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SUCH GOOD GIRLS

THE JOURNEY OF THE HOLOCAUST'S HIDDEN CHILD SURVIVORS

The emotional toll of silence and victimhood, rendered through intimate detail and rich historical context.

Through the stories of three fortunate Jewish girls—one Polish, one French, one Dutch—the author reveals “hidden children” as an unexplored facet of Holocaust research.

A versatile writer known for his Harvey Blissberg mysteries and other offbeat works (A Buffalo in the House: A True Story of a Man, an Animal and the American West, 2007, etc.), Rosen enters the lives of these three girls and others hidden at enormous peril during World War II. The three made their getaway from Nazi persecution with the help of Christians, and they were instructed in how to be quiet, obedient and confused about their identities. Five-year-old Selma Schwarzwald and her mother, Laura, were able to escape the Lvov ghetto in 1942 after husband Daniel bought them Christian identification papers before he was taken away and never heard from again. The resourceful mother grilled her fair-haired daughter on their new identities, as well as on the Catholic catechism, and fled to Krakow, then to Leming, where Laura, with her fluent German, found work translating for an SS man. Six-year-old Flora Hillel, at school in Nice, France, did not raise her hand in class in September 1943 when the teacher asked which children were Jews. Her fearful mother promptly deposited her in a Catholic monastery, where she received rigorous religious training and later lived with and was adopted by a French-Swedish couple and became Flora Hogman; she never heard from her mother again. Carla Heijmans moved around from one safe house to another with some of the remaining family members, much like the family of Anne Frank—except the Heijmans were not found out, and thus Carla carried the guilt of surviving when two-thirds of Europe’s Jewry did not. Rosen examines how the lives of these hidden children turned out; many survivors went into “helping professions” and never spoke of their experiences.

The emotional toll of silence and victimhood, rendered through intimate detail and rich historical context.

Pub Date: Sept. 9, 2014

ISBN: 978-0-06-229710-5

Page Count: 288

Publisher: Harper/HarperCollins

Review Posted Online: June 11, 2014

Kirkus Reviews Issue: July 1, 2014

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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WHEN BREATH BECOMES AIR

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...

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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.

Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.

Pub Date: Jan. 19, 2016

ISBN: 978-0-8129-8840-6

Page Count: 248

Publisher: Random House

Review Posted Online: Sept. 29, 2015

Kirkus Reviews Issue: Oct. 15, 2015

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