If Rosen’s intent was to portray Marshall Field in all his flawed complexity, it was not served by her choice of narrator.
Rosen’s second paean to the Second City (after Dollface, 2013) is a fictional biography of the “Merchant Prince” Marshall Field, told from the point of view of his mistress.
Delia “Dell” Spencer, daughter of Franklin Spencer, one of Chicago’s wealthiest purveyors of dry goods, seems destined to love her father’s rival Marshall “Marsh” Field, founder of the iconic (and now defunct) department store that bore his name. The couple first meets at a ball celebrating the opening of Chicago’s equally iconic Palmer House, when Dell is 17 and Marsh, 37. That very night, the Great Chicago Fire of 1871 destroys the entire city, including Spencer’s and Field’s stores, the Spencer mansion and the Palmer House. By being the first to reopen, Marsh forever captures the hearts and wallets of Chicagoans. Five years later, Dell makes what her social set considers a sterling marriage to wealthy Arthur Caton. Dell hopes for more of her husband’s attention while gradually realizing the unmistakable (and at times not very convincing) appeal of Marsh, whose Prairie Avenue mansion’s backyard abuts the Caton abode. When Arthur sinks into depression and alcoholism after his best friend Paxton marries, Dell realizes that he prefers men, and she and Arthur enter into a threesome of sorts with Marsh. With Arthur’s consent Marshall and Dell conceive a child, but thanks to a push down a staircase from Marshall’s vindictive wife, Nannie, Dell loses both the child and her ability to have children. Dell evinces almost no internal conflict over her affair (love justifies all is her constant refrain), and her smug sense of entitlement belies the strong character with which the author is at great pains to imbue her. Efforts to paint Nannie as the villain backfire since Dell can garner no reader sympathy.
If Rosen’s intent was to portray Marshall Field in all his flawed complexity, it was not served by her choice of narrator.Pub Date: Nov. 4, 2014
ISBN: 978-0-451-46671-6
Page Count: 416
Publisher: New American Library
Review Posted Online: Sept. 30, 2014
Kirkus Reviews Issue: Oct. 15, 2014
BOOK REVIEW
BOOK REVIEW
Still, a respectful and absorbing page-turner.
Hannah’s new novel is an homage to the extraordinary courage and endurance of Frenchwomen during World War II.
In 1995, an elderly unnamed widow is moving into an Oregon nursing home on the urging of her controlling son, Julien, a surgeon. This trajectory is interrupted when she receives an invitation to return to France to attend a ceremony honoring passeurs: people who aided the escape of others during the war. Cut to spring, 1940: Viann has said goodbye to husband Antoine, who's off to hold the Maginot line against invading Germans. She returns to tending her small farm, Le Jardin, in the Loire Valley, teaching at the local school and coping with daughter Sophie’s adolescent rebellion. Soon, that world is upended: The Germans march into Paris and refugees flee south, overrunning Viann’s land. Her long-estranged younger sister, Isabelle, who has been kicked out of multiple convent schools, is sent to Le Jardin by Julien, their father in Paris, a drunken, decidedly unpaternal Great War veteran. As the depredations increase in the occupied zone—food rationing, systematic looting, and the billeting of a German officer, Capt. Beck, at Le Jardin—Isabelle’s outspokenness is a liability. She joins the Resistance, volunteering for dangerous duty: shepherding downed Allied airmen across the Pyrenees to Spain. Code-named the Nightingale, Isabelle will rescue many before she's captured. Meanwhile, Viann’s journey from passive to active resistance is less dramatic but no less wrenching. Hannah vividly demonstrates how the Nazis, through starvation, intimidation and barbarity both casual and calculated, demoralized the French, engineering a community collapse that enabled the deportations and deaths of more than 70,000 Jews. Hannah’s proven storytelling skills are ideally suited to depicting such cataclysmic events, but her tendency to sentimentalize undermines the gravitas of this tale.
Still, a respectful and absorbing page-turner.Pub Date: Feb. 3, 2015
ISBN: 978-0-312-57722-3
Page Count: 448
Publisher: St. Martin's
Review Posted Online: Nov. 19, 2014
Kirkus Reviews Issue: Dec. 1, 2014
BOOK TO SCREEN
SEEN & HEARD
BOOK TO SCREEN
Miller makes Homer pertinent to women facing 21st-century monsters.
A retelling of ancient Greek lore gives exhilarating voice to a witch.
“Monsters are a boon for gods. Imagine all the prayers.” So says Circe, a sly, petulant, and finally commanding voice that narrates the entirety of Miller’s dazzling second novel. The writer returns to Homer, the wellspring that led her to an Orange Prize for The Song of Achilles (2012). This time, she dips into The Odyssey for the legend of Circe, a nymph who turns Odysseus’ crew of men into pigs. The novel, with its distinctive feminist tang, starts with the sentence: “When I was born, the name for what I was did not exist.” Readers will relish following the puzzle of this unpromising daughter of the sun god Helios and his wife, Perse, who had negligible use for their child. It takes banishment to the island Aeaea for Circe to sense her calling as a sorceress: “I will not be like a bird bred in a cage, I thought, too dull to fly even when the door stands open. I stepped into those woods and my life began.” This lonely, scorned figure learns herbs and potions, surrounds herself with lions, and, in a heart-stopping chapter, outwits the monster Scylla to propel Daedalus and his boat to safety. She makes lovers of Hermes and then two mortal men. She midwifes the birth of the Minotaur on Crete and performs her own C-section. And as she grows in power, she muses that “not even Odysseus could talk his way past [her] witchcraft. He had talked his way past the witch instead.” Circe’s fascination with mortals becomes the book’s marrow and delivers its thrilling ending. All the while, the supernatural sits intriguingly alongside “the tonic of ordinary things.” A few passages coil toward melodrama, and one inelegant line after a rape seems jarringly modern, but the spell holds fast. Expect Miller’s readership to mushroom like one of Circe’s spells.
Miller makes Homer pertinent to women facing 21st-century monsters.Pub Date: April 10, 2018
ISBN: 978-0-316-55634-7
Page Count: 400
Publisher: Little, Brown
Review Posted Online: Jan. 22, 2018
Kirkus Reviews Issue: Feb. 1, 2018
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