and Shelby Steele, and unliterary ones will want their Newt Gingrich. But Peters’ novel holds up well, and it’s welcome in the vast library of books about the Civil War’s great turning point.

Pub Date: Feb. 1, 2012

ISBN: 978-0-7653-3047-5

Page Count: 432

Publisher: Forge

Review Posted Online: Jan. 9, 2012

Kirkus Reviews Issue: Jan. 15, 2012

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Inspired by disclosures of a real-life Florida reform school’s long-standing corruption and abusive practices, Whitehead’s...

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THE NICKEL BOYS

The acclaimed author of The Underground Railroad (2016) follows up with a leaner, meaner saga of Deep South captivity set in the mid-20th century and fraught with horrors more chilling for being based on true-life atrocities.

Elwood Curtis is a law-abiding, teenage paragon of rectitude, an avid reader of encyclopedias and after-school worker diligently overcoming hardships that come from being abandoned by his parents and growing up black and poor in segregated Tallahassee, Florida. It’s the early 1960s, and Elwood can feel changes coming every time he listens to an LP of his hero Martin Luther King Jr. sermonizing about breaking down racial barriers. But while hitchhiking to his first day of classes at a nearby black college, Elwood accepts a ride in what turns out to be a stolen car and is sentenced to the Nickel Academy, a juvenile reformatory that looks somewhat like the campus he’d almost attended but turns out to be a monstrously racist institution whose students, white and black alike, are brutally beaten, sexually abused, and used by the school’s two-faced officials to steal food and supplies. At first, Elwood thinks he can work his way past the arbitrary punishments and sadistic treatment (“I am stuck here, but I’ll make the best of it…and I’ll make it brief”). He befriends another black inmate, a street-wise kid he knows only as Turner, who has a different take on withstanding Nickel: “The key to in here is the same as surviving out there—you got to see how people act, and then you got to figure out how to get around them like an obstacle course.” And if you defy them, Turner warns, you’ll get taken “out back” and are never seen or heard from again. Both Elwood’s idealism and Turner’s cynicism entwine into an alliance that compels drastic action—and a shared destiny. There's something a tad more melodramatic in this book's conception (and resolution) than one expects from Whitehead, giving it a drugstore-paperback glossiness that enhances its blunt-edged impact.

Inspired by disclosures of a real-life Florida reform school’s long-standing corruption and abusive practices, Whitehead’s novel displays its author’s facility with violent imagery and his skill at weaving narrative strands into an ingenious if disquieting whole.

Pub Date: July 16, 2019

ISBN: 978-0-385-53707-0

Page Count: 224

Publisher: Doubleday

Review Posted Online: Jan. 21, 2019

Kirkus Reviews Issue: Feb. 1, 2019

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The writing is merely serviceable, and one can’t help but wish the author had found a way to present her material as...

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THE TATTOOIST OF AUSCHWITZ

An unlikely love story set amid the horrors of a Nazi death camp.

Based on real people and events, this debut novel follows Lale Sokolov, a young Slovakian Jew sent to Auschwitz in 1942. There, he assumes the heinous task of tattooing incoming Jewish prisoners with the dehumanizing numbers their SS captors use to identify them. When the Tätowierer, as he is called, meets fellow prisoner Gita Furman, 17, he is immediately smitten. Eventually, the attraction becomes mutual. Lale proves himself an operator, at once cagey and courageous: As the Tätowierer, he is granted special privileges and manages to smuggle food to starving prisoners. Through female prisoners who catalog the belongings confiscated from fellow inmates, Lale gains access to jewels, which he trades to a pair of local villagers for chocolate, medicine, and other items. Meanwhile, despite overwhelming odds, Lale and Gita are able to meet privately from time to time and become lovers. In 1944, just ahead of the arrival of Russian troops, Lale and Gita separately leave the concentration camp and experience harrowingly close calls. Suffice it to say they both survive. To her credit, the author doesn’t flinch from describing the depravity of the SS in Auschwitz and the unimaginable suffering of their victims—no gauzy evasions here, as in Boy in the Striped Pajamas. She also manages to raise, if not really explore, some trickier issues—the guilt of those Jews, like the tattooist, who survived by doing the Nazis’ bidding, in a sense betraying their fellow Jews; and the complicity of those non-Jews, like the Slovaks in Lale’s hometown, who failed to come to the aid of their beleaguered countrymen.

The writing is merely serviceable, and one can’t help but wish the author had found a way to present her material as nonfiction. Still, this is a powerful, gut-wrenching tale that is hard to shake off.

Pub Date: Sept. 4, 2018

ISBN: 978-0-06-279715-5

Page Count: 272

Publisher: Harper/HarperCollins

Review Posted Online: July 17, 2018

Kirkus Reviews Issue: Aug. 1, 2018

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