If anyone were to write a Jim Morrison tell-all, band- and soulmate Manzarek would be the man. But, to his everlasting credit, he didn’t. Using his Doors experiences as the hook, Manzarek reels readers in with personal, often charming, if occasionally cloying, reflections on his life before, during, and since the Doors. He begins with his childhood in a working-class Chicago neighborhood, where his parents introduced him to the sensuous pleasures of the blues and meat-eating (a recurring theme—don’t ask). Later he attended UCLA film school, where he met Morrison. From there, the two lives followed parallel paths to different destinations. Manzarek, the more responsible (or less volatile), met and married his sweetheart, Dorothy, his wife to this day. Morrison became the band’s charismatic front man whose fixation with nihilism and violent imagery, when mated to his heavy drinking and drug use, created what Manzarek calls “Jimbo,” a sociopathic, drunken brute, “a monster. . . . the creature who eventually took Jim to Paris and killed him.” Rather than luxuriate in the sordid details of Morrison’s self-destruction, however, the author mostly prefers to revel in the giddy pleasures of life with the band: the genteel poverty of the early days; camaraderie and bickering among Doors members while on tour; success as known at the top; and even the truth about the Doors’ ill-starred 1969 concert in Miami (for the record, Morrison never exposed himself). If Manzarek feels any rancor over the end of the Doors—he claims that Jim’s 1971 sojourn in Paris was a hiatus, not a break-up—it is directed toward the hangers-on who steered Morrison down his path to self-smashing. Although Manzarek does reserve choice words for the director of the Doors movie, Oliver Stone, such as “fascist,” “psychotic,” and “bonehead.” Whatever. Even these screeds make this pop-culture memoir more engaging. (16 pages b&w photos, not seen)
Pub Date: June 29, 1998
ISBN: 0-399-14399-8
Page Count: 368
Publisher: Putnam
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: June 15, 1998
BOOK REVIEW
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
PERSPECTIVES
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