Ten artful stories conjure contemporary North Carolina, mouthwatering and matter-of-factly haunted.
Boars, monkeys, adulterers, charlatans, and ghosts all chase the characters gathered here.
The slyly soulful Kenan takes his time between books. Now he rewards readers who have waited almost three decades for a return to his fictional Tims Creek, North Carolina, home to the novel A Visitation of Spirits (1989) and the story collection Let the Dead Bury Their Dead (1992)—though this new collection opens with a smile by starting “When We All Get to Heaven” in New York City. A 58-year-old plumber from Tims Creek explores midtown and is improbably swept up into Billy Idol’s entourage. Ed Phelps finds the music silly but the day full, and as he drifts off to sleep, he hears his grandfather’s voice singing. This pitch-perfect ending is evocative of the thin, beckoning veil between the seen and unseen, the quotidian and the preposterous, that Kenan hangs throughout his fiction. Yet appetite—carnal and gustatory—also fuels these stories. In “I Thought I Heard the Shuffle of Angels’ Feet,” the narrator introduces his lover: “Six foot six inches of beige, Portuguese-accented brawn, the Brazilian wunderkind. He moved like a dancer, he spoke like a poet—and Americans are such suckers for accents.” He tops that poem with 15 words to sum up their union: “Ten tumultuous years. It had not been bliss, but mostly happy, usually fun, always interesting.” As this story ends, something new has begun and something old is set right. “The Eternal Glory That Is Ham Hocks” ladles the historical Howard Hughes into its fictional stew, delivering a nice kick. A Tims Creek diner—“The eggs are still greasy, the ham tough as shoe leather, the coffee fit for removing toilet clogs”—serves as backdrop. But do not imagine this a book of grits and honey. In the complex, mesmerizing “Resurrection Hardware; or, Lard & Promises,” the speaker shares the author’s first name inside a tale of ghosts, strivers, and roasted goose, “succulent, flavorful, the fat a thing of pure joy.” It is a feast.
Ten artful stories conjure contemporary North Carolina, mouthwatering and matter-of-factly haunted.Pub Date: Aug. 4, 2020
ISBN: 978-1-324-00546-9
Page Count: 224
Publisher: Norton
Review Posted Online: July 26, 2020
Kirkus Reviews Issue: Aug. 15, 2020
IN THE NEWS
PERSPECTIVES
Fans of Stockett’s bestselling debut will love this engaging follow-up.
Stockett heads to Mississippi for another historical novel about feisty women.
This time, perhaps recalling criticisms of cultural appropriation in The Help (2009), she sticks to feisty white women, with one exception. The setting is Oxford in 1933. For two miserable years, 11-year-old Meg has lived in “the Orphan,” a county asylum for parentless girls. Chairlady Garnett—a villain so one-note she’d twirl a mustache if she had one—makes it her mission to ostracize the older girls she deems unadoptable, stigmatizing them as offspring of the “feebleminded” mothers who abandoned them. She particularly has it in for smart, sassy Meg, who refuses to believe her mother’s mysterious disappearance was deliberate. Elsewhere in Oxford, Birdie Calhoun comes to visit her sister Frances, who married a wealthy banker, to ask for money on behalf of their mother and grandmother back in Footely. Frances isn’t thrilled by this reminder of her impoverished small-town origins. But she’s trying to climb up in Oxford society by volunteering at the Orphan, the asylum’s books need to be done before the state inspector shows up in a few weeks, and Birdie is a bookkeeper. Having neatly arranged to keep Birdie in town and draw these two storylines together, Stockett goes on to spin a compulsively readable yarn with enough plot for a half-dozen novels. Birdie and Meg become friends, Meg is adopted despite Garnett’s best efforts, Meg’s mother turns up at the Orphan demanding to know where her child is—and that’s less than a quarter of the way through a long, winding narrative that keeps piling on more dramatic developments until all loose ends are neatly, if hastily, wrapped up in the final pages. Stockett might be making a point about Southern women facing facts and standing up for themselves, but mostly this is just a satisfyingly twisty tale that should make a great miniseries.
Fans of Stockett’s bestselling debut will love this engaging follow-up.Pub Date: May 5, 2026
ISBN: 9781954118812
Page Count: 656
Publisher: Spiegel & Grau
Review Posted Online: Feb. 2, 2026
Kirkus Reviews Issue: March 1, 2026
BOOK REVIEW
Mostly charming, sometimes twee, with some really lovely things to say about poetry.
And now for some lessons in poetry and typesetting.
After Lessons in Chemistry (2022), a debut that became one of the most popular books of recent years, Garmus applies her unique comic sensibility to the story of Batter Gray, a man named after a family dog of mythic talents. A poetry maven who was reading Auden as a fourth grader, he was raised by a type-designer mother and historian father who dearly hoped he would choose some more viable profession than poetry. But via an amazing stroke of luck, he lands a job after college at Peck & Peck, an illustrious literary journal located in a beautiful building in New York City. He’s at the very bottom of the complex and dysfunctional totem pole, making copies in the basement, struggling not to run afoul of the cantankerous editor-in-chief, Salton Peck, or his smarmy assistant, Dexter York, both of whom have taken an instant dislike to our hero (and can never get his name right. Few people can). And to be honest, Batter is not without his flaws. The novel bogs down a bit in the middle, with Salton constantly excoriating his staff in ALL CAPS and much ado over the possibility that submissions have been taken outside the building, which is forbidden. Along the way, many, many famous poets are name-checked, as are many typefaces, since Batter has been raised to instantly identify a font in the wild. The best example of this occurs during his brief sojourn in jail: “The thing I kind of admired about Motherfucker II, besides his manners, was this huge tattoo he had on his neck that read I will fuck you up in ITC Bolt. Call me my mother’s son, but whoever inked it nailed the kerning.” The narrative picks up steam toward the end, as bad guys become good guys, mysteries are solved, and Batter throws one hell of a party.
Mostly charming, sometimes twee, with some really lovely things to say about poetry.Pub Date: Oct. 13, 2026
ISBN: 9781668251065
Page Count: 432
Publisher: Scribner
Review Posted Online: July 6, 2026
Kirkus Reviews Issue: Aug. 1, 2026
BOOK REVIEW
PERSPECTIVES
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