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Don Quixote Goes to Washington

A TALE OF A NEW WORLD ORDER

This new version of Don Quixote is less an update of Cervantes than a comforting affirmation that our souls live on after we die.
It’s hard to write about this epic poem without mentioning its remarkable mode of composition. The poet who gets top billing is Ricardo K. Petrillo, but for all intents and purposes, the book’s author is his father, Claudio, as Ricardo passed away nearly a decade ago. According to the introduction, this volume is the seventh work that Ricardo has given to Claudio from beyond the grave. However, it’s less a story about a new knight errant than about why such transmissions are possible. The book’s hero is Joseph, an exceptional boy raised in New Mexico under the tutelage of a shaman. As Joseph grows up, he befriends Sancho, who will become his bosom companion, partner in crime and right-hand man. It takes no time at all for Joseph’s family and friends to recognize his intelligence, empathy, love, and desire for justice and peace. He takes these traits to medical school, where he learns that modern medicine neglects a crucial element: the human soul. Through study and meditation, Joseph comes to believe that our eternal souls exist apart from our bodies, and that we need to care for our spirits as well as our flesh. He takes this message into his medical practice and, later, into an unlikely political career. Author Martin Amis once remarked that Cervantes’ masterpiece’s only flaw is its unreadability. The same can’t be said of Petrillo’s update, which is thoroughly approachable and reads with admirable ease. Although it’s presented as poetry, it’s actually just prose dropped into unmetered quatrains, and at a few awkward moments, one wishes it would abandon the verse form and use simple sentences. For instance, when Joseph’s medical school professor advises him to “[s]tay without involvement / With the patients that come to you,” readers may wish that he’d just say, “Don’t get emotionally involved with your patients.” Also, aside from the sidekick Sancho, there isn’t much of Cervantes’ original to be found here. The Spanish hero’s famously mad windmill-tilting served to send up traditions of chivalric literature; by contrast, there’s nothing mad about Joseph at all: He’s the brilliant prophet of a new religion and a political savior. Overall, this work might have told Joseph’s story more effectively if it weren’t saddled with literary baggage.
An unexpected, poetic tale, in which the medium really is the message.

Pub Date: June 19, 2014

ISBN: 978-1494462642

Page Count: 326

Publisher: CreateSpace

Review Posted Online: Sept. 12, 2014

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TO KILL A MOCKINGBIRD

A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.

Pub Date: July 11, 1960

ISBN: 0060935464

Page Count: 323

Publisher: Lippincott

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: July 1, 1960

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DISTANT SHORES

Soft-focus story moves right along with few surprises. This time around, Hannah avoids the soap-opera complications of her...

Another middle-aged mom in a muddle.

After years of false starts and big hopes, Elizabeth’s ruggedly handsome husband Jack, a former football star, just landed a spot as a sportscaster on national news. He still loves her, even though much younger women are giving him come-hither looks. Heck, he doesn’t want to betray the love of his life after she helped him kick drugs and stuck by him even when he was a struggling has-been. And won’t it seem hypocritical if he fools around with his sexy assistant while he does in-depth reporting on a rape case involving a famous basketball center? Well, he fools around anyway. Elizabeth, nicknamed Birdie, knows nothing of this, but she withdraws from Jack when her hard-drinking, salt-of-the-earth father has a stroke and dies. Now no one will call her “sugar beet” ever again. Time to return home to Tennessee and contend with Anita, the sort-of-evil stepmother so trashy she wears pink puffy slippers all day long. Naturally, it turns out that Anita actually has a heart of gold and knows a few things about Birdie’s dead mother that were hushed up for years. Mom was an artist, just like Birdie, and an old scandal comes to light as Anita unrolls a vibrant canvas that portrays her secret lover. Perhaps, Birdie muses, her mother died of heartbreak, never having followed her true love or developed her talent. Has she, too, compromised everything she holds dear? Hoping to find out, Birdie joins a support group that promises to reconnect confused women with their passion. She and Jack separate, prompting a how-dare-you fit from their grown daughters. Will Birdie fly her empty nest? Will she go back to college for a degree in art? Will her brooding watercolors ever sell?

Soft-focus story moves right along with few surprises. This time around, Hannah avoids the soap-opera complications of her previous tales (Summer Island, 2001, etc.).

Pub Date: July 1, 2002

ISBN: 0-345-45071-X

Page Count: 352

Publisher: Ballantine

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: May 15, 2002

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