A pertinent, you-are-there historical page-turner with a strong moral message.

BURIAL FOR A KING

MARTIN LUTHER KING JR.'S FUNERAL AND THE WEEK THAT TRANSFORMED ATLANTA AND ROCKED A NATION

Gripping re-creation of the aftermath of Martin Luther King Jr.’s assassination.

Former Atlanta magazine editor Burns (Rage in the Gate City: The Story of the 1906 Race Riot, 2006, etc.) originally addressed the subject of MLK’s funeral in a 2008 oral history for the magazine. In this brief yet effective narrative, she provides a snapshot of a still-segregated nation poised between uneasy reconciliation and violent chaos. Using terse language and precise, straightforward descriptions—nearly every person who appears is extensively footnoted, a shrewd tactic because it enlivens the obscure and famous alike—she views the crisis and aftermath of King’s death in Memphis through multiple points of view, beginning with the traumatic center of his family and closest associates in Atlanta. Simultaneously, she argues that the white power structure in the city, personified by Mayor Ivan Allen, the police chief and others, behaved with compassion and foresight. Consequently, a fragile coalition managed the funeral and allowed the city to avoid the racial violence then occurring in Chicago, Washington, D.C., and elsewhere. Burns follows the perspectives of multiple figures through the days following the assassination, from Lyndon Johnson on down. Numerous people poured into the tense city, including Robert Kennedy and celebrities like Harry Belafonte. The author evokes the funeral as a cathartic ritual of controlled chaos, and the documentary style also captures the inevitable fracturing of King’s movement, starting with the controversial Poor People’s Campaign, with which he was deeply involved. Arguably, the King family’s dignity in response to tragedy, and the somber televised spectacle of King’s funeral, helped convince many Americans that full civil rights were past due.

A pertinent, you-are-there historical page-turner with a strong moral message.

Pub Date: Jan. 4, 2011

ISBN: 978-1-4391-3054-4

Page Count: 208

Publisher: Scribner

Review Posted Online: Sept. 7, 2010

Kirkus Reviews Issue: Oct. 1, 2010

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The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

NIGHT

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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Thus the second most costly war in American history, whose “outcome seemed little short of a miracle.” A sterling account.

1776

A master storyteller’s character-driven account of a storied year in the American Revolution.

Against world systems, economic determinist and other external-cause schools of historical thought, McCullough (John Adams, 2001, etc.) has an old-fashioned fondness for the great- (and not-so-great) man tradition, which may not have much explanatory power but almost always yields better-written books. McCullough opens with a courteous nod to the customary villain in the story of American independence, George III, who turns out to be a pleasant and artistically inclined fellow who relied on poor advice; his Westmoreland, for instance, was a British general named Grant who boasted that with 5,000 soldiers he “could march from one end of the American continent to the other.” Other British officers agitated for peace, even as George wondered why Americans would not understand that to be a British subject was to be free by definition. Against these men stood arrayed a rebel army that was, at the least, unimpressive; McCullough observes that New Englanders, for instance, considered washing clothes to be women’s work and so wore filthy clothes until they rotted, with the result that Burgoyne and company had a point in thinking the Continentals a bunch of ragamuffins. The Americans’ military fortunes were none too good for much of 1776, the year of the Declaration; at the slowly unfolding battle for control over New York, George Washington was moved to despair at the sight of sometimes drunk soldiers running from the enemy and of their officers “who, instead of attending to their duty, had stood gazing like bumpkins” at the spectacle. For a man such as Washington, to be a laughingstock was the supreme insult, but the British were driven by other motives than to irritate the general—not least of them reluctance to give up a rich, fertile and beautiful land that, McCullough notes, was providing the world’s highest standard of living in 1776.

Thus the second most costly war in American history, whose “outcome seemed little short of a miracle.” A sterling account.

Pub Date: June 1, 2005

ISBN: 0-7432-2671-2

Page Count: 656

Publisher: Simon & Schuster

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: April 1, 2005

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