Morais writes with sensitivity and insight about the many ways American life challenges the Reverend Oda’s equanimity.
A gentle Buddhist priest from Japan is given the task of building a temple in the Little Calabria section of Brooklyn, and the results are both calamitous and sweet.
Before the move, Reverend Seido Oda had already lived a full and tragic life, having dealt with his father’s mental illness and his brother’s death by fire. He grew up in a remote and rural setting and, at the age of 11, was apprenticed to the monks in the Headwater Sect (a fictional creation of Morais) at a local Buddhist temple. Despite his personal and familial difficulties, for 30 years Oda lives a relatively placid life, until his superior requests that he travel thousands of miles to oversee the building of a new temple in the strange urban landscape of Brooklyn. Once there, Oda comes in contact with a very American form of Buddhism, one in which he’s casually referred to as “Rev” or “the Reverend O.” Oda understandably has difficulty adapting to the exigencies of his new life. He meets Laura, a shellacked blonde, who is into New Age crystals and “channeling the Buddha’s voice during evening prayer.” He also encounters Mr. Dolan, who’s been giving a series of lectures on Buddhism based in part on Buddhism for Dummies. The greatest surprise awaiting Oda is a relationship that he develops with Jennifer, whose casual demeanor belies an engaging intellect (she has a doctorate in Italian and has been translating Boccacio) and a sincere interest in Buddhist texts. They begin a sexual relationship that comes as a surprise more to Oda than to Jennifer. Oda finds he has to balance the delicacy of his feelings for Jennifer with his much more pragmatic connection to Mr. Symes, the hardheaded American businessman who’s a major fundraiser for the temple.
Morais writes with sensitivity and insight about the many ways American life challenges the Reverend Oda’s equanimity.Pub Date: July 17, 2012
ISBN: 978-1-4516-6922-0
Page Count: 256
Publisher: Scribner
Review Posted Online: June 16, 2012
Kirkus Reviews Issue: July 1, 2012
BOOK REVIEW
BOOK REVIEW
A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.
Pub Date: July 11, 1960
ISBN: 0060935464
Page Count: 323
Publisher: Lippincott
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: July 1, 1960
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
This large, stately, and intensely powerful new novel by the author of Terms of Endearment and The Last Picture Show is constructed around a cattle drive—an epic journey from dry, hard-drinking south Texas, where a band of retired Texas Rangers has been living idly, to the last outpost and the last days of the old, unsettled West in rough Montana. The time is the 1880s. The characters are larger than life and shimmer: Captain Woodrow Call, who leads the drive, is the American type of an unrelentingly righteous man whose values are puritanical and pioneering and whose orders, which his men inevitably follow, lead, toward the end, to their deaths; talkative Gus McCrae, Call's best friend, learned, lenient, almost magically skilled in a crisis, who is one of those who dies; Newt, the unacknowledged 17-year-old son of Captain Call's one period of self-indulgence and the inheritor of what will become a new and kinder West; and whores, drivers, misplaced sheriffs and scattered settlers, all of whom are drawn sharply, engagingly, movingly. As the rag-tag band drives the cattle 3,000 miles northward, only Call fails to learn that his quest to conquer more new territories in the West is futile—it's a quest that perishes as men are killed by natural menaces that soon will be tamed and by half-starved renegades who soon will die at the hands of those less heroic than themselves. McMurtry shows that it is a quest misplaced in history, in a landscape that is bare of buffalo but still mythic; and it is only one of McMurtry's major accomplishments that he does it without forfeiting a grain of the characters' sympathetic power or of the book's considerable suspense. This is a masterly novel. It will appeal to all lovers of fiction of the first order.
Pub Date: June 1, 1985
ISBN: 068487122X
Page Count: 872
Publisher: Simon & Schuster
Review Posted Online: Sept. 30, 2011
Kirkus Reviews Issue: May 15, 1985
IN THE NEWS
SEEN & HEARD
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