The familiar protagonist, along with sensational new and recurring characters, drives an energetic political tale.
A pastor who’s a former SEAL and CIA operative tries to protect a potential candidate for the Russian presidency from assassins in this eighth installment of a thriller series.
Pastor Stephen Grant is leaving behind his Long Island Lutheran church—temporarily—for a conference at the Reagan Library in California. He’ll be supporting his wife, Jennifer, who’s promoting her debut book on economic policy. Also attending the conference is Russian businessman Vitaly Orlov, whose political presence is so strong in his own country that some believe he may run for president. This has sparked criticism from incumbent Russian President Nestor Petrunin, who calls into question Orlov’s loyalty to his homeland, as his respect for Ronald Reagan is well-known. Orlov has clearly amassed enemies, evidenced by the two assailants that target him and his wife, Maya, in California. Luckily, Grant thwarts the assassination, and at the pastor’s recommendation, Orlov hires the security firm CDM. CEO Paige Caldwell, Grant’s old CIA partner and ex-lover, and the CDM team are on full alert, as there are further attempts on Orlov’s life. Tensions only escalate when political assassinations in Russia suggest that someone is staging a coup. It seems Orlov is not safe in either country, even with Grant and CDM as his guardians. Keating (Lionhearts, 2017, etc.) has accumulated an impressive assortment of characters in his series, and he gives each of them ample opportunity to shine. Caldwell, for example, is formidable both in action and business and has a (mostly) secret relationship with U.S. President Adam Links. As in the preceding novels, the author skillfully blends Grant’s sermonizing with intermittent bouts of violence. It creates a rousing moral quandary for readers to ponder without either side overwhelming the storyline. Tight action scenes complement the suspense (uncertainty over when the next possible attack will be), though a later plot turn is too predictable. The villains, meanwhile, are just as rich and engrossing as the good guys and gals.
The familiar protagonist, along with sensational new and recurring characters, drives an energetic political tale.Pub Date: April 14, 2018
ISBN: 978-1-979463-51-5
Page Count: 324
Publisher: CreateSpace
Review Posted Online: May 14, 2018
Review Program: Kirkus Indie
This is a masterly novel. It will appeal to all lovers of fiction of the first order.
This large, stately, and intensely powerful new novel by the author of Terms of Endearment and The Last Picture Show is constructed around a cattle drive—an epic journey from dry, hard-drinking south Texas, where a band of retired Texas Rangers has been living idly, to the last outpost and the last days of the old, unsettled West in rough Montana.
The time is the 1880s. The characters are larger than life and shimmer: Captain Woodrow Call, who leads the drive, is the American type of an unrelentingly righteous man whose values are puritanical and pioneering and whose orders, which his men inevitably follow, lead, toward the end, to their deaths; talkative Gus McCrae, Call's best friend, learned, lenient, almost magically skilled in a crisis, who is one of those who dies; Newt, the unacknowledged 17-year-old son of Captain Call's one period of self-indulgence and the inheritor of what will become a new and kinder West; and whores, drivers, misplaced sheriffs and scattered settlers, all of whom are drawn sharply, engagingly, movingly. As the rag-tag band drives the cattle 3,000 miles northward, only Call fails to learn that his quest to conquer more new territories in the West is futile—it's a quest that perishes as men are killed by natural menaces that soon will be tamed and by half-starved renegades who soon will die at the hands of those less heroic than themselves. McMurtry shows that it is a quest misplaced in history, in a landscape that is bare of buffalo but still mythic; and it is only one of McMurtry's major accomplishments that he does it without forfeiting a grain of the characters' sympathetic power or of the book's considerable suspense.
This is a masterly novel. It will appeal to all lovers of fiction of the first order.Pub Date: June 1, 1985
ISBN: 068487122X
Page Count: 872
Publisher: Simon & Schuster
Review Posted Online: Sept. 30, 2011
Kirkus Reviews Issue: May 15, 1985
IN THE NEWS
SEEN & HEARD
A strict report, worthy of sympathy.
A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.
"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….
A strict report, worthy of sympathy.Pub Date: June 15, 1951
ISBN: 0316769177
Page Count: -
Publisher: Little, Brown
Review Posted Online: Nov. 2, 2011
Kirkus Reviews Issue: June 15, 1951
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
APPRECIATIONS
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