by Randy Lee Eickhoff ‧ RELEASE DATE: July 1, 2004
A good portrait of an age and a place as well as of a man, briskly narrated and engaging.
Eickhoff (The Red Branch Tales, 2003, etc.) lets Wild Bill Hickok tell his side of things.
Like everyone else connected with Buffalo Bill’s Wild West Show, Hickok (1837–76) was a legend in his own time, and his life became a wild ragout of fact and fiction. Eickhoff’s account tries to set the record straight. Born on a farm in Illinois, Hickok grew up in a devout Presbyterian family and was well versed in the classics (especially Homer) as a boy. His parents were staunch abolitionists and often harbored fugitive slaves on their way north. In his teens, Hickok left home for Kansas, where he planned to homestead with his brother Lorenzo, but he was too restless for farming and soon gave it up. Kansas was then going through a kind of dry run for the Civil War, with pro- and anti-slavery militias fighting for control of the territory, and Hickok signed on as a scout with one of the abolitionist outfits. His skill in tracking his way through the wildest terrain earned him his nickname, and his fame grew during the Civil War when he led raiders behind Confederate lines to ambush rebel troops. After the war, he scouted for the army in the Indian Wars and served a stint as US Marshall, but he eventually turned to gambling and tried to earn a living as a cardsharp. When his old friend Buffalo Bill Cody set up his Wild West Show, Hickok became one of its regulars, touring the country with Annie Oakley and Sitting Bull. It was a sad acknowledgement, in its way, that the West was no longer truly wild, and that scouts like Hickok and Cody were relics of another age. Hickok died in Colorado saloon, shot in the head during a poker game.
A good portrait of an age and a place as well as of a man, briskly narrated and engaging.Pub Date: July 1, 2004
ISBN: 0-312-86925-8
Page Count: 432
Publisher: Forge
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 1, 2004
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by Kristin Hannah ‧ RELEASE DATE: Feb. 3, 2015
Still, a respectful and absorbing page-turner.
Hannah’s new novel is an homage to the extraordinary courage and endurance of Frenchwomen during World War II.
In 1995, an elderly unnamed widow is moving into an Oregon nursing home on the urging of her controlling son, Julien, a surgeon. This trajectory is interrupted when she receives an invitation to return to France to attend a ceremony honoring passeurs: people who aided the escape of others during the war. Cut to spring, 1940: Viann has said goodbye to husband Antoine, who's off to hold the Maginot line against invading Germans. She returns to tending her small farm, Le Jardin, in the Loire Valley, teaching at the local school and coping with daughter Sophie’s adolescent rebellion. Soon, that world is upended: The Germans march into Paris and refugees flee south, overrunning Viann’s land. Her long-estranged younger sister, Isabelle, who has been kicked out of multiple convent schools, is sent to Le Jardin by Julien, their father in Paris, a drunken, decidedly unpaternal Great War veteran. As the depredations increase in the occupied zone—food rationing, systematic looting, and the billeting of a German officer, Capt. Beck, at Le Jardin—Isabelle’s outspokenness is a liability. She joins the Resistance, volunteering for dangerous duty: shepherding downed Allied airmen across the Pyrenees to Spain. Code-named the Nightingale, Isabelle will rescue many before she's captured. Meanwhile, Viann’s journey from passive to active resistance is less dramatic but no less wrenching. Hannah vividly demonstrates how the Nazis, through starvation, intimidation and barbarity both casual and calculated, demoralized the French, engineering a community collapse that enabled the deportations and deaths of more than 70,000 Jews. Hannah’s proven storytelling skills are ideally suited to depicting such cataclysmic events, but her tendency to sentimentalize undermines the gravitas of this tale.
Still, a respectful and absorbing page-turner.Pub Date: Feb. 3, 2015
ISBN: 978-0-312-57722-3
Page Count: 448
Publisher: St. Martin's
Review Posted Online: Nov. 19, 2014
Kirkus Reviews Issue: Dec. 1, 2014
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BOOK TO SCREEN
by Larry McMurtry ‧ RELEASE DATE: June 1, 1985
This large, stately, and intensely powerful new novel by the author of Terms of Endearment and The Last Picture Show is constructed around a cattle drive—an epic journey from dry, hard-drinking south Texas, where a band of retired Texas Rangers has been living idly, to the last outpost and the last days of the old, unsettled West in rough Montana. The time is the 1880s. The characters are larger than life and shimmer: Captain Woodrow Call, who leads the drive, is the American type of an unrelentingly righteous man whose values are puritanical and pioneering and whose orders, which his men inevitably follow, lead, toward the end, to their deaths; talkative Gus McCrae, Call's best friend, learned, lenient, almost magically skilled in a crisis, who is one of those who dies; Newt, the unacknowledged 17-year-old son of Captain Call's one period of self-indulgence and the inheritor of what will become a new and kinder West; and whores, drivers, misplaced sheriffs and scattered settlers, all of whom are drawn sharply, engagingly, movingly. As the rag-tag band drives the cattle 3,000 miles northward, only Call fails to learn that his quest to conquer more new territories in the West is futile—it's a quest that perishes as men are killed by natural menaces that soon will be tamed and by half-starved renegades who soon will die at the hands of those less heroic than themselves. McMurtry shows that it is a quest misplaced in history, in a landscape that is bare of buffalo but still mythic; and it is only one of McMurtry's major accomplishments that he does it without forfeiting a grain of the characters' sympathetic power or of the book's considerable suspense. This is a masterly novel. It will appeal to all lovers of fiction of the first order.
Pub Date: June 1, 1985
ISBN: 068487122X
Page Count: 872
Publisher: Simon & Schuster
Review Posted Online: Sept. 30, 2011
Kirkus Reviews Issue: May 15, 1985
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