Next book

NICE TO COME HOME TO

There’s not much going for this book except perhaps a built-in audience.

A woman reinvents herself in her mid-30s in Flowers’s debut novel.

At 36, Prudence Whistler is doing all right—not great but not bad. She doesn’t love working in the not-for-profit world, but she has built a decent, reasonably remunerative career for herself. None of her friends or relatives seems to like her boyfriend, but there’s no denying that he’s pretty cute now that she has spiffed him up a bit, and his neediness makes him loyal. When she gets fired from her job, though, Pru comes face-to-face with the fact that the time to fulfill her master plan for life—the one that involves a husband and kids—is running out. At this crossroads, she decides to finally accept her boyfriend’s oft-reiterated, heretofore rejected marriage proposal. Unfortunately, Pru arrives at this decision just as he has decided to dump her. Utterly without prospects for employment or new romance, Pru falls apart, and readers of women’s fiction will not be surprised to learn that calamity gives our heroine the opportunity to build a better, happier, more adorable version of herself. The problem with this novel is that the new Pru emerges at a crushingly slow pace, and the old Pru is not agreeable company. Indeed, she’s so sour and self-centered that it’s almost impossible to root for her. Flowers provides some narrative relief in the form of a bitchy gay best friend and a free-spirited sister, but these more congenial characters merely throw Pru’s uptight unpleasantness into sharper relief.

There’s not much going for this book except perhaps a built-in audience.

Pub Date: April 3, 2008

ISBN: 978-1-59448-961-7

Page Count: 336

Publisher: Riverhead

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Feb. 15, 2008

Categories:
Next book

CARRIE

King handles his first novel with considerable accomplishment and very little hokum—it's only too easy to believe that these...

Figuratively and literally shattering moments of hoRRRRRipilication in Chamberlain, Maine where stones fly from the sky rather than from the hands of the villagers (as they did in "The Lottery," although the latter are equal to other forms of persecution).

All beginning when Carrie White discovers a gift with telekinetic powers (later established as a genetic fact), after she menstruates in full ignorance of the process and thinks she is bleeding to death while the other monsters in the high school locker room bait and bully her mercilessly. Carrie is the only child of a fundamentalist freak mother who has brought her up with a concept of sin which no blood of the Lamb can wash clean. In addition to a sympathetic principal and gym teacher, there's one girl who wishes to atone and turns her date for the spring ball over to Carrie who for the first time is happy, beautiful and acknowledged as such. But there will be hell to pay for this success—not only her mother but two youngsters who douse her in buckets of fresh-killed pig blood so that Carrie once again uses her "wild talent," flexes her mind and a complete catastrophe (explosion and an uncontrolled fire) virtually destroys the town.

King handles his first novel with considerable accomplishment and very little hokum—it's only too easy to believe that these youngsters who once ate peanut butter now scrawl "Carrie White eats shit." But as they still say around here, "Sit a spell and collect yourself."

Pub Date: April 8, 1974

ISBN: 0385086954

Page Count: 216

Publisher: Doubleday

Review Posted Online: Sept. 26, 2011

Kirkus Reviews Issue: April 1, 1974

Categories:
Next book

TO KILL A MOCKINGBIRD

A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.

Pub Date: July 11, 1960

ISBN: 0060935464

Page Count: 323

Publisher: Lippincott

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: July 1, 1960

Categories:
Close Quickview