A meticulous unearthing of the painful contradictions in a privileged life.
A powerful man confronts his mortality.
Facing an unexpected diagnosis of terminal brain cancer, Spanish-born, Swiss-based private banker José María Álvarez must race against his dwindling time to settle the “unfinished business” of his thorny financial and personal lives. Born into the fifth generation of a family of bankers in Franco-era Spain, Álvarez has thrived for more than 75 years in a bubble of privilege whose native currencies are wealth and power, expertly honing his skills at deploying both, not least to satisfy his abundant material and emotional appetites. As he battles intense physical pain and lurches between moments of lucidity and vivid hallucinations that take him back to his teenage years—a time when family secrets and family tragedy merged to cast a shadow over the rest of his life—Álvarez also must face the equally shocking contemporary truths he’s concealed from his American wife, Lisa, who’s enjoyed the fruits of his business acumen without fully embracing the trappings of their rarified existence, and their three adult sons, returning from the United States to their parents’ elegant chalet to be present for their father’s final days. Álvarez’s passion for fly-fishing, borne at his domineering father’s side on the salmon-rich rivers of his native northern Spain, provides one of the novel’s dominant motifs as well as the occasion for some lush descriptive prose. Morais (Buddhaland Brooklyn, 2012, etc.) also skillfully draws on his background as a veteran Forbes and Barron’s financial journalist, most notably in the tension-filled account of a high-stakes negotiation that threatens the Álvarez family fortune after a much younger José must assume control upon his father’s premature death. Whether he’s untangling the strands of José’s dark inner world or offering a glimpse of a milieu where money serves as both lubricant and salve, Morais effectively reveals how heartbreakingly inadequate even vast resources can be in providing a bulwark against the assault of life’s most formidable challenges.
A meticulous unearthing of the painful contradictions in a privileged life.Pub Date: Sept. 1, 2019
ISBN: 978-1-5420-9382-8
Page Count: 316
Publisher: Little A
Review Posted Online: June 16, 2019
Kirkus Reviews Issue: July 1, 2019
BOOK REVIEW
BOOK REVIEW
Here's another alcoholic nightmare told against a thoroughly knowledgeable background of Mexico, the people and the customs. Geoffrey Firmin's crowded life the world around slowly cracks through drink; not even his marriage to Yvonne, loyal but loved by his step-brother, Hugh, can save him. She leaves to get a divorce, while Geoffrey finds sympathetic cronies and old friends to accompany him from one binge to another. Yvonne's return, just as Hugh is leaving, brings about a new high in Geoffrey's drinking, and a new low in his hangovers. In futile altercation with the local police, Geoffrey is killed. Through the three central characters, there is the Joycean outpour of consciousness, a diarrhoeatic total recall, in the search for the cause of their rejection of life, in their rationalization of their self-portraits, in their knowledge of their griefs, despairs, bewilderment. Their casual, veiled conversations, wandering soul searchings, are highlighted against the Mexican setting, and the effect, sometimes with a brilliance, is a delirium of phantoms. For sophisticates.
Pub Date: Feb. 17, 1946
ISBN: 0061120154
Page Count: 448
Publisher: Reynal & Hitchoock
Review Posted Online: Nov. 2, 2011
Kirkus Reviews Issue: Feb. 1, 1946
BOOK REVIEW
An intricate plot, perfect title, and a harrowing look at the tie that binds.
An absorbing story of a modern marriage framed in Greek mythology.
Groff’s sharply drawn portrait of a marriage begins on a cold Maine beach, with newlyweds “on their knees, now, though the sand was rough and hurt. It didn’t matter. They were reduced to mouths and hands.” This opener ushers in an ambitious, knowing novel besotted with sex—in a kaleidoscope of variety—much more abundant than the commune-dwellers got up to in Groff’s luminous Arcadia(2012). The story centers first on Lancelot “Lotto” Satterwhite, a dashing actor at Vassar, who marries his classmate, flounders, then becomes a famous playwright. Lotto’s name evokes the lottery—and the Fates, as his half of the book is titled. His wife, the imperial and striking Mathilde, takes over the second section, Furies, astir with grief and revenge. The plotting is exquisite, and the sentences hum; Groff writes with a pleasurable, bantering vividness. Her book is smart, albeit with an occasional vibrato of overkill. The author gives this novel a harder edge and darker glow than previous work, echoing Mathilde’s observation, “She was so tired of the old way of telling stories, all those too worn narrative paths, the familiar plot thickets, the fat social novels. She needed something messier, something sharper, something like a bomb going off.” Indeed it is.
An intricate plot, perfect title, and a harrowing look at the tie that binds.Pub Date: Sept. 15, 2015
ISBN: 978-1-59463-447-5
Page Count: 368
Publisher: Riverhead
Review Posted Online: May 5, 2015
Kirkus Reviews Issue: July 15, 2015
PROFILES
SEEN & HEARD
© Copyright 2025 Kirkus Media LLC. All Rights Reserved.
Follow
Popular in this Genre
We can’t wait for you to join Kirkus!
It’s free and takes less than 10 seconds!
Already have an account? Log in.
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
Welcome Back!
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
