Two strong-willed, manipulative women dominate the stage in this latest installment of high-jinks and misadventures among black rural Georgians (Baby Sweets, 1983, etc.) by the first winner of the James Baldwin Prize for Fiction—a rambunctious collection of down-home tales that never quite adds up to an integrated whole. The only daughter (or so she believes) of a hard-working dairy farmer and his invalid wife, Jessie Mitchell—handsome, black, and phenomenally determined—has known since birth exactly what she wants in life and how to grab it. Getting off to an early start by ``accidentally'' drowning her despised younger brother, Sidney Junior, Jessie stomps toward young adulthood determined to win everything Sidney had coming to him—the farm, her parents' love, and a good-looking family of her own—even if it means the equally ``accidental'' deaths of Jessie's luckless first lover, Candy Man, and her handsome husband, Amos Blackshear V, both of whom just happen to stumble into the human tornado's way. On the brink of ultimate triumph, Jessie discovers that those she'd dominated best and longest have betrayed her in ways even she never could have imagined. Outraged, she roars off in her shiny new car, only to end up crashed and drowned herself in a nearby creek—her story abruptly ending halfway through this southern yarn. Cut to the more genteel Lester house in town, where sweet-faced Cousin Claire has just appeared on the doorstep intent on wreaking havoc in her own unique, honey-dripping way—wending a path, black-widow-style, through an entire family in her attempt to claim title to their house. Claire's approach to manipulation differs radically from Jessie's, but the results are the same: scandal and destruction at its most richly southern, and a good time had by all. Wildly anecdotal—like listening to a country-store denizen on speed—with colorful characters and a roller-coaster plotline vying in cheerful anarchy. Thirteen b&w line drawings by Benny Andrews (the author's brother) accompany the text.
Pub Date: Oct. 1, 1991
ISBN: 1-56145-032-4
Page Count: 192
Publisher: Peachtree
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 15, 1991
Heartfelt, yes, but pretty routine.
Life lessons.
Angie Malone, the youngest of a big, warm Italian-American family, returns to her Pacific Northwest hometown to wrestle with various midlife disappointments: her divorce, Papa’s death, a downturn in business at the family restaurant, and, above all, her childlessness. After several miscarriages, she, a successful ad exec, and husband Conlan, a reporter, befriended a pregnant young girl and planned to adopt her baby—and then the birth mother changed her mind. Angie and Conlan drifted apart and soon found they just didn’t love each other anymore. Metaphorically speaking, “her need for a child had been a high tide, an overwhelming force that drowned them. A year ago, she could have kicked to the surface but not now.” Sadder but wiser, Angie goes to work in the struggling family restaurant, bickering with Mama over updating the menu and replacing the ancient waitress. Soon, Angie befriends another young girl, Lauren Ribido, who’s eager to learn and desperately needs a job. Lauren’s family lives on the wrong side of the tracks, and her mother is a promiscuous alcoholic, but Angie knows nothing of this sad story and welcomes Lauren into the DeSaria family circle. The girl listens in, wide-eyed, as the sisters argue and make wisecracks and—gee-whiz—are actually nice to each other. Nothing at all like her relationship with her sluttish mother, who throws Lauren out when boyfriend David, en route to Stanford, gets her pregnant. Will Lauren, who’s just been accepted to USC, let Angie adopt her baby? Well, a bit of a twist at the end keeps things from becoming too predictable.
Heartfelt, yes, but pretty routine.Pub Date: July 1, 2004
ISBN: 0-345-46750-7
Page Count: 400
Publisher: Ballantine
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 15, 2004
Dated sermonizing on career versus motherhood, and conflict driven by characters’ willed helplessness, sap this tale of...
Lifelong, conflicted friendship of two women is the premise of Hannah’s maudlin latest (Magic Hour, 2006, etc.), again set in Washington State.
Tallulah “Tully” Hart, father unknown, is the daughter of a hippie, Cloud, who makes only intermittent appearances in her life. Tully takes refuge with the family of her “best friend forever,” Kate Mularkey, who compares herself unfavorably with Tully, in regards to looks and charisma. In college, “TullyandKate” pledge the same sorority and major in communications. Tully has a life goal for them both: They will become network TV anchorwomen. Tully lands an internship at KCPO-TV in Seattle and finagles a producing job for Kate. Kate no longer wishes to follow Tully into broadcasting and is more drawn to fiction writing, but she hesitates to tell her overbearing friend. Meanwhile a love triangle blooms at KCPO: Hard-bitten, irresistibly handsome, former war correspondent Johnny is clearly smitten with Tully. Expecting rejection, Kate keeps her infatuation with Johnny secret. When Tully lands a reporting job with a Today-like show, her career shifts into hyperdrive. Johnny and Kate had started an affair once Tully moved to Manhattan, and when Kate gets pregnant with daughter Marah, they marry. Kate is content as a stay-at-home mom, but frets about being Johnny’s second choice and about her unrealized writing ambitions. Tully becomes Seattle’s answer to Oprah. She hires Johnny, which spells riches for him and Kate. But Kate’s buttons are fully depressed by pitched battles over slutwear and curfews with teenaged Marah, who idolizes her godmother Tully. In an improbable twist, Tully invites Kate and Marah to resolve their differences on her show, only to blindside Kate by accusing her, on live TV, of overprotecting Marah. The BFFs are sundered. Tully’s latest attempt to salvage Cloud fails: The incorrigible, now geriatric hippie absconds once more. Just as Kate develops a spine, she’s given some devastating news. Will the friends reconcile before it’s too late?
Dated sermonizing on career versus motherhood, and conflict driven by characters’ willed helplessness, sap this tale of poignancy.Pub Date: Feb. 1, 2008
ISBN: 978-0-312-36408-3
Page Count: 496
Publisher: St. Martin's
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Nov. 1, 2007
BOOK TO SCREEN
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