by Rhonda Riley ‧ RELEASE DATE: April 23, 2013
Well-written and stocked with many strong characterizations, but fuzzy in plotting and theme.
A husband literally made in the image of others teaches Evelyn Roe about enduring love and the equally enduring human distrust of difference in Riley’s debut.
On a rainy morning in early 1947, 19-year-old Evelyn stumbles across a mud-encrusted body on her family’s farm. She assumes this oddly misshapen, seemingly scorched being is a wounded veteran—until “he” begins morphing into a female who looks spookily like Evelyn. She’s not afraid of this gentle alien—indeed, the two begin a passionate sexual relationship rooted in the visitor’s extraordinarily empathetic touch and voice—but terrified of what would happen if its true nature were discovered in close-minded North Carolina. Evelyn introduces everyone to a long-lost cousin named Addie, and life continues tranquilly until Addie senses Evelyn’s longing for a child. She disappears one night with a roving drunk and returns two weeks later looking just like the man. Now Evelyn can marry her soul mate, renamed Adam Hope, and enjoy blissful domesticity on the farm. They have a near-escape from detection when twins Jennie and Lillian are delivered in the hospital and doctors, baffled by their amorphous appearance, want to run tests, but Evelyn and Adam whisk them home to speedily acquire their mother’s entirely human appearance, just as their home-born sisters did. The danger is greater when Adam lands in the hospital, and the family decides to move to Florida. The narrative speeds up at this point as the girls enter adolescence and Evelyn enters middle age, but Adam’s ever-young appearance again threatens them with discovery. His exit is as mysterious as his entrance, and this is the book's underlying problem. If Addie/Adam had any notion where s/he came from, or if Evelyn’s love was ever shaken by any real conflicts, this sweet but rather anodyne tale would gain some needed bite. As is, despite a few asides on racism, it’s basically a romance with E.T. trimmings.
Well-written and stocked with many strong characterizations, but fuzzy in plotting and theme.Pub Date: April 23, 2013
ISBN: 978-0-06-209944-0
Page Count: 432
Publisher: Ecco/HarperCollins
Review Posted Online: Feb. 2, 2013
Kirkus Reviews Issue: Feb. 15, 2013
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by Kristin Hannah ‧ RELEASE DATE: Feb. 3, 2015
Still, a respectful and absorbing page-turner.
Hannah’s new novel is an homage to the extraordinary courage and endurance of Frenchwomen during World War II.
In 1995, an elderly unnamed widow is moving into an Oregon nursing home on the urging of her controlling son, Julien, a surgeon. This trajectory is interrupted when she receives an invitation to return to France to attend a ceremony honoring passeurs: people who aided the escape of others during the war. Cut to spring, 1940: Viann has said goodbye to husband Antoine, who's off to hold the Maginot line against invading Germans. She returns to tending her small farm, Le Jardin, in the Loire Valley, teaching at the local school and coping with daughter Sophie’s adolescent rebellion. Soon, that world is upended: The Germans march into Paris and refugees flee south, overrunning Viann’s land. Her long-estranged younger sister, Isabelle, who has been kicked out of multiple convent schools, is sent to Le Jardin by Julien, their father in Paris, a drunken, decidedly unpaternal Great War veteran. As the depredations increase in the occupied zone—food rationing, systematic looting, and the billeting of a German officer, Capt. Beck, at Le Jardin—Isabelle’s outspokenness is a liability. She joins the Resistance, volunteering for dangerous duty: shepherding downed Allied airmen across the Pyrenees to Spain. Code-named the Nightingale, Isabelle will rescue many before she's captured. Meanwhile, Viann’s journey from passive to active resistance is less dramatic but no less wrenching. Hannah vividly demonstrates how the Nazis, through starvation, intimidation and barbarity both casual and calculated, demoralized the French, engineering a community collapse that enabled the deportations and deaths of more than 70,000 Jews. Hannah’s proven storytelling skills are ideally suited to depicting such cataclysmic events, but her tendency to sentimentalize undermines the gravitas of this tale.
Still, a respectful and absorbing page-turner.Pub Date: Feb. 3, 2015
ISBN: 978-0-312-57722-3
Page Count: 448
Publisher: St. Martin's
Review Posted Online: Nov. 19, 2014
Kirkus Reviews Issue: Dec. 1, 2014
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BOOK TO SCREEN
SEEN & HEARD
BOOK TO SCREEN
by Kristin Hannah ‧ RELEASE DATE: Feb. 6, 2018
A tour de force.
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New York Times Bestseller
In 1974, a troubled Vietnam vet inherits a house from a fallen comrade and moves his family to Alaska.
After years as a prisoner of war, Ernt Allbright returned home to his wife, Cora, and daughter, Leni, a violent, difficult, restless man. The family moved so frequently that 13-year-old Leni went to five schools in four years. But when they move to Alaska, still very wild and sparsely populated, Ernt finds a landscape as raw as he is. As Leni soon realizes, “Everyone up here had two stories: the life before and the life now. If you wanted to pray to a weirdo god or live in a school bus or marry a goose, no one in Alaska was going to say crap to you.” There are many great things about this book—one of them is its constant stream of memorably formulated insights about Alaska. Another key example is delivered by Large Marge, a former prosecutor in Washington, D.C., who now runs the general store for the community of around 30 brave souls who live in Kaneq year-round. As she cautions the Allbrights, “Alaska herself can be Sleeping Beauty one minute and a bitch with a sawed-off shotgun the next. There’s a saying: Up here you can make one mistake. The second one will kill you.” Hannah’s (The Nightingale, 2015, etc.) follow-up to her series of blockbuster bestsellers will thrill her fans with its combination of Greek tragedy, Romeo and Juliet–like coming-of-age story, and domestic potboiler. She re-creates in magical detail the lives of Alaska's homesteaders in both of the state's seasons (they really only have two) and is just as specific and authentic in her depiction of the spiritual wounds of post-Vietnam America.
A tour de force.Pub Date: Feb. 6, 2018
ISBN: 978-0-312-57723-0
Page Count: 448
Publisher: St. Martin's
Review Posted Online: Oct. 30, 2017
Kirkus Reviews Issue: Nov. 15, 2017
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