A provocative and memorable work of autobiography.
A successful writer and blogger explores how her husband’s untimely death forced a confrontation with her unfulfilling marriage and undefined sexuality.
By the time Woolf’s husband, Hal, was diagnosed with terminal cancer, their marriage was “in relative shambles—backs turned to each other in a bed big enough to keep us from touching.” Hal resented Woolf for her financial success, and Woolf resented Hal for the lies she felt compelled to tell him to keep the marriage “stable.” However, his illness made the author desperate. Rather than seeking a divorce, she found herself wanting Hal to live. For the remainder of his life, the author swore she would never leave his side, “the only marital vow I didn’t break.” The tumultuous mixture of love and hate complicated a difficult grieving process that began even before he died. As she revisited their shared past, she mourned her “inadequacies as a wife, as a partner” while also excoriating herself for passively accepting what she knew was a “toxic relationship.” After Hal’s death, Woolf found herself “performing” widowhood for others while gnawing on a powerful desire to “get fucked”—less to satiate her desire and more to fill the emptiness that had carried over from her marriage. An affair with a friend she’d met at Hal’s funeral provided some release. Then she signed up for Tinder and fell into a pattern of “one-night standing,” which eventually included both male and female partners as well as experiments in polyamory. In the process, Woolf learned that however traumatic, Hal’s death had actually prepared her for the short-term relationships she realized were what made her feel the most free and alive. By turns disturbing and profound, this intimate book about one woman’s path to personal liberation also reveals the sometimes-labyrinthine nature of the bonds that unite people in love and marriage.
A provocative and memorable work of autobiography.Pub Date: Aug. 16, 2022
ISBN: 978-0-063-05267-3
Page Count: 256
Publisher: HarperOne
Review Posted Online: May 24, 2022
Kirkus Reviews Issue: June 15, 2022
BOOK REVIEW
A virtuoso performance and an ode to an undervalued medium created by two talented artists.
The veteran actor, comedian, and banjo player teams up with the acclaimed illustrator to create a unique book of cartoons that communicates their personalities.
Martin, also a prolific author, has always been intrigued by the cartoons strewn throughout the pages of the New Yorker. So when he was presented with the opportunity to work with Bliss, who has been a staff cartoonist at the magazine since 1997, he seized the moment. “The idea of a one-panel image with or without a caption mystified me,” he writes. “I felt like, yeah, sometimes I’m funny, but there are these other weird freaks who are actually funny.” Once the duo agreed to work together, they established their creative process, which consisted of working forward and backward: “Forwards was me conceiving of several cartoon images and captions, and Harry would select his favorites; backwards was Harry sending me sketched or fully drawn cartoons for dialogue or banners.” Sometimes, he writes, “the perfect joke occurs two seconds before deadline.” There are several cartoons depicting this method, including a humorous multipanel piece highlighting their first meeting called “They Meet,” in which Martin thinks to himself, “He’ll never be able to translate my delicate and finely honed droll notions.” In the next panel, Bliss thinks, “I’m sure he won’t understand that the comic art form is way more subtle than his blunt-force humor.” The team collaborated for a year and created 150 cartoons featuring an array of topics, “from dogs and cats to outer space and art museums.” A witty creation of a bovine family sitting down to a gourmet meal and one of Dumbo getting his comeuppance highlight the duo’s comedic talent. What also makes this project successful is the team’s keen understanding of human behavior as viewed through their unconventional comedic minds.
A virtuoso performance and an ode to an undervalued medium created by two talented artists.Pub Date: Nov. 17, 2020
ISBN: 978-1-250-26289-9
Page Count: 272
Publisher: Celadon Books
Review Posted Online: Aug. 30, 2020
Kirkus Reviews Issue: Sept. 15, 2020
PERSPECTIVES
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
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