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LET THE DEAD BURY THEIR DEAD

Name: LET THE DEAD BURY THEIR DEAD
Author: Randall Kenan
ISBN: 0-15-149886-5

AND OTHER STORIES

by Randall Kenan ‧ RELEASE DATE: April 1, 1992

A wildly uneven but always original portrait of a southern community—and a stimulating collection of tales by a courageous...

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Kenan follows his first novel (Visitation of the Spirits, 1989) with a captivating, baroque history of fictional Tims Creek, North Carolina, whose citizens—both black and white—have experienced more than their share of unearthly wonders.

Tims Creek looks to outsiders like a dull North Carolina backwater settled by the descendants of slaves and slaveholders, now farmers, shop owners, factory workers, and general layabouts. But locals, as Kenan makes clear in the telling, know that nearly every dwelling in this fertile country houses a fascinating, if rarely flattering, tale. The Pickett house harbors the legend of three-year-old Clarence, who foretold his neighbors' fate (whether or not they wanted to hear it) and communicated with the dead until they called him to join them at the age of five; the rundown Williams shack shelters young Dean Williams, who foolishly agreed to seduce the town's richest black man in exchange for the promise of a job as a factory foreman; in the Pearsall home, a middle-aged mother unravels to the point of infanticide; and on her own front porch, old Maggie MacGowan Williams tries to come to terms with the fact of her beloved grandson's homosexuality. In coloring in the background of a town founded by runaway slaves, sustained by hypocritical preachers and ambitious exiled intellectuals, and taken over by bloodless modern-day manipulators—a land in which the dead live side by side with the living and the good fraternize with evil as a matter of course—Kenan switches unpredictably from the seductive rhythms of traditional folk tales to a drier, more distanced narrative voice, and even, in the title story, to a playful takeoff of a scholarly oral history, complete with lengthy footnotes.

A wildly uneven but always original portrait of a southern community—and a stimulating collection of tales by a courageous and humorous author.

Pub Date: April 1, 1992

ISBN: 0-15-149886-5

Page Count: 330

Publisher: Harcourt

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Jan. 15, 1992

Categories:

GENERAL FICTION

- BOOK REVIEW
BLACK FOLK COULD FLY
by Randall Kenan

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IF I HAD TWO WINGS
by Randall Kenan

- BOOK REVIEW
THE CROSS OF REDEMPTION
by James Baldwin ; edited by Randall Kenan

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THE ALCHEMIST

by Paulo Coelho & translated by Margaret Jull Costa ‧ RELEASE DATE: July 1, 1993

Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.

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Coelho is a Brazilian writer with four books to his credit. Following Diary of a Magus (1992—not reviewed) came this book, published in Brazil in 1988: it's an interdenominational, transcendental, inspirational fable—in other words, a bag of wind.

The story is about a youth empowered to follow his dream. Santiago is an Andalusian shepherd boy who learns through a dream of a treasure in the Egyptian pyramids. An old man, the king of Salem, the first of various spiritual guides, tells the boy that he has discovered his destiny: "to realize one's destiny is a person's only real obligation." So Santiago sells his sheep, sails to Tangier, is tricked out of his money, regains it through hard work, crosses the desert with a caravan, stops at an oasis long enough to fall in love, escapes from warring tribesmen by performing a miracle, reaches the pyramids, and eventually gets both the gold and the girl. Along the way he meets an Englishman who describes the Soul of the World; the desert woman Fatima, who teaches him the Language of the World; and an alchemist who says, "Listen to your heart" A message clings like ivy to every encounter; everyone, but everyone, has to put in their two cents' worth, from the crystal merchant to the camel driver ("concentrate always on the present, you'll be a happy man"). The absence of characterization and overall blandness suggest authorship by a committee of self-improvement pundits—a far cry from Saint- Exupery's The Little Prince: that flagship of the genre was a genuine charmer because it clearly derived from a quirky, individual sensibility.

Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.

Pub Date: July 1, 1993

ISBN: 0-06-250217-4

Page Count: 192

Publisher: N/A

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: May 1, 1993

Categories:

GENERAL FICTION

- BOOK REVIEW
THE ARCHER
by Paulo Coelho ; illustrated by Christoph Niemann ; translated by Margaret Jull Costa

- BOOK REVIEW
HIPPIE
by Paulo Coelho ; translated by Eric M.B. Becker

- BOOK REVIEW
THE SPY
by Paulo Coelho ; translated by Zoë Perry

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LONESOME DOVE

A NOVEL (SIMON & SCHUSTER CLASSICS)

by Larry McMurtry ‧ RELEASE DATE: June 1, 1985

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This large, stately, and intensely powerful new novel by the author of Terms of Endearment and The Last Picture Show is constructed around a cattle drive—an epic journey from dry, hard-drinking south Texas, where a band of retired Texas Rangers has been living idly, to the last outpost and the last days of the old, unsettled West in rough Montana. The time is the 1880s. The characters are larger than life and shimmer: Captain Woodrow Call, who leads the drive, is the American type of an unrelentingly righteous man whose values are puritanical and pioneering and whose orders, which his men inevitably follow, lead, toward the end, to their deaths; talkative Gus McCrae, Call's best friend, learned, lenient, almost magically skilled in a crisis, who is one of those who dies; Newt, the unacknowledged 17-year-old son of Captain Call's one period of self-indulgence and the inheritor of what will become a new and kinder West; and whores, drivers, misplaced sheriffs and scattered settlers, all of whom are drawn sharply, engagingly, movingly. As the rag-tag band drives the cattle 3,000 miles northward, only Call fails to learn that his quest to conquer more new territories in the West is futile—it's a quest that perishes as men are killed by natural menaces that soon will be tamed and by half-starved renegades who soon will die at the hands of those less heroic than themselves. McMurtry shows that it is a quest misplaced in history, in a landscape that is bare of buffalo but still mythic; and it is only one of McMurtry's major accomplishments that he does it without forfeiting a grain of the characters' sympathetic power or of the book's considerable suspense. This is a masterly novel. It will appeal to all lovers of fiction of the first order.