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GOOD EVENING MR. & MRS. AMERICA

AND ALL THE SHIPS AT SEA

An engrossing, bittersweet comedy—the seventh novel from the author of Rebel Powers (1993), among others—about sexual confusion, Catholic guilt, and Washington in the wake of the JFK administration. Walter Marshall, an energetic 19-year-old, has, in 1964, just realized that he may be wasting his time at the D'Alessandro School of Broadcasting—for, instead of emulating his idol Edward R. Murrow, Walter now suspects that what he really desires is to follow in the footsteps of his other idol, the recently deceased chief executive. Problems rapidly develop. Walter manages to propose to two different older women—co-worker Alice Kane, whose ardent expectation of the physical satisfactions thereby promised conflicts with Walter's strenuously maintained purity, and Natalie Bowman, a vaguely European beauty whose ``tall, lithe figure and. . . dark, aristocratic features reminded him of Jackie Kennedy.'' Walter's inability to say no to any opportunity or entanglement forces him into best-friendship with the awkward, unshakably optimistic Albert Waple, a wonderfully hapless plot to save the D'Alessandro School from its owner's gambling debts, conflict with the equally turbulent romantic life of Walter's widowed mother, and, best of all, a sit-in demonstration at a Maryland restaurant in company with a courageous elderly black woman who may be the most influential of his several mentors and role models. The novel ends with Walter (figuratively) bloodied but unbowed, shorn of his handsome head of hair and many of his illusions, but newly committed to still another ideal. He's a charmer, and the book's lightly worn seriousness of purpose is effectively and pleasingly varied by several very funny scenes—including Alice's heartfelt attempt to surrender to her beau, and Walter's intricately detailed confessions to his bewildered parish priest. It's nice to see Bausch extending his range in a novel that compares favorably with the best work he has done. ($30,000 ad/promo; author tour)

Pub Date: Sept. 1, 1996

ISBN: 0-06-017332-7

Page Count: 320

Publisher: HarperCollins

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: July 1, 1996

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TO KILL A MOCKINGBIRD

A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.

Pub Date: July 11, 1960

ISBN: 0060935464

Page Count: 323

Publisher: Lippincott

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: July 1, 1960

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LONESOME DOVE

A NOVEL (SIMON & SCHUSTER CLASSICS)

This large, stately, and intensely powerful new novel by the author of Terms of Endearment and The Last Picture Show is constructed around a cattle drive—an epic journey from dry, hard-drinking south Texas, where a band of retired Texas Rangers has been living idly, to the last outpost and the last days of the old, unsettled West in rough Montana. The time is the 1880s. The characters are larger than life and shimmer: Captain Woodrow Call, who leads the drive, is the American type of an unrelentingly righteous man whose values are puritanical and pioneering and whose orders, which his men inevitably follow, lead, toward the end, to their deaths; talkative Gus McCrae, Call's best friend, learned, lenient, almost magically skilled in a crisis, who is one of those who dies; Newt, the unacknowledged 17-year-old son of Captain Call's one period of self-indulgence and the inheritor of what will become a new and kinder West; and whores, drivers, misplaced sheriffs and scattered settlers, all of whom are drawn sharply, engagingly, movingly. As the rag-tag band drives the cattle 3,000 miles northward, only Call fails to learn that his quest to conquer more new territories in the West is futile—it's a quest that perishes as men are killed by natural menaces that soon will be tamed and by half-starved renegades who soon will die at the hands of those less heroic than themselves. McMurtry shows that it is a quest misplaced in history, in a landscape that is bare of buffalo but still mythic; and it is only one of McMurtry's major accomplishments that he does it without forfeiting a grain of the characters' sympathetic power or of the book's considerable suspense. This is a masterly novel. It will appeal to all lovers of fiction of the first order.

Pub Date: June 1, 1985

ISBN: 068487122X

Page Count: 872

Publisher: Simon & Schuster

Review Posted Online: Sept. 30, 2011

Kirkus Reviews Issue: May 15, 1985

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