An affecting parable of a modern knight-errant's search for the ``true door to happiness,'' and the first story by the late Cuban writer and exile Arenas (The Palace of the White Skunks, 1990, etc.) to be set in the US. Young Juan, a refugee from Cuba, is the doorman of a Manhattan apartment house—home to a disappointed and eclectic group of men and women, and to their even more unhappy pets. There are, among others: an aging leftist who keeps a polar bear to serve her (when she isn't in Cuba buying desperate young men with cheap trinkets); a suicidal young woman, beloved by Juan, whose pet is a rattlesnake; an impotent and aging lover-boy whose pet orangutan helps him out on dates; the nearly identical gay couple Oscar One and Two, with their terrified rabbit and fierce bulldog; the Supreme Pastor of the Church of Love through Constant Contact and his menagerie; and the millionaire family that owns the remarkable dog Cleopatra. As Juan opens the door for them and their pets, he always tries to please, hoping that they may know of the door he is looking for. His helpfulness is increasingly abused, and poor Juan despairs. But Cleopatra and the other animals have been watching him, and they appoint him their leader. Thought now to be mad, Juan is consigned to a psychiatric ward, but the animals rescue him and together set off across the country to California, where they find the doors to the lands and waters of their dreams. But Juan—the ``only hope'' and ``great weapon'' of outsiders and the persecuted—can find no door. The parallels to Arenas's own life are obvious, but this richly imagined story—often witty despite the tragic undertones- -transcends such limits as it celebrates the defender of ideals, Juan the doorman. A fine memorial.
Pub Date: June 1, 1991
ISBN: 0-8021-1109-2
Page Count: 208
Publisher: Grove
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: April 15, 1991
Soft-focus story moves right along with few surprises. This time around, Hannah avoids the soap-opera complications of her...
Another middle-aged mom in a muddle.
After years of false starts and big hopes, Elizabeth’s ruggedly handsome husband Jack, a former football star, just landed a spot as a sportscaster on national news. He still loves her, even though much younger women are giving him come-hither looks. Heck, he doesn’t want to betray the love of his life after she helped him kick drugs and stuck by him even when he was a struggling has-been. And won’t it seem hypocritical if he fools around with his sexy assistant while he does in-depth reporting on a rape case involving a famous basketball center? Well, he fools around anyway. Elizabeth, nicknamed Birdie, knows nothing of this, but she withdraws from Jack when her hard-drinking, salt-of-the-earth father has a stroke and dies. Now no one will call her “sugar beet” ever again. Time to return home to Tennessee and contend with Anita, the sort-of-evil stepmother so trashy she wears pink puffy slippers all day long. Naturally, it turns out that Anita actually has a heart of gold and knows a few things about Birdie’s dead mother that were hushed up for years. Mom was an artist, just like Birdie, and an old scandal comes to light as Anita unrolls a vibrant canvas that portrays her secret lover. Perhaps, Birdie muses, her mother died of heartbreak, never having followed her true love or developed her talent. Has she, too, compromised everything she holds dear? Hoping to find out, Birdie joins a support group that promises to reconnect confused women with their passion. She and Jack separate, prompting a how-dare-you fit from their grown daughters. Will Birdie fly her empty nest? Will she go back to college for a degree in art? Will her brooding watercolors ever sell?
Soft-focus story moves right along with few surprises. This time around, Hannah avoids the soap-opera complications of her previous tales (Summer Island, 2001, etc.).Pub Date: July 1, 2002
ISBN: 0-345-45071-X
Page Count: 352
Publisher: Ballantine
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 15, 2002
A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.
Pub Date: July 11, 1960
ISBN: 0060935464
Page Count: 323
Publisher: Lippincott
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: July 1, 1960
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
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