A good portrait of an age and a place as well as of a man, briskly narrated and engaging.
Eickhoff (The Red Branch Tales, 2003, etc.) lets Wild Bill Hickok tell his side of things.
Like everyone else connected with Buffalo Bill’s Wild West Show, Hickok (1837–76) was a legend in his own time, and his life became a wild ragout of fact and fiction. Eickhoff’s account tries to set the record straight. Born on a farm in Illinois, Hickok grew up in a devout Presbyterian family and was well versed in the classics (especially Homer) as a boy. His parents were staunch abolitionists and often harbored fugitive slaves on their way north. In his teens, Hickok left home for Kansas, where he planned to homestead with his brother Lorenzo, but he was too restless for farming and soon gave it up. Kansas was then going through a kind of dry run for the Civil War, with pro- and anti-slavery militias fighting for control of the territory, and Hickok signed on as a scout with one of the abolitionist outfits. His skill in tracking his way through the wildest terrain earned him his nickname, and his fame grew during the Civil War when he led raiders behind Confederate lines to ambush rebel troops. After the war, he scouted for the army in the Indian Wars and served a stint as US Marshall, but he eventually turned to gambling and tried to earn a living as a cardsharp. When his old friend Buffalo Bill Cody set up his Wild West Show, Hickok became one of its regulars, touring the country with Annie Oakley and Sitting Bull. It was a sad acknowledgement, in its way, that the West was no longer truly wild, and that scouts like Hickok and Cody were relics of another age. Hickok died in Colorado saloon, shot in the head during a poker game.
A good portrait of an age and a place as well as of a man, briskly narrated and engaging.Pub Date: July 1, 2004
ISBN: 0-312-86925-8
Page Count: 432
Publisher: Forge
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 1, 2004
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
Soft-focus story moves right along with few surprises. This time around, Hannah avoids the soap-opera complications of her...
Another middle-aged mom in a muddle.
After years of false starts and big hopes, Elizabeth’s ruggedly handsome husband Jack, a former football star, just landed a spot as a sportscaster on national news. He still loves her, even though much younger women are giving him come-hither looks. Heck, he doesn’t want to betray the love of his life after she helped him kick drugs and stuck by him even when he was a struggling has-been. And won’t it seem hypocritical if he fools around with his sexy assistant while he does in-depth reporting on a rape case involving a famous basketball center? Well, he fools around anyway. Elizabeth, nicknamed Birdie, knows nothing of this, but she withdraws from Jack when her hard-drinking, salt-of-the-earth father has a stroke and dies. Now no one will call her “sugar beet” ever again. Time to return home to Tennessee and contend with Anita, the sort-of-evil stepmother so trashy she wears pink puffy slippers all day long. Naturally, it turns out that Anita actually has a heart of gold and knows a few things about Birdie’s dead mother that were hushed up for years. Mom was an artist, just like Birdie, and an old scandal comes to light as Anita unrolls a vibrant canvas that portrays her secret lover. Perhaps, Birdie muses, her mother died of heartbreak, never having followed her true love or developed her talent. Has she, too, compromised everything she holds dear? Hoping to find out, Birdie joins a support group that promises to reconnect confused women with their passion. She and Jack separate, prompting a how-dare-you fit from their grown daughters. Will Birdie fly her empty nest? Will she go back to college for a degree in art? Will her brooding watercolors ever sell?
Soft-focus story moves right along with few surprises. This time around, Hannah avoids the soap-opera complications of her previous tales (Summer Island, 2001, etc.).Pub Date: July 1, 2002
ISBN: 0-345-45071-X
Page Count: 352
Publisher: Ballantine
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 15, 2002
A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.
Pub Date: July 11, 1960
ISBN: 0060935464
Page Count: 323
Publisher: Lippincott
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: July 1, 1960
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
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