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But By the Chance of War

A sometimes brilliant and often moving poetic exploration of humanity’s warlike ways.

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A chronicle of mankind’s destructive urges through the ages, rendered in four epic poems spanning four wars and 1,500 years.

In his debut, Lyons offers a tetralogy—a group of four related plays written as epic poems in rhyming couplets, based on a style used in classical Athens, Greece, but unique for our age. He starts with an Indian conflict between the Gupta Empire and the invading Ephthalite Huns in the year 515, then moves on to the 1759 French and Indian War. Next he depicts a World War I battle at Amiens in 1918, followed by an undated global nuclear Armageddon, as viewed on computer screens in a Jerusalem bunker. Although widely disparate in time and place, some narratives share important threads: Brothers fight one another or participants see power, ambition and greed as the causes of conflict but stand by as the blood flows. Change is the only constant as empires rise and fall and one disaster foreshadows the next; for example, in the third poem, a priest blesses the body parts of British soldiers “blasted to atoms,” a prelude to the splitting of atoms in the fourth and final poem. In that nuclear disaster, a fictional U.S. secretary of state and his family fly into Israel to try to defuse the threats of a Middle Eastern leader, but even the leader’s brother can’t talk him out of starting a war. Lyons walks a high wire with this ambitious, difficult project—particularly with the rhyming couplets, which don’t always sing—but he successfully conveys a tragic picture of human depravity and ultimate self-destruction. Overall, it’s a work of great scholarship; not an easy read but not overly difficult, either, as ample footnotes and maps explain historical context when necessary.

A sometimes brilliant and often moving poetic exploration of humanity’s warlike ways.

Pub Date: Sept. 1, 2012

ISBN: 978-0615532059

Page Count: 484

Publisher: Lylea Creative Resources

Review Posted Online: Sept. 6, 2013

Kirkus Reviews Issue: Nov. 15, 2013

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KILLERS OF THE FLOWER MOON

THE OSAGE MURDERS AND THE BIRTH OF THE FBI

Dogged original research and superb narrative skills come together in this gripping account of pitiless evil.

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Greed, depravity, and serial murder in 1920s Oklahoma.

During that time, enrolled members of the Osage Indian nation were among the wealthiest people per capita in the world. The rich oil fields beneath their reservation brought millions of dollars into the tribe annually, distributed to tribal members holding "headrights" that could not be bought or sold but only inherited. This vast wealth attracted the attention of unscrupulous whites who found ways to divert it to themselves by marrying Osage women or by having Osage declared legally incompetent so the whites could fleece them through the administration of their estates. For some, however, these deceptive tactics were not enough, and a plague of violent death—by shooting, poison, orchestrated automobile accident, and bombing—began to decimate the Osage in what they came to call the "Reign of Terror." Corrupt and incompetent law enforcement and judicial systems ensured that the perpetrators were never found or punished until the young J. Edgar Hoover saw cracking these cases as a means of burnishing the reputation of the newly professionalized FBI. Bestselling New Yorker staff writer Grann (The Devil and Sherlock Holmes: Tales of Murder, Madness, and Obsession, 2010, etc.) follows Special Agent Tom White and his assistants as they track the killers of one extended Osage family through a closed local culture of greed, bigotry, and lies in pursuit of protection for the survivors and justice for the dead. But he doesn't stop there; relying almost entirely on primary and unpublished sources, the author goes on to expose a web of conspiracy and corruption that extended far wider than even the FBI ever suspected. This page-turner surges forward with the pacing of a true-crime thriller, elevated by Grann's crisp and evocative prose and enhanced by dozens of period photographs.

Dogged original research and superb narrative skills come together in this gripping account of pitiless evil.

Pub Date: April 18, 2017

ISBN: 978-0-385-53424-6

Page Count: 352

Publisher: Doubleday

Review Posted Online: Feb. 1, 2017

Kirkus Reviews Issue: Feb. 15, 2017

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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