If anyone were to write a Jim Morrison tell-all, band- and soulmate Manzarek would be the man. But, to his everlasting credit, he didn’t. Using his Doors experiences as the hook, Manzarek reels readers in with personal, often charming, if occasionally cloying, reflections on his life before, during, and since the Doors. He begins with his childhood in a working-class Chicago neighborhood, where his parents introduced him to the sensuous pleasures of the blues and meat-eating (a recurring theme—don’t ask). Later he attended UCLA film school, where he met Morrison. From there, the two lives followed parallel paths to different destinations. Manzarek, the more responsible (or less volatile), met and married his sweetheart, Dorothy, his wife to this day. Morrison became the band’s charismatic front man whose fixation with nihilism and violent imagery, when mated to his heavy drinking and drug use, created what Manzarek calls “Jimbo,” a sociopathic, drunken brute, “a monster. . . . the creature who eventually took Jim to Paris and killed him.” Rather than luxuriate in the sordid details of Morrison’s self-destruction, however, the author mostly prefers to revel in the giddy pleasures of life with the band: the genteel poverty of the early days; camaraderie and bickering among Doors members while on tour; success as known at the top; and even the truth about the Doors’ ill-starred 1969 concert in Miami (for the record, Morrison never exposed himself). If Manzarek feels any rancor over the end of the Doors—he claims that Jim’s 1971 sojourn in Paris was a hiatus, not a break-up—it is directed toward the hangers-on who steered Morrison down his path to self-smashing. Although Manzarek does reserve choice words for the director of the Doors movie, Oliver Stone, such as “fascist,” “psychotic,” and “bonehead.” Whatever. Even these screeds make this pop-culture memoir more engaging. (16 pages b&w photos, not seen)
Pub Date: June 29, 1998
ISBN: 0-399-14399-8
Page Count: 368
Publisher: Putnam
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: June 15, 1998
BOOK REVIEW
This moving, potent testament might have been titled “Black Lives Matter.” Or: “An American Tragedy.”
The powerful story of a father’s past and a son’s future.
Atlantic senior writer Coates (The Beautiful Struggle: A Father, Two Sons, and an Unlikely Road to Manhood, 2008) offers this eloquent memoir as a letter to his teenage son, bearing witness to his own experiences and conveying passionate hopes for his son’s life. “I am wounded,” he writes. “I am marked by old codes, which shielded me in one world and then chained me in the next.” Coates grew up in the tough neighborhood of West Baltimore, beaten into obedience by his father. “I was a capable boy, intelligent and well-liked,” he remembers, “but powerfully afraid.” His life changed dramatically at Howard University, where his father taught and from which several siblings graduated. Howard, he writes, “had always been one of the most critical gathering posts for black people.” He calls it The Mecca, and its faculty and his fellow students expanded his horizons, helping him to understand “that the black world was its own thing, more than a photo-negative of the people who believe they are white.” Coates refers repeatedly to whites’ insistence on their exclusive racial identity; he realizes now “that nothing so essentialist as race” divides people, but rather “the actual injury done by people intent on naming us, intent on believing that what they have named matters more than anything we could ever actually do.” After he married, the author’s world widened again in New York, and later in Paris, where he finally felt extricated from white America’s exploitative, consumerist dreams. He came to understand that “race” does not fully explain “the breach between the world and me,” yet race exerts a crucial force, and young blacks like his son are vulnerable and endangered by “majoritarian bandits.” Coates desperately wants his son to be able to live “apart from fear—even apart from me.”
This moving, potent testament might have been titled “Black Lives Matter.” Or: “An American Tragedy.”Pub Date: July 8, 2015
ISBN: 978-0-8129-9354-7
Page Count: 176
Publisher: Spiegel & Grau
Review Posted Online: May 5, 2015
Kirkus Reviews Issue: July 1, 2015
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
BOOK TO SCREEN
BOOK TO SCREEN
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
© Copyright 2024 Kirkus Media LLC. All Rights Reserved.
Follow
Popular in this Genre
We can’t wait for you to join Kirkus!
It’s free and takes less than 10 seconds!
Already have an account? Log in.
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
Welcome Back!
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
bookshelf
