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THE SOUND OF FREEDOM

MARIAN ANDERSON, THE LINCOLN MEMORIAL, AND THE CONCERT THAT AWAKENED AMERICA

A concise but flat-footed chronicle of a seminal event in civil-rights history.

Arsenault (History/Univ. of South Florida, St. Petersburg; Freedom Riders: 1961 and the Struggle for Racial Justice, 2006, etc.) examines the life of singer Marian Anderson (1897–1993), focusing on her landmark 1939 concert at the Lincoln Memorial.

A prodigiously talented vocalist, Anderson embarked on a career in music at a time when prevailing racial prejudices hindered African-American performers from attaining national prominence. Though she gained limited notoriety in the United States during the 1920s, it was her exhaustive tours of Europe during the following decade that established her as one of the world’s most renowned vocalists. Her critical and popular success abroad enabled her to reach a wider audience in America, even though she continued to face discrimination. Notably, the Daughters of the American Revolution (DAR) refused to allow Anderson to perform at Constitution Hall, which maintained a strict “white artists only” policy. The DAR’s decision sparked a nationwide controversy. First Lady Eleanor Roosevelt resigned from the DAR in protest, while several newspaper editorials drew parallels between racial discrimination in America and the rising fascist movements in Europe. With the DAR standing its ground, Anderson and her supporters staged an outdoor concert on the steps of the Lincoln Memorial. In front of 75,000 people on Easter Sunday in 1939, Anderson gave a concert that, writes Arsenault, provided a “starting point” for the civil-rights movement. The author excels at contextualizing the concert, probing the ways in which Jim Crow laws and racial prejudices permeated all aspects of African-American life. He is less adept at humanizing Anderson’s struggle. The author’s dry prose fails to capture the emotions surrounding the historic concert, or to convey the full impact of Anderson’s performance. Looking back on the event, Anderson recognized that she had been turned into “a symbol, representing my people.” Arsenault is unable to draw out the individual behind that powerful symbol.

A concise but flat-footed chronicle of a seminal event in civil-rights history.

Pub Date: April 1, 2009

ISBN: 978-1-59691-578-7

Page Count: 320

Publisher: Bloomsbury

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: March 15, 2009

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KILLERS OF THE FLOWER MOON

THE OSAGE MURDERS AND THE BIRTH OF THE FBI

Dogged original research and superb narrative skills come together in this gripping account of pitiless evil.

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Greed, depravity, and serial murder in 1920s Oklahoma.

During that time, enrolled members of the Osage Indian nation were among the wealthiest people per capita in the world. The rich oil fields beneath their reservation brought millions of dollars into the tribe annually, distributed to tribal members holding "headrights" that could not be bought or sold but only inherited. This vast wealth attracted the attention of unscrupulous whites who found ways to divert it to themselves by marrying Osage women or by having Osage declared legally incompetent so the whites could fleece them through the administration of their estates. For some, however, these deceptive tactics were not enough, and a plague of violent death—by shooting, poison, orchestrated automobile accident, and bombing—began to decimate the Osage in what they came to call the "Reign of Terror." Corrupt and incompetent law enforcement and judicial systems ensured that the perpetrators were never found or punished until the young J. Edgar Hoover saw cracking these cases as a means of burnishing the reputation of the newly professionalized FBI. Bestselling New Yorker staff writer Grann (The Devil and Sherlock Holmes: Tales of Murder, Madness, and Obsession, 2010, etc.) follows Special Agent Tom White and his assistants as they track the killers of one extended Osage family through a closed local culture of greed, bigotry, and lies in pursuit of protection for the survivors and justice for the dead. But he doesn't stop there; relying almost entirely on primary and unpublished sources, the author goes on to expose a web of conspiracy and corruption that extended far wider than even the FBI ever suspected. This page-turner surges forward with the pacing of a true-crime thriller, elevated by Grann's crisp and evocative prose and enhanced by dozens of period photographs.

Dogged original research and superb narrative skills come together in this gripping account of pitiless evil.

Pub Date: April 18, 2017

ISBN: 978-0-385-53424-6

Page Count: 352

Publisher: Doubleday

Review Posted Online: Feb. 1, 2017

Kirkus Reviews Issue: Feb. 15, 2017

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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