The circle of friends and relations surrounding a talented, immensely cynical, half-Russian artist cope in their various ways with the terrifying breakup of the Communist order in the Soviet Union. Peters's (The War in 2020, etc.) guide on this latest trip through the ruins of Lenin's great experiment is politically acceptable painter Sasha Leskov. Leskov, one of two sons of a Latvian mother and Russian military father, has come to a pleasant accommodation with the art apparat. The painters' union sends him off on assignments to paint flatteringly glorious military leaders, their battles, and their wives. In exchange for this ridiculous work, Leskov gets his own apartment, a nice salary, and the freedom to paint his own unsalable pictures. But this pleasant agreement founders as Gorbachev's new policies begin to shake things up. First in East Germany and later, in Riga, Leskov sniffs the first disturbing scents of freedom, and back in Moscow he finds that some of his friends are reaching better arrangements with the West than he's ever had in the USSR. At the same time, his domestic life becomes completely disrupted by an intense affair with Shirin Talala, the wild daughter of an immensely corrupt Uzbek politician, and enriched by the unlikely friendship of young career soldier Mikhail Samsonov. The affair with Shirin inevitably involves Sasha in the undeclared war springing up between the Russians and republics like Uzbekistan, and it's an involvement that deeply frightens Sasha's estranged brother Pavel, a KGB colonel who sees rather farther into the future than he would like. Among the great worries down the road is the ever less controlled force of Islamic fundamentalism. First-rate. Not only does Peters know everything there is to know about the old Soviet Union, but he writes beautifully and fits everything into a tight and original plot. The scenery, including trips to Samarkand and Tashkent, is not to be missed.
Pub Date: May 1, 1993
ISBN: 0-671-73738-4
Page Count: 416
Publisher: Pocket
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Feb. 15, 1993
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.
Pub Date: July 11, 1960
ISBN: 0060935464
Page Count: 323
Publisher: Lippincott
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: July 1, 1960
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
Soft-focus story moves right along with few surprises. This time around, Hannah avoids the soap-opera complications of her...
Another middle-aged mom in a muddle.
After years of false starts and big hopes, Elizabeth’s ruggedly handsome husband Jack, a former football star, just landed a spot as a sportscaster on national news. He still loves her, even though much younger women are giving him come-hither looks. Heck, he doesn’t want to betray the love of his life after she helped him kick drugs and stuck by him even when he was a struggling has-been. And won’t it seem hypocritical if he fools around with his sexy assistant while he does in-depth reporting on a rape case involving a famous basketball center? Well, he fools around anyway. Elizabeth, nicknamed Birdie, knows nothing of this, but she withdraws from Jack when her hard-drinking, salt-of-the-earth father has a stroke and dies. Now no one will call her “sugar beet” ever again. Time to return home to Tennessee and contend with Anita, the sort-of-evil stepmother so trashy she wears pink puffy slippers all day long. Naturally, it turns out that Anita actually has a heart of gold and knows a few things about Birdie’s dead mother that were hushed up for years. Mom was an artist, just like Birdie, and an old scandal comes to light as Anita unrolls a vibrant canvas that portrays her secret lover. Perhaps, Birdie muses, her mother died of heartbreak, never having followed her true love or developed her talent. Has she, too, compromised everything she holds dear? Hoping to find out, Birdie joins a support group that promises to reconnect confused women with their passion. She and Jack separate, prompting a how-dare-you fit from their grown daughters. Will Birdie fly her empty nest? Will she go back to college for a degree in art? Will her brooding watercolors ever sell?
Soft-focus story moves right along with few surprises. This time around, Hannah avoids the soap-opera complications of her previous tales (Summer Island, 2001, etc.).Pub Date: July 1, 2002
ISBN: 0-345-45071-X
Page Count: 352
Publisher: Ballantine
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 15, 2002
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