Smart, literate and refreshingly unsentimental.
A children’s librarian in Hannibal, Mo., finds herself on a long, strange trip in Makkai’s ruminative first novel.
Lucy Hull feels sorry for Ian Drake, the most devoted attendee of her read-aloud on Friday afternoons. Ian’s reading is severely circumscribed by his mother’s fundamentalist strictures, which rule out everything from Roald Dahl to Harry Potter. Lucy is further appalled when she learns that Ian—whom everyone assumes is gay, though he’s only 10—is forced to attend weekly classes with Pastor Bob, who specializes in rehabilitating “sexually confused brothers and sisters in Christ.” So when Lucy finds Ian hiding in the library one morning with a knapsack, she decides to help him run away. They wind up on a meandering journey that passes through her parents’ home in Chicago, where Lucy picks up some cash from her father, an affluent Russian immigrant with vaguely unsavory business ties. En route to Vermont, where Ian claims his grandmother lives, Lucy tries to figure out how she got herself into this mess and how she can avoid being arrested as a kidnapper. Makkai takes several risks in her sharp, often witty text, replete with echoes of children’s classics from Goodnight Moon to The Wonderful Wizard of Oz, as well as more ominous references to Lolita. Lucy and Ian don’t bond in the warm and fuzzy way of Hollywood movies, and there’s no big payoff where he recognizes and renounces his mother’s bigoted ways. He remains a smart, difficult kid whose inner thoughts are opaque. This is Lucy’s story, and we have known from the opening pages that her road trip will shake her loose from Hannibal; the interest comes from discovering how and why. The novel bogs down for a long time in the middle with an excess of plot, but the moving final chapters affirm the power of books to change people’s lives even as they acknowledge the unbreakable bonds of home and family.
Smart, literate and refreshingly unsentimental.Pub Date: June 27, 2011
ISBN: 978-0-670-02281-6
Page Count: 336
Publisher: Viking
Review Posted Online: April 18, 2011
Kirkus Reviews Issue: May 1, 2011
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
A modern day fable, with modern implications in a deceiving simplicity, by the author of Dickens. Dali and Others (Reynal & Hitchcock, p. 138), whose critical brilliance is well adapted to this type of satire. This tells of the revolt on a farm, against humans, when the pigs take over the intellectual superiority, training the horses, cows, sheep, etc., into acknowledging their greatness. The first hints come with the reading out of a pig who instigated the building of a windmill, so that the electric power would be theirs, the idea taken over by Napoleon who becomes topman with no maybes about it. Napoleon trains the young puppies to be his guards, dickers with humans, gradually instigates a reign of terror, and breaks the final commandment against any animal walking on two legs. The old faithful followers find themselves no better off for food and work than they were when man ruled them, learn their final disgrace when they see Napoleon and Squealer carousing with their enemies... A basic statement of the evils of dictatorship in that it not only corrupts the leaders, but deadens the intelligence and awareness of those led so that tyranny is inevitable. Mr. Orwell's animals exist in their own right, with a narrative as individual as it is apt in political parody.
Pub Date: Aug. 26, 1946
ISBN: 0452277507
Page Count: 114
Publisher: Harcourt, Brace
Review Posted Online: Nov. 2, 2011
Kirkus Reviews Issue: Aug. 1, 1946
Jonathan Livingston Kitty, it’s not.
A lonely postman learns that he’s about to die—and reflects on life as he bargains with a Hawaiian-shirt–wearing devil.
The 30-year-old first-person narrator in filmmaker/novelist Kawamura’s slim novel is, by his own admission, “boring…a monotone guy,” so unimaginative that, when he learns he has a brain tumor, the bucket list he writes down is dull enough that “even the cat looked disgusted with me.” Luckily—or maybe not—a friendly devil, dubbed Aloha, pops onto the scene, and he’s willing to make a deal: an extra day of life in exchange for being allowed to remove something pleasant from the world. The first thing excised is phones, which goes well enough. (The narrator is pleasantly surprised to find that “people seemed to have no problem finding something to fill up their free time.”) But deals with the devil do have a way of getting complicated. This leads to shallow musings (“Sometimes, when you rewatch a film after not having seen it for a long time, it makes a totally different impression on you than it did the first time you saw it. Of course, the movie hasn’t changed; it’s you who’s changed") written in prose so awkward, it’s possibly satire (“Tears dripped down onto the letter like warm, salty drops of rain”). Even the postman’s beloved cat, who gains the power of speech, ends up being prim and annoying. The narrator ponders feelings about a lost love, his late mother, and his estranged father in a way that some readers might find moving at times. But for many, whatever made this book a bestseller in Japan is going to be lost in translation.
Jonathan Livingston Kitty, it’s not.Pub Date: March 12, 2019
ISBN: 978-1-250-29405-0
Page Count: 176
Publisher: Flatiron Books
Review Posted Online: Feb. 16, 2019
Kirkus Reviews Issue: March 1, 2019
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