A rollicking, good-spirited ride that’s weakened by the weight of its ambition.




A collection of tall tales linked together by an ageless traveler.

Debut author Sevush leads readers on an imaginative tour of pulp genres and popular mythology. It begins with a pithy potboiler of a tale, “Emmett, Joey, & the Beelz,” about a drug addict, Joey Low, who may have crossed the wrong gangster, known as “the Beelz,” who he fears has marked him for vengeance. Alternatively, he may be in the final stages of a centurieslong bargain struck between a 16th-century rabbi named Judah Loewe and a divine being named Bezalel in order to rein in the terror of the Golem of Prague. Supernatural reality and heroin hallucination are granted equal plausibility in Sevush’s opening gambit, and he enjoys teasing similar balances throughout the book. For instance, “Goat-man,” the narrator of the second story, “La Joie de Vivre, or, Picasso & the Satyr,” wonders whether he’s really receiving a visit from a being called Faunus while drinking in a Paris cafe in the 1960s: “Hah,” he thinks. “Nothing more than my wine-addled mind turned in upon itself.” The collection’s central trope is revealed when the narrator is shown to be Joseph (aka Joey or Judah), a journeyman existing beyond time and place. The character thenceforth serves as the reader’s guide through journeys to the Old West, World War II–era Japan, and even a robot mining colony on a distant planet. Each episode makes intimations of cosmic significance, and Sevush concludes his compendium with a take on Arthurian legend in which Joseph becomes a vessel for unleashing ancient gods. This last, however, serves as the best example of the collection’s consistent problem: huge scope but limited space. Overall, these stories are grand, worldbuilding genre pieces condensed into a few pages each, and Sevush displays great facility with the rhythm and lexicon of the various styles he assays. However, the economy of style flattens the narrative as a whole, as it relegates each story to being an homage rather than a serious addition to the canon. Furthermore, Joseph’s involvement in some tales is often little more than a fictional editor’s note or introductory letter, making this framing device seem like an attempt to link unrelated stories that once existed discretely.

A rollicking, good-spirited ride that’s weakened by the weight of its ambition.

Pub Date: June 10, 2016

ISBN: 978-0-692-73851-1

Page Count: 176

Publisher: taQ'Lut Press

Review Posted Online: Feb. 24, 2017

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Kin “[find] each other’s lives inscrutable” in this rich, sharp story about the way identity is formed.

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Inseparable identical twin sisters ditch home together, and then one decides to vanish.

The talented Bennett fuels her fiction with secrets—first in her lauded debut, The Mothers (2016), and now in the assured and magnetic story of the Vignes sisters, light-skinned women parked on opposite sides of the color line. Desiree, the “fidgety twin,” and Stella, “a smart, careful girl,” make their break from stultifying rural Mallard, Louisiana, becoming 16-year-old runaways in 1954 New Orleans. The novel opens 14 years later as Desiree, fleeing a violent marriage in D.C., returns home with a different relative: her 8-year-old daughter, Jude. The gossips are agog: “In Mallard, nobody married dark....Marrying a dark man and dragging his blueblack child all over town was one step too far.” Desiree's decision seals Jude’s misery in this “colorstruck” place and propels a new generation of flight: Jude escapes on a track scholarship to UCLA. Tending bar as a side job in Beverly Hills, she catches a glimpse of her mother’s doppelgänger. Stella, ensconced in white society, is shedding her fur coat. Jude, so black that strangers routinely stare, is unrecognizable to her aunt. All this is expertly paced, unfurling before the book is half finished; a reader can guess what is coming. Bennett is deeply engaged in the unknowability of other people and the scourge of colorism. The scene in which Stella adopts her white persona is a tour de force of doubling and confusion. It calls up Toni Morrison’s The Bluest Eye, the book's 50-year-old antecedent. Bennett's novel plays with its characters' nagging feelings of being incomplete—for the twins without each other; for Jude’s boyfriend, Reese, who is trans and seeks surgery; for their friend Barry, who performs in drag as Bianca. Bennett keeps all these plot threads thrumming and her social commentary crisp. In the second half, Jude spars with her cousin Kennedy, Stella's daughter, a spoiled actress.

Kin “[find] each other’s lives inscrutable” in this rich, sharp story about the way identity is formed.

Pub Date: June 2, 2020

ISBN: 978-0-525-53629-1

Page Count: 352

Publisher: Riverhead

Review Posted Online: March 15, 2020

Kirkus Reviews Issue: April 1, 2020

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More Hallmarkiana, from a shameless expert in the genre.


High-stakes weepmeister Sparks (A Walk to Remember, 1999, etc.) opts for a happy ending his fourth time out. His writing has improved—though it's still the equivalent of paint-by-numbers—and he makes use this time of at least a vestige of credible psychology.

That vestige involves the deep dark secret—it has something to do with his father's death when son Taylor was nine—that haunts kind, good 36-year-old local contractor Taylor McAden and makes him withdraw from relationships whenever they start getting serious enough to maybe get permanent. He's done this twice before, and now he does it again with pretty and sweet single mother Denise Holton, age 29, who's moved from Atlanta to Taylor's town of Edenton, North Carolina, in order to devote her time more fully to training her four-year-old son Kyle to overcome the peculiar impediment he has that keeps him from achieving normal language acquisition. Okay? When Denise has a car accident in a bad storm, she's rescued by volunteer fireman Taylor—who also rescues little Kyle after he wanders away from his injured mom in the storm. Love blooms in the weeks that follow—until Taylor suddenly begins putting on the brakes. What is it that holds him back, when there just isn't any question but that he loves Denise and vice versa-not to mention that he's "great" with Kyle, just like a father? It will require a couple of near-death experiences (as fireman Taylor bravely risks his life to save others); emotional steadiness from the intelligent, good, true Denise; and the terrible death of a dear and devoted friend before Taylor will come to the point at last of confiding to Denise the terrible memory of how his father died—and the guilt that's been its legacy to Taylor. The psychological dam broken, love will at last be able to flow.

More Hallmarkiana, from a shameless expert in the genre.

Pub Date: Sept. 19, 2000

ISBN: 0-446-52550-2

Page Count: 352

Publisher: N/A

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: July 15, 2000

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