by Ray Monk ‧ RELEASE DATE: March 1, 2001
Monk’s generally negative portrait may alienate the great man’s devotees, but it’s the product of meticulous research and...
An outstanding conclusion to the story begun in Bertrand Russell: The Spirit of Solitude, 1872–1921 (1996): the tragedy of a brilliant but flawed thinker who mistreated the humans closest to him while promoting humanity in the abstract.
Monk is an exceptional biographer of philosophers, able to interweave clear analysis of abstruse notions with compelling personal narrative. Here he takes Russell from first-time fatherhood at age 49 to death at 97. Celebrated for his earlier work on logic and the philosophy of mathematics, Russell enters these pages fallen from intellectual grace because he abandoned academia for a more lucrative career as a freelance writer and lecturer on social and political topics about which he has no special expertise. Self-confessedly “past his best” at logic, he enjoyed the money and notoriety he got as an advocate of atheism, adultery, socialism, and “scientific” education. Not only is much of this work, in Monk’s view, “sloppy and ill-considered,” it fails dismally in practice, as Russell and his second wife free-love their way into a nasty divorce and their self-started progressive school leaves his son with emotional scars. In the US during the 1930s and ’40s, and back in England afterward, Russell keeps getting more famous: he returns to academic philosophy; becomes a “cause célèbre of . . . academic freedom”; wins the 1950 Nobel Prize in literature; emerges as a champion of nuclear disarmament and, half-wittingly, of Che Guevara. The darker private story concerns Russell’s solipsistic disregard for others and his well-founded fear of the family strain of madness. The result: a “long trail of emotional wreckage” including three divorces, an insane son, and two insane granddaughters. Ironically, his daughter Kate achieves happiness when she defies her father and converts to Christianity.
Monk’s generally negative portrait may alienate the great man’s devotees, but it’s the product of meticulous research and balanced by the biographer’s esteem for a great intellect and outsized personality. (illustrations not seen)Pub Date: March 1, 2001
ISBN: 0-7432-1215-0
Page Count: 680
Publisher: Free Press
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: Feb. 15, 2001
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by Elie Wiesel & translated by Marion Wiesel ‧ RELEASE DATE: Jan. 16, 2006
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
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by Elie Wiesel ; edited by Alan Rosen
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by Elie Wiesel ; illustrated by Mark Podwal
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by Elie Wiesel ; translated by Marion Wiesel
by Paul Kalanithi ‧ RELEASE DATE: Jan. 19, 2016
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
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