In this first installment of a new sci-fi saga, a brilliant inventor/statesman secretly plots against his own totalitarian regime with the assistance of an advanced robot.
In Bruno’s (Isinda: Curse of the Sleeping Dragon, 2013, etc.) vigorous, often violent narrative of interplanetary intrigue, Earth has been reduced to an uninhabitable cinder by mankind’s rapacious mining of the resource Gravitum, which enables deep-space travel. Humanity has therefore spread throughout the solar system, particularly to asteroids and gas-giant moons, using hyperspeed travel provided by a series of conduit-stations called “the Kepler Circuit.” Most of these spaceways and colonies have been taken over by the New Earth Tribune, an authoritarian empire which exerts its will using a religion focused on worshipping the tortured Homeworld. Cassius Vale is a war hero and scientist who’s prominent due to his authorship of the Tribune’s security precautions, but he’s never forgiven the Tribune for its offenses against him, particularly the loss of his son. Secretly and illegally, he’s constructed an advanced artificial intelligence robot called ADIM (Automated Dynamic Intelligence Mech), an appearance-shifting droid of frightening destructive prowess and ruthless logic who also serves as Vale’s surrogate offspring. The engaging narrative follows not only Cassius and ADIM, but also Sage Volus, a bionic beauty and zealous Tribune agent who’s also, as it happens, a valued piece in Cassius’ anti-Tribune conspiracy. ADIM seems to be a bit of a riff on the killer cyborgs of the Terminator films (though without the time-travel gimmick), and the story walks a line between vintage pulp and more hard-edged, combat-oriented sci-fi. But as a series launch pad, its plotline is lean and satisfying. That said, there do seem to be some gaps in the future-history mythology that are more frustrating than thought-provoking, especially regarding the 500-year-old Kepler Circuit, its origin and function. One assumes that Bruno will provide these details in forthcoming installments. As it is, this kickoff ends with lots of dangling subplots—not to mention a few equally errant limbs.
A hard-charging opener to a promising, if bloody, space-opera series.
Pub Date: June 10, 2014
ISBN: 978-1606594049
Page Count: 264
Publisher: Mundania Press LLC
Review Posted Online: July 30, 2014
Review Program: Kirkus Indie
Britisher Swift's sixth novel (Ever After, 1992 etc.) and fourth to appear here is a slow-to-start but then captivating tale of English working-class families in the four decades following WW II. When Jack Dodds dies suddenly of cancer after years of running a butcher shop in London, he leaves a strange request—namely, that his ashes be scattered off Margate pier into the sea. And who could better be suited to fulfill this wish than his three oldest drinking buddies—insurance man Ray, vegetable seller Lenny, and undertaker Vic, all of whom, like Jack himself, fought also as soldiers or sailors in the long-ago world war. Swift's narrative start, with its potential for the melodramatic, is developed instead with an economy, heart, and eye that release (through the characters' own voices, one after another) the story's humanity and depth instead of its schmaltz. The jokes may be weak and self- conscious when the three old friends meet at their local pub in the company of the urn holding Jack's ashes; but once the group gets on the road, in an expensive car driven by Jack's adoptive son, Vince, the story starts gradually to move forward, cohere, and deepen. The reader learns in time why it is that no wife comes along, why three marriages out of three broke apart, and why Vince always hated his stepfather Jack and still does—or so he thinks. There will be stories of innocent youth, suffering wives, early loves, lost daughters, secret affairs, and old antagonisms—including a fistfight over the dead on an English hilltop, and a strewing of Jack's ashes into roiling seawaves that will draw up feelings perhaps unexpectedly strong. Without affectation, Swift listens closely to the lives that are his subject and creates a songbook of voices part lyric, part epic, part working-class social realism—with, in all, the ring to it of the honest, human, and true.
Pub Date: April 5, 1996
ISBN: 0-679-41224-7
Page Count: 304
Publisher: Knopf
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Feb. 15, 1996
Steinbeck's peculiarly intense simplicity of technique is admirably displayed in this vignette — a simple, tragic tale of Mexican little people, a story retold by the pearl divers of a fishing hamlet until it has the quality of folk legend. A young couple content with the humble living allowed them by the syndicate which controls the sale of the mediocre pearls ordinarily found, find their happiness shattered when their baby boy is stung by a scorpion. They dare brave the terrors of a foreign doctor, only to be turned away when all they can offer in payment is spurned. Then comes the miracle. Kino find a great pearl. The future looks bright again. The baby is responding to the treatment his mother had given. But with the pearl, evil enters the hearts of men:- ambition beyond his station emboldens Kino to turn down the price offered by the dealers- he determines to go to the capital for a better market; the doctor, hearing of the pearl, plants the seed of doubt and superstition, endangering the child's life, so that he may get his rake-off; the neighbors and the strangers turn against Kino, burn his hut, ransack his premises, attack him in the dark — and when he kills, in defense, trail him to the mountain hiding place- and kill the child. Then- and then only- does he concede defeat. In sorrow and humility, he returns with his Juana to the ways of his people; the pearl is thrown into the sea.... A parable, this, with no attempt to add to its simple pattern.
Pub Date: Nov. 24, 1947
ISBN: 0140187383
Page Count: 132
Publisher: Viking
Review Posted Online: Oct. 5, 2011
Kirkus Reviews Issue: Nov. 1, 1947
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