STAR CHASER

THE TRAVELER

Banished by his superpowered kin, a resourceful young man aims to transcend space and time to save at least three civilizations in Reiter’s debut novel.

Long ago, the gray-and-blue-skinned Malgovi race, fighting a losing interstellar battle with the savage BroSohnti, suddenly developed the “iro-form”—the astounding ability to manipulate energy and light, giving rise to talents ranging from telepathy to death rays. Malgovi gifted with iro defeated the BroSohnti but consequently became a cruel, arrogant upper class in their own society. Dungias, born into Malgovi nobility, has no iro-form but compensates with sharp wits, Iron Man–type technology and martial arts athleticism. However, he’s still a despised, bullied outcast, even after his strategies help his ungrateful, iro-gifted younger brother win a major iro competition. Banished for his daring, Dungias is taken in by Nugar, one of the Vinthur, a mystic people once closely allied to the Malgovi. Nugar believes that Dungias is the foretold “Star Chaser” who could restore honor, justice and harmony to the various sundered races. Barely keeping ahead of iro-equipped assassins sent by corrupt Malgovi and offended Vinthur, Dungias sweats out the Yoda-like Nugar’s deadly lessons in space-Zen, until he becomes a “Traveler” who can commune with godlike, transdimensional beings. As if this vast, intrigue-ridden universe were not enough, Reiter skillfully embeds a parallel, more opaque plotline about a timeless spirit of malice called Baron Nomed who’s reborn into the human race. He renews his rivalry with a blind immortal named Freund who isn’t above taking a few million lives as collateral damage. The two storylines merge near the denouement—one resolved, the other maddeningly sans closure, promising a hefty continuation of this formidable epic. Usually, when a writer weighs a sci-fi manuscript down with imaginary alien jargon, it can be smegging annoying. But Reiter’s long, sprawling, ambitious construct makes the steep learning curve worth the trouble. Baron Nomed’s name (“demon” backward) is the only groaner in a novel that’s otherwise rich in clever wordplay and verbal invention. (The chapter headings even quote a wide range of beings, from fictional alien sages to Sun Tzu to Tupac Shakur.) Overall, readers will find this an impressively convoluted, dimension-hopping, mixed martial arts mind-stretcher.

A venturesome sci-fi/fantasy novel for readers who really want their action set where no man has gone before.

Pub Date: N/A

ISBN: N/A

Page Count: 609

Publisher: Dog Ear Publisher

Review Posted Online: July 9, 2014

Kirkus Reviews Issue: Sept. 15, 2014

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A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.

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DEVOLUTION

Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z (2006).

A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.

A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.

Pub Date: June 16, 2020

ISBN: 978-1-9848-2678-7

Page Count: 304

Publisher: Del Rey/Ballantine

Review Posted Online: Feb. 10, 2020

Kirkus Reviews Issue: March 1, 2020

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Packed with riveting drama and painful truths, this book powerfully illustrates the devastation of abuse—and the strength of...

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IT ENDS WITH US

Hoover’s (November 9, 2015, etc.) latest tackles the difficult subject of domestic violence with romantic tenderness and emotional heft.

At first glance, the couple is edgy but cute: Lily Bloom runs a flower shop for people who hate flowers; Ryle Kincaid is a surgeon who says he never wants to get married or have kids. They meet on a rooftop in Boston on the night Ryle loses a patient and Lily attends her abusive father’s funeral. The provocative opening takes a dark turn when Lily receives a warning about Ryle’s intentions from his sister, who becomes Lily’s employee and close friend. Lily swears she’ll never end up in another abusive home, but when Ryle starts to show all the same warning signs that her mother ignored, Lily learns just how hard it is to say goodbye. When Ryle is not in the throes of a jealous rage, his redeeming qualities return, and Lily can justify his behavior: “I think we needed what happened on the stairwell to happen so that I would know his past and we’d be able to work on it together,” she tells herself. Lily marries Ryle hoping the good will outweigh the bad, and the mother-daughter dynamics evolve beautifully as Lily reflects on her childhood with fresh eyes. Diary entries fancifully addressed to TV host Ellen DeGeneres serve as flashbacks to Lily’s teenage years, when she met her first love, Atlas Corrigan, a homeless boy she found squatting in a neighbor’s house. When Atlas turns up in Boston, now a successful chef, he begs Lily to leave Ryle. Despite the better option right in front of her, an unexpected complication forces Lily to cut ties with Atlas, confront Ryle, and try to end the cycle of abuse before it’s too late. The relationships are portrayed with compassion and honesty, and the author’s note at the end that explains Hoover’s personal connection to the subject matter is a must-read.

Packed with riveting drama and painful truths, this book powerfully illustrates the devastation of abuse—and the strength of the survivors.

Pub Date: Aug. 2, 2016

ISBN: 978-1-5011-1036-8

Page Count: 320

Publisher: Atria

Review Posted Online: May 31, 2016

Kirkus Reviews Issue: June 15, 2016

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