by Randall Sullivan ‧ RELEASE DATE: Nov. 13, 2012
Few of the supporting players come off smelling like roses, but Sullivan’s sensitive portrait of his main subject is a good...
When former Rolling Stone senior editor Sullivan (The Miracle Detective: An Investigation of Holy Visions, 2004, etc.) was commissioned to write about the circumstances surrounding Michael Jackson’s shocking death in 2009, the author quickly grasped that only a book would do the bizarre story justice.
Rather than write a standard rags-to-riches celebrity bio, which the Jackson family’s humble origins might actually have warranted, Sullivan begins in the months after Jackson’s 2003 trial for sexual abuse of a child. This, it turns out, is as good a starting point as any to look back on Jackson’s “strange life” (as the subtitle puts it), his career, his legal travails, his marriages and fatherhood, and more importantly, his fascinatingly enigmatic character. As he details Jackson’s late-life sojourns with his three children to Dubai, Ireland, Las Vegas and Los Angeles, Sullivan also flashes back, in a couple of perfectly paced sections, to the child-molestation allegations in 1993 and 2003. He reveals a man who was not the pedophilic, transgendered, transracial freak the media thought he was, but a highly intelligent and sensitive perfectionist, more self-aware—and ashamed—of his surgically altered looks than the public ever knew. Sullivan’s choices do less justice to Jackson’s rise, his early life, and the development of his musical and dancing genius. While he admirably explicates the criminal case against the doctor who administered the potent pharmaceutical mix that killed Jackson, the author wastes too much time and detail on the soap-operatic legal battles of Jackson’s avaricious survivors and hangers-on.
Few of the supporting players come off smelling like roses, but Sullivan’s sensitive portrait of his main subject is a good start toward explaining and rehabilitating a lonely genius who was poorly understood in his lifetime.Pub Date: Nov. 13, 2012
ISBN: 978-0802119629
Page Count: 704
Publisher: Grove
Review Posted Online: Nov. 29, 2012
Kirkus Reviews Issue: Jan. 1, 2013
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by Elie Wiesel & translated by Marion Wiesel ‧ RELEASE DATE: Jan. 16, 2006
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
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by Elie Wiesel ; edited by Alan Rosen
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by Elie Wiesel ; illustrated by Mark Podwal
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by Elie Wiesel ; translated by Marion Wiesel
by Paul Kalanithi ‧ RELEASE DATE: Jan. 19, 2016
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
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