Intentionally or not, Tope’s free-spirited heroine’s lack of interest in her new husband’s life and her responsibilities to...
An undertaker’s new wife is distracted from the family business by a local murder in the Cotswolds.
Just a year into her marriage to Drew Slocombe, former housesitter Thea has grown weary of his expectations about her helping to raise his two children, like the indignities of preparing meals or reading stories at bedtime, and misses her independence. Drew’s latest client in his work as an undertaker for nature-focused Peaceful Repose offers Thea a bit of the intrigue she’s been missing. Linda Biddulph has hired Drew to help with services for her recently departed husband, Stephen, though with the caveat that Drew is not to tell her son, Lawrence, a big secret she’s hiding. Apparently Linda is the second wife of Stephen, who has a first family complete with a wife and two sons, Clovis and Luc, who’ve been hidden from Lawrence his whole life. Linda promises to reveal the news of Stephen’s first sons after the funeral is done with and things are settled down, but this isn’t enough for Clovis and Luc, who have heard of their not-so-dearly departed dad and show up on Thea and Drew’s door demanding to be involved. Drew’s promise to Linda doesn’t make Thea feel that she’s obliged to follow his lead, and it doesn’t hurt that Clovis is easy on the eyes and could perhaps provide the intrigue that Drew is lacking. As the Biddulph family drama heats up, Thea’s attention is deflected by the murder of a young woman on the grounds of Peaceful Repose. Juliet Wilson, beloved by the village of Broad Campden community, had no enemies who would wish her ill, and local police are willing to draw again on the mystery-solving skills Thea’s already demonstrated (Peril in the Cotswolds, 2018) to help connect Juliet’s death to a plausible suspect.
Intentionally or not, Tope’s free-spirited heroine’s lack of interest in her new husband’s life and her responsibilities to her family diminish rather than encourage a reader's investment in her ability to solve the crime.Pub Date: Sept. 19, 2018
ISBN: 978-0-7490-2337-9
Page Count: 350
Publisher: Casemate
Review Posted Online: July 30, 2018
Kirkus Reviews Issue: Aug. 15, 2018
A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.
Pub Date: July 11, 1960
ISBN: 0060935464
Page Count: 323
Publisher: Lippincott
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: July 1, 1960
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.
Coelho is a Brazilian writer with four books to his credit. Following Diary of a Magus (1992—not reviewed) came this book, published in Brazil in 1988: it's an interdenominational, transcendental, inspirational fable—in other words, a bag of wind.
The story is about a youth empowered to follow his dream. Santiago is an Andalusian shepherd boy who learns through a dream of a treasure in the Egyptian pyramids. An old man, the king of Salem, the first of various spiritual guides, tells the boy that he has discovered his destiny: "to realize one's destiny is a person's only real obligation." So Santiago sells his sheep, sails to Tangier, is tricked out of his money, regains it through hard work, crosses the desert with a caravan, stops at an oasis long enough to fall in love, escapes from warring tribesmen by performing a miracle, reaches the pyramids, and eventually gets both the gold and the girl. Along the way he meets an Englishman who describes the Soul of the World; the desert woman Fatima, who teaches him the Language of the World; and an alchemist who says, "Listen to your heart" A message clings like ivy to every encounter; everyone, but everyone, has to put in their two cents' worth, from the crystal merchant to the camel driver ("concentrate always on the present, you'll be a happy man"). The absence of characterization and overall blandness suggest authorship by a committee of self-improvement pundits—a far cry from Saint- Exupery's The Little Prince: that flagship of the genre was a genuine charmer because it clearly derived from a quirky, individual sensibility.
Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.Pub Date: July 1, 1993
ISBN: 0-06-250217-4
Page Count: 192
Publisher: N/A
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 1, 1993
SEEN & HEARD
SEEN & HEARD
BOOK TO SCREEN
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