Though slow to get going, the second half of this memoir is strong stuff, with some truly amazing stories well-told.

HARLEY LOCO

A MEMOIR OF HARD LIVING, HAIR, AND POST-PUNK ROCK, FROM THE MIDDLE EAST TO THE LOWER EAST SIDE

A junkie’s-eye view of three decades of addiction in Detroit and on the Lower East Side of Manhattan.

First-time author Elias, who has been clean since 1997, has enough distance to speak on her past unashamedly, with cleareyed intelligence and without judging her younger self too harshly. The youngest child of a prosperous Syrian family that immigrated to the suburbs of Detroit in the 1960s when she was 8, the author suggests her addictions were a response to the disruption that alienated her from her happy childhood in Syria. Her perspective remained that of the feisty little girl who fought back against bullies and earned the respect of her peers through a kind of reckless experimentation and a constant need to prove herself. “I always knew I couldn’t be ‘the best of the best,’ ” she writes. “I think at a very young age I decided to become ‘the best of the worst,’ which seemed to attract even more attention.” Rather than take the path toward bourgeois security taken by her older siblings, Elias started a post-punk band, earning a living as a hairdresser. In New York, her dual careers seemed ready to take off, but her personal life was more complicated. While living unhappily with an adoring boyfriend, she fell deeply in love with a married woman who declined to leave her husband. Elias self-medicated with ecstasy, cocaine, heroin and Valium—anything to ease the pain—and soon found herself helplessly addicted. When snorting heroin became too expensive, a punk-scene friend reluctantly introduced her to mainlining. Thus began a descent into street life, homelessness, petty crime and jail time, alternating with temporary spans of redemption and health followed by heart-breaking relapse.

Though slow to get going, the second half of this memoir is strong stuff, with some truly amazing stories well-told.

Pub Date: April 8, 2013

ISBN: 978-0-670-78516-2

Page Count: 320

Publisher: Viking

Review Posted Online: Dec. 27, 2012

Kirkus Reviews Issue: Jan. 15, 2013

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If the authors are serious, this is a silly, distasteful book. If they are not, it’s a brilliant satire.

THE 48 LAWS OF POWER

The authors have created a sort of anti-Book of Virtues in this encyclopedic compendium of the ways and means of power.

Everyone wants power and everyone is in a constant duplicitous game to gain more power at the expense of others, according to Greene, a screenwriter and former editor at Esquire (Elffers, a book packager, designed the volume, with its attractive marginalia). We live today as courtiers once did in royal courts: we must appear civil while attempting to crush all those around us. This power game can be played well or poorly, and in these 48 laws culled from the history and wisdom of the world’s greatest power players are the rules that must be followed to win. These laws boil down to being as ruthless, selfish, manipulative, and deceitful as possible. Each law, however, gets its own chapter: “Conceal Your Intentions,” “Always Say Less Than Necessary,” “Pose as a Friend, Work as a Spy,” and so on. Each chapter is conveniently broken down into sections on what happened to those who transgressed or observed the particular law, the key elements in this law, and ways to defensively reverse this law when it’s used against you. Quotations in the margins amplify the lesson being taught. While compelling in the way an auto accident might be, the book is simply nonsense. Rules often contradict each other. We are told, for instance, to “be conspicuous at all cost,” then told to “behave like others.” More seriously, Greene never really defines “power,” and he merely asserts, rather than offers evidence for, the Hobbesian world of all against all in which he insists we live. The world may be like this at times, but often it isn’t. To ask why this is so would be a far more useful project.

If the authors are serious, this is a silly, distasteful book. If they are not, it’s a brilliant satire.

Pub Date: Sept. 1, 1998

ISBN: 0-670-88146-5

Page Count: 430

Publisher: Viking

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: July 15, 1998

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The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

NIGHT

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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