Two strong-willed, manipulative women dominate the stage in this latest installment of high-jinks and misadventures among black rural Georgians (Baby Sweets, 1983, etc.) by the first winner of the James Baldwin Prize for Fiction—a rambunctious collection of down-home tales that never quite adds up to an integrated whole. The only daughter (or so she believes) of a hard-working dairy farmer and his invalid wife, Jessie Mitchell—handsome, black, and phenomenally determined—has known since birth exactly what she wants in life and how to grab it. Getting off to an early start by ``accidentally'' drowning her despised younger brother, Sidney Junior, Jessie stomps toward young adulthood determined to win everything Sidney had coming to him—the farm, her parents' love, and a good-looking family of her own—even if it means the equally ``accidental'' deaths of Jessie's luckless first lover, Candy Man, and her handsome husband, Amos Blackshear V, both of whom just happen to stumble into the human tornado's way. On the brink of ultimate triumph, Jessie discovers that those she'd dominated best and longest have betrayed her in ways even she never could have imagined. Outraged, she roars off in her shiny new car, only to end up crashed and drowned herself in a nearby creek—her story abruptly ending halfway through this southern yarn. Cut to the more genteel Lester house in town, where sweet-faced Cousin Claire has just appeared on the doorstep intent on wreaking havoc in her own unique, honey-dripping way—wending a path, black-widow-style, through an entire family in her attempt to claim title to their house. Claire's approach to manipulation differs radically from Jessie's, but the results are the same: scandal and destruction at its most richly southern, and a good time had by all. Wildly anecdotal—like listening to a country-store denizen on speed—with colorful characters and a roller-coaster plotline vying in cheerful anarchy. Thirteen b&w line drawings by Benny Andrews (the author's brother) accompany the text.
Pub Date: Oct. 1, 1991
ISBN: 1-56145-032-4
Page Count: 192
Publisher: Peachtree
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 15, 1991
A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.
Pub Date: July 11, 1960
ISBN: 0060935464
Page Count: 323
Publisher: Lippincott
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: July 1, 1960
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
Briskly written soap with down-to-earth types, mostly without the lachrymose contrivances of Hannah’s previous titles...
Sisters in and out of love.
Meghann Dontess is a high-powered matrimonial lawyer in Seattle who prefers sex with strangers to emotional intimacy: a strategy bound to backfire sooner or later, warns her tough-talking shrink. It’s advice Meghann decides to ignore, along with the memories of her difficult childhood, neglectful mother, and younger sister. Though she managed to reunite Claire with Sam Cavenaugh (her father but not Meghann’s) when her mother abandoned both girls long ago, Meghann still feels guilty that her sister’s life doesn’t measure up, at least on her terms. Never married, Claire ekes out a living running a country campground with her dad and is raising her six-year-old daughter on her own. When she falls in love for the first time with an up-and-coming country musician, Meghann is appalled: Bobby Austin is a three-time loser at marriage—how on earth can Claire be so blind? Bobby’s blunt explanation doesn’t exactly satisfy the concerned big sister, who busies herself planning Claire’s dream wedding anyway. And, to relieve the stress, she beds various guys she picks up in bars, including Dr. Joe Wyatt, a neurosurgeon turned homeless drifter after the demise of his beloved wife Diane (whom he euthanized). When Claire’s awful headache turns out to be a kind of brain tumor known among neurologists as a “terminator,” Joe rallies. Turns out that Claire had befriended his wife on her deathbed, and now in turn he must try to save her. Is it too late? Will Meghann find true love at last?
Briskly written soap with down-to-earth types, mostly without the lachrymose contrivances of Hannah’s previous titles (Distant Shores, 2002, etc.). Kudos for skipping the snifflefest this time around.Pub Date: May 1, 2003
ISBN: 0-345-45073-6
Page Count: 400
Publisher: Ballantine
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: April 1, 2003
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