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REAGAN COUNTRY

A PASTOR STEPHEN GRANT NOVEL

The familiar protagonist, along with sensational new and recurring characters, drives an energetic political tale.

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A pastor who’s a former SEAL and CIA operative tries to protect a potential candidate for the Russian presidency from assassins in this eighth installment of a thriller series.

Pastor Stephen Grant is leaving behind his Long Island Lutheran church—temporarily—for a conference at the Reagan Library in California. He’ll be supporting his wife, Jennifer, who’s promoting her debut book on economic policy. Also attending the conference is Russian businessman Vitaly Orlov, whose political presence is so strong in his own country that some believe he may run for president. This has sparked criticism from incumbent Russian President Nestor Petrunin, who calls into question Orlov’s loyalty to his homeland, as his respect for Ronald Reagan is well-known. Orlov has clearly amassed enemies, evidenced by the two assailants that target him and his wife, Maya, in California. Luckily, Grant thwarts the assassination, and at the pastor’s recommendation, Orlov hires the security firm CDM. CEO Paige Caldwell, Grant’s old CIA partner and ex-lover, and the CDM team are on full alert, as there are further attempts on Orlov’s life. Tensions only escalate when political assassinations in Russia suggest that someone is staging a coup. It seems Orlov is not safe in either country, even with Grant and CDM as his guardians. Keating (Lionhearts, 2017, etc.) has accumulated an impressive assortment of characters in his series, and he gives each of them ample opportunity to shine. Caldwell, for example, is formidable both in action and business and has a (mostly) secret relationship with U.S. President Adam Links. As in the preceding novels, the author skillfully blends Grant’s sermonizing with intermittent bouts of violence. It creates a rousing moral quandary for readers to ponder without either side overwhelming the storyline. Tight action scenes complement the suspense (uncertainty over when the next possible attack will be), though a later plot turn is too predictable. The villains, meanwhile, are just as rich and engrossing as the good guys and gals.

The familiar protagonist, along with sensational new and recurring characters, drives an energetic political tale.

Pub Date: April 14, 2018

ISBN: 978-1-979463-51-5

Page Count: 324

Publisher: CreateSpace

Review Posted Online: May 14, 2018

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THE CATCHER IN THE RYE

A strict report, worthy of sympathy.

A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.

"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….

A strict report, worthy of sympathy.

Pub Date: June 15, 1951

ISBN: 0316769177

Page Count: -

Publisher: Little, Brown

Review Posted Online: Nov. 2, 2011

Kirkus Reviews Issue: June 15, 1951

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A LITTLE LIFE

The phrase “tour de force” could have been invented for this audacious novel.

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Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.

Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.  

The phrase “tour de force” could have been invented for this audacious novel.

Pub Date: March 10, 2015

ISBN: 978-0-385-53925-8

Page Count: 720

Publisher: Doubleday

Review Posted Online: Dec. 21, 2014

Kirkus Reviews Issue: Jan. 1, 2015

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