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GOOD EVENING MR. & MRS. AMERICA

AND ALL THE SHIPS AT SEA

An engrossing, bittersweet comedy—the seventh novel from the author of Rebel Powers (1993), among others—about sexual confusion, Catholic guilt, and Washington in the wake of the JFK administration. Walter Marshall, an energetic 19-year-old, has, in 1964, just realized that he may be wasting his time at the D'Alessandro School of Broadcasting—for, instead of emulating his idol Edward R. Murrow, Walter now suspects that what he really desires is to follow in the footsteps of his other idol, the recently deceased chief executive. Problems rapidly develop. Walter manages to propose to two different older women—co-worker Alice Kane, whose ardent expectation of the physical satisfactions thereby promised conflicts with Walter's strenuously maintained purity, and Natalie Bowman, a vaguely European beauty whose ``tall, lithe figure and. . . dark, aristocratic features reminded him of Jackie Kennedy.'' Walter's inability to say no to any opportunity or entanglement forces him into best-friendship with the awkward, unshakably optimistic Albert Waple, a wonderfully hapless plot to save the D'Alessandro School from its owner's gambling debts, conflict with the equally turbulent romantic life of Walter's widowed mother, and, best of all, a sit-in demonstration at a Maryland restaurant in company with a courageous elderly black woman who may be the most influential of his several mentors and role models. The novel ends with Walter (figuratively) bloodied but unbowed, shorn of his handsome head of hair and many of his illusions, but newly committed to still another ideal. He's a charmer, and the book's lightly worn seriousness of purpose is effectively and pleasingly varied by several very funny scenes—including Alice's heartfelt attempt to surrender to her beau, and Walter's intricately detailed confessions to his bewildered parish priest. It's nice to see Bausch extending his range in a novel that compares favorably with the best work he has done. ($30,000 ad/promo; author tour)

Pub Date: Sept. 1, 1996

ISBN: 0-06-017332-7

Page Count: 320

Publisher: HarperCollins

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: July 1, 1996

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BETWEEN SISTERS

Briskly written soap with down-to-earth types, mostly without the lachrymose contrivances of Hannah’s previous titles...

Sisters in and out of love.

Meghann Dontess is a high-powered matrimonial lawyer in Seattle who prefers sex with strangers to emotional intimacy: a strategy bound to backfire sooner or later, warns her tough-talking shrink. It’s advice Meghann decides to ignore, along with the memories of her difficult childhood, neglectful mother, and younger sister. Though she managed to reunite Claire with Sam Cavenaugh (her father but not Meghann’s) when her mother abandoned both girls long ago, Meghann still feels guilty that her sister’s life doesn’t measure up, at least on her terms. Never married, Claire ekes out a living running a country campground with her dad and is raising her six-year-old daughter on her own. When she falls in love for the first time with an up-and-coming country musician, Meghann is appalled: Bobby Austin is a three-time loser at marriage—how on earth can Claire be so blind? Bobby’s blunt explanation doesn’t exactly satisfy the concerned big sister, who busies herself planning Claire’s dream wedding anyway. And, to relieve the stress, she beds various guys she picks up in bars, including Dr. Joe Wyatt, a neurosurgeon turned homeless drifter after the demise of his beloved wife Diane (whom he euthanized). When Claire’s awful headache turns out to be a kind of brain tumor known among neurologists as a “terminator,” Joe rallies. Turns out that Claire had befriended his wife on her deathbed, and now in turn he must try to save her. Is it too late? Will Meghann find true love at last?

Briskly written soap with down-to-earth types, mostly without the lachrymose contrivances of Hannah’s previous titles (Distant Shores, 2002, etc.). Kudos for skipping the snifflefest this time around.

Pub Date: May 1, 2003

ISBN: 0-345-45073-6

Page Count: 400

Publisher: Ballantine

Review Posted Online: June 24, 2010

Kirkus Reviews Issue: April 1, 2003

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TO KILL A MOCKINGBIRD

A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.

Pub Date: July 11, 1960

ISBN: 0060935464

Page Count: 323

Publisher: Lippincott

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: July 1, 1960

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