Writing for the fun of writing. A treat for the reader.
Two novellas from the big heart of an American original—one about time and music, the other a riff on Moby-Dick.
Still active, curious and writing in his ninth decade, Bradbury (Farewell Summer, 2006, etc.) does a little desk cleaning, finishing up a story that’s nagged at him for years and having another stab at a sci-fi version of Moby-Dick first written for radio following his screenplay for the midcentury John Huston film. The first novella, Somewhere a Band is Playing, was inspired by a Jerry Goldsmith movie theme with which Bradbury was so taken that he went home and wrote lyrics for it, snatches of which turn up here. An early 20th-century Chicago reporter, James Cardiff, responds to a song heard in a dream by taking a train to Arizona, alighting at Summerton, a Brigadoonish town scheduled to be wiped off the map by highway engineers. He’s met by an amiable stationmaster who delivers him in a horse-drawn wagon to a beautiful small hotel full of intoxicating kitchen smells and peopled by amiable immortals. Cardiff’s wanderings through the town follow the route of a friendly delivery horse and lead him to the arms of Nefertiti, another immortal, beautiful and wise, whose invitation to join the club sets his head spinning. Will he accept? It doesn’t really matter. The pleasure here is writing that sounds like Aaron Copland’s music written for Our Town, and it is pleasant indeed. In Leviathan ’99, Ishmael Jones signs on as crew for a rocket set for a mapping and exploration mission. His Queequegish berthmate is Quell, a huge telepathic spider with whom he quickly bonds. Following Melville’s template, the captain has his own mission, to capture Leviathan, the comet that blinded him years ago and which is now on a trajectory that will bring it perilously close to earth. Astronomy being more exact than 19th-century marine navigation, things come quickly to a head.
Writing for the fun of writing. A treat for the reader.Pub Date: Sept. 1, 2007
ISBN: 0061131571
Page Count: 224
Publisher: Morrow/HarperCollins
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 15, 2007
The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with...
Talk-show queen takes tumble as millions jeer.
Nora Bridges is a wildly popular radio spokesperson for family-first virtues, but her loyal listeners don't know that she walked out on her husband and teenaged daughters years ago and didn't look back. Now that a former lover has sold racy pix of naked Nora and horny himself to a national tabloid, her estranged daughter Ruby, an unsuccessful stand-up comic in Los Angeles, has been approached to pen a tell-all. Greedy for the fat fee she's been promised, Ruby agrees and heads for the San Juan Islands, eager to get reacquainted with the mom she plans to betray. Once in the family homestead, nasty Ruby alternately sulks and glares at her mother, who is temporarily wheelchair-bound as a result of a post-scandal car crash. Uncaring, Ruby begins writing her side of the story when she's not strolling on the beach with former sweetheart Dean Sloan, the son of wealthy socialites who basically ignored him and his gay brother Eric. Eric, now dying of cancer and also in a wheelchair, has returned to the island. This dismal threesome catch up on old times, recalling their childhood idylls on the island. After Ruby's perfect big sister Caroline shows up, there's another round of heartfelt talk. Nora gradually reveals the truth about her unloving husband and her late father's alcoholism, which led her to seek the approval of others at the cost of her own peace of mind. And so on. Ruby is aghast to discover that she doesn't know everything after all, but Dean offers her subdued comfort. Happy endings await almost everyone—except for readers of this nobly preachy snifflefest.
The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with syrupy platitudes about life and love.Pub Date: March 1, 2001
ISBN: 0-609-60737-5
Page Count: 336
Publisher: Crown
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Jan. 15, 2001
A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.
Pub Date: July 11, 1960
ISBN: 0060935464
Page Count: 323
Publisher: Lippincott
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: July 1, 1960
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
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