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ALL OF THIS

A MEMOIR OF DEATH AND DESIRE

A provocative and memorable work of autobiography.

A successful writer and blogger explores how her husband’s untimely death forced a confrontation with her unfulfilling marriage and undefined sexuality.

By the time Woolf’s husband, Hal, was diagnosed with terminal cancer, their marriage was “in relative shambles—backs turned to each other in a bed big enough to keep us from touching.” Hal resented Woolf for her financial success, and Woolf resented Hal for the lies she felt compelled to tell him to keep the marriage “stable.” However, his illness made the author desperate. Rather than seeking a divorce, she found herself wanting Hal to live. For the remainder of his life, the author swore she would never leave his side, “the only marital vow I didn’t break.” The tumultuous mixture of love and hate complicated a difficult grieving process that began even before he died. As she revisited their shared past, she mourned her “inadequacies as a wife, as a partner” while also excoriating herself for passively accepting what she knew was a “toxic relationship.” After Hal’s death, Woolf found herself “performing” widowhood for others while gnawing on a powerful desire to “get fucked”—less to satiate her desire and more to fill the emptiness that had carried over from her marriage. An affair with a friend she’d met at Hal’s funeral provided some release. Then she signed up for Tinder and fell into a pattern of “one-night standing,” which eventually included both male and female partners as well as experiments in polyamory. In the process, Woolf learned that however traumatic, Hal’s death had actually prepared her for the short-term relationships she realized were what made her feel the most free and alive. By turns disturbing and profound, this intimate book about one woman’s path to personal liberation also reveals the sometimes-labyrinthine nature of the bonds that unite people in love and marriage.

A provocative and memorable work of autobiography.

Pub Date: Aug. 16, 2022

ISBN: 978-0-063-05267-3

Page Count: 256

Publisher: HarperOne

Review Posted Online: May 24, 2022

Kirkus Reviews Issue: June 15, 2022

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MARK TWAIN

Essential reading for any Twain buff and student of American literature.

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A decidedly warts-and-all portrait of the man many consider to be America’s greatest writer.

It makes sense that distinguished biographer Chernow (Washington: A Life and Alexander Hamilton) has followed up his life of Ulysses S. Grant with one of Mark Twain: Twain, after all, pulled Grant out of near bankruptcy by publishing the ex-president’s Civil War memoir under extremely favorable royalty terms. The act reflected Twain’s inborn generosity and his near pathological fear of poverty, the prime mover for the constant activity that characterized the author’s life. As Chernow writes, Twain was “a protean figure who played the role of printer, pilot, miner, journalist, novelist, platform artist, toastmaster, publisher, art patron, pundit, polemicist, inventor, crusader, investor, and maverick.” He was also slippery: Twain left his beloved Mississippi River for the Nevada gold fields as a deserter from the Confederate militia, moved farther west to California to avoid being jailed for feuding, took up his pseudonym to stay a step ahead of anyone looking for Samuel Clemens, especially creditors. Twain’s flaws were many in his own day. Problematic in our own time is a casual racism that faded as he grew older (charting that “evolution in matters of racial tolerance” is one of the great strengths of Chernow’s book). Harder to explain away is Twain’s well-known but discomfiting attraction to adolescent and even preadolescent girls, recruiting “angel-fish” to keep him company and angrily declaring when asked, “It isn’t the public’s affair.” While Twain emerges from Chernow’s pages as the masterful—if sometimes wrathful and vengeful—writer that he is now widely recognized to be, he had other complexities, among them a certain gullibility as a businessman that kept that much-feared poverty often close to his door, as well as an overarchingly gloomy view of the human condition that seemed incongruous with his reputation, then and now, as a humanist.

Essential reading for any Twain buff and student of American literature.

Pub Date: May 13, 2025

ISBN: 9780525561729

Page Count: 1200

Publisher: Penguin Press

Review Posted Online: Feb. 1, 2025

Kirkus Reviews Issue: March 1, 2025

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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