by Rebecca Kanner ‧ RELEASE DATE: April 2, 2013
Kanner successfully undertakes a formidable task retelling a familiar religious story through the eyes of Noah’s wife. The...
Noah and his wife take on a boatload of animals and family members—and the close quarters lead to situations that would try the patience of Job…but that’s another story.
Kanner’s debut novel is based on the Old Testament story of Noah’s wife, an unnamed woman who’s been shunned since birth for the mark of a demon, a raspberry birthmark, she bears on her forehead. Her mother is long gone, but her father does his best to shield her from harm and arranges for his 19-year-old daughter to marry Noah, a taciturn man dedicated to preaching about the God of Adam. He takes his wife to Sorum, the town of exiles, where prostitutes, murderers and others sinners run rampant. Old Noah’s sight and hearing aren’t what they used to be, but he’s surprisingly frisky for a more than 600-year-old man. He sires three sons: Shem, who often clings to his mother; Japheth, who prefers fighting to settle scores; and Ham, the funny son with the sharp wit whom his mother favors. Noah’s wife also develops a fondness for Herai, a young girl with mental limitations. She tries to convince Noah that Herai will be a good match for one of their sons, but Noah, fearing that his grandchildren will be similarly afflicted, refuses to permit the marriage. When Noah claims that God is sending a flood to destroy mankind and has chosen his family to build an ark, ride out the storm while tending to the animals they are tasked with saving, and repopulate the Earth once the floodwaters have receded, he’s the subject of ridicule in the community. But the family does as Noah instructs, and as the rains begin, they embark on their voyage. Sibling rivalries become more pronounced aboard the vessel now that each brother has a wife (Ona, Herai and Zilpha), and their mother proves her strength and character as she tries to protect her family from each and from the outside forces that threaten.
Kanner successfully undertakes a formidable task retelling a familiar religious story through the eyes of Noah’s wife. The narrative’s well-articulated, evenly balanced and stimulating—but it’s definitely not the familiar tale that’s so frequently illustrated in children’s books.Pub Date: April 2, 2013
ISBN: 978-1-4516-9523-6
Page Count: 336
Publisher: Howard Books/Simon & Schuster
Review Posted Online: Jan. 19, 2013
Kirkus Reviews Issue: Feb. 1, 2013
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BOOK REVIEW
by Kristin Hannah ‧ RELEASE DATE: Feb. 3, 2015
Still, a respectful and absorbing page-turner.
Hannah’s new novel is an homage to the extraordinary courage and endurance of Frenchwomen during World War II.
In 1995, an elderly unnamed widow is moving into an Oregon nursing home on the urging of her controlling son, Julien, a surgeon. This trajectory is interrupted when she receives an invitation to return to France to attend a ceremony honoring passeurs: people who aided the escape of others during the war. Cut to spring, 1940: Viann has said goodbye to husband Antoine, who's off to hold the Maginot line against invading Germans. She returns to tending her small farm, Le Jardin, in the Loire Valley, teaching at the local school and coping with daughter Sophie’s adolescent rebellion. Soon, that world is upended: The Germans march into Paris and refugees flee south, overrunning Viann’s land. Her long-estranged younger sister, Isabelle, who has been kicked out of multiple convent schools, is sent to Le Jardin by Julien, their father in Paris, a drunken, decidedly unpaternal Great War veteran. As the depredations increase in the occupied zone—food rationing, systematic looting, and the billeting of a German officer, Capt. Beck, at Le Jardin—Isabelle’s outspokenness is a liability. She joins the Resistance, volunteering for dangerous duty: shepherding downed Allied airmen across the Pyrenees to Spain. Code-named the Nightingale, Isabelle will rescue many before she's captured. Meanwhile, Viann’s journey from passive to active resistance is less dramatic but no less wrenching. Hannah vividly demonstrates how the Nazis, through starvation, intimidation and barbarity both casual and calculated, demoralized the French, engineering a community collapse that enabled the deportations and deaths of more than 70,000 Jews. Hannah’s proven storytelling skills are ideally suited to depicting such cataclysmic events, but her tendency to sentimentalize undermines the gravitas of this tale.
Still, a respectful and absorbing page-turner.Pub Date: Feb. 3, 2015
ISBN: 978-0-312-57722-3
Page Count: 448
Publisher: St. Martin's
Review Posted Online: Nov. 19, 2014
Kirkus Reviews Issue: Dec. 1, 2014
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BOOK TO SCREEN
SEEN & HEARD
BOOK TO SCREEN
by Madeline Miller ‧ RELEASE DATE: April 10, 2018
Miller makes Homer pertinent to women facing 21st-century monsters.
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A retelling of ancient Greek lore gives exhilarating voice to a witch.
“Monsters are a boon for gods. Imagine all the prayers.” So says Circe, a sly, petulant, and finally commanding voice that narrates the entirety of Miller’s dazzling second novel. The writer returns to Homer, the wellspring that led her to an Orange Prize for The Song of Achilles (2012). This time, she dips into The Odyssey for the legend of Circe, a nymph who turns Odysseus’ crew of men into pigs. The novel, with its distinctive feminist tang, starts with the sentence: “When I was born, the name for what I was did not exist.” Readers will relish following the puzzle of this unpromising daughter of the sun god Helios and his wife, Perse, who had negligible use for their child. It takes banishment to the island Aeaea for Circe to sense her calling as a sorceress: “I will not be like a bird bred in a cage, I thought, too dull to fly even when the door stands open. I stepped into those woods and my life began.” This lonely, scorned figure learns herbs and potions, surrounds herself with lions, and, in a heart-stopping chapter, outwits the monster Scylla to propel Daedalus and his boat to safety. She makes lovers of Hermes and then two mortal men. She midwifes the birth of the Minotaur on Crete and performs her own C-section. And as she grows in power, she muses that “not even Odysseus could talk his way past [her] witchcraft. He had talked his way past the witch instead.” Circe’s fascination with mortals becomes the book’s marrow and delivers its thrilling ending. All the while, the supernatural sits intriguingly alongside “the tonic of ordinary things.” A few passages coil toward melodrama, and one inelegant line after a rape seems jarringly modern, but the spell holds fast. Expect Miller’s readership to mushroom like one of Circe’s spells.
Miller makes Homer pertinent to women facing 21st-century monsters.Pub Date: April 10, 2018
ISBN: 978-0-316-55634-7
Page Count: 400
Publisher: Little, Brown
Review Posted Online: Jan. 22, 2018
Kirkus Reviews Issue: Feb. 1, 2018
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