A warm tribute to a rather bossy know-it-all companion in arms who was hugely talented and fiercely devoted.
An adoring biography of Nora Ephron (1941-2012) explores her motivations as a writer and a feminist.
Washington Post columnist Cohen (Israel: Is It Good for the Jews?, 2014, etc.) first met Ephron in 1968 through their mutual friend Post journalist Carl Bernstein, who became Ephron’s second husband. Their friendship deepened and lasted more than 40 years, until her death by cancer, an illness largely kept secret from her other friends and the public. In this gracious, elegant eulogy to his friend, Cohen endearingly suggests that he doesn’t know what he’s doing, feeling his way as he goes along, sounding other friends and acquaintances for memories. He reveals charming vulnerabilities about Ephron as well as traits, such as her evident delight in name-dropping and hanging with the A-list, that don’t necessarily make her lovable to readers. Ephron was, above all, a fearless writer, from her college years at Wellesley to her early elbow-sharpening jobs at the New York Post and Esquire, where there were few women mentors and she learned to write fast and sharp amid a newsroom of rough-and-tumble men. She was feared for her frankness, and her targets included Bernstein, skewered in her biting post-marriage sendup Heartburn (both book and film). Ephron’s segue from screenwriter to director seemed natural, as she had been studying at the feet of friend Mike Nichols since their collaboration on Silkwood. Her film Sleepless in Seattle would became a kind of schmaltzy classic; ditto You’ve Got Mail and her final screenplay, Julie and Julia. Cohen captures a brilliant woman full of contradictions: she was a “girlie girl” and homemaker, queen of dinner parties and also a fierce feminist, yet insecure about her looks, the size of her breasts, and her inevitable aging neck—all of which she examined in her provocative writing.
A warm tribute to a rather bossy know-it-all companion in arms who was hugely talented and fiercely devoted.Pub Date: Sept. 6, 2016
ISBN: 978-1-4767-9612-3
Page Count: 320
Publisher: Simon & Schuster
Review Posted Online: June 29, 2016
Kirkus Reviews Issue: July 15, 2016
This moving, potent testament might have been titled “Black Lives Matter.” Or: “An American Tragedy.”
The powerful story of a father’s past and a son’s future.
Atlantic senior writer Coates (The Beautiful Struggle: A Father, Two Sons, and an Unlikely Road to Manhood, 2008) offers this eloquent memoir as a letter to his teenage son, bearing witness to his own experiences and conveying passionate hopes for his son’s life. “I am wounded,” he writes. “I am marked by old codes, which shielded me in one world and then chained me in the next.” Coates grew up in the tough neighborhood of West Baltimore, beaten into obedience by his father. “I was a capable boy, intelligent and well-liked,” he remembers, “but powerfully afraid.” His life changed dramatically at Howard University, where his father taught and from which several siblings graduated. Howard, he writes, “had always been one of the most critical gathering posts for black people.” He calls it The Mecca, and its faculty and his fellow students expanded his horizons, helping him to understand “that the black world was its own thing, more than a photo-negative of the people who believe they are white.” Coates refers repeatedly to whites’ insistence on their exclusive racial identity; he realizes now “that nothing so essentialist as race” divides people, but rather “the actual injury done by people intent on naming us, intent on believing that what they have named matters more than anything we could ever actually do.” After he married, the author’s world widened again in New York, and later in Paris, where he finally felt extricated from white America’s exploitative, consumerist dreams. He came to understand that “race” does not fully explain “the breach between the world and me,” yet race exerts a crucial force, and young blacks like his son are vulnerable and endangered by “majoritarian bandits.” Coates desperately wants his son to be able to live “apart from fear—even apart from me.”
This moving, potent testament might have been titled “Black Lives Matter.” Or: “An American Tragedy.”Pub Date: July 8, 2015
ISBN: 978-0-8129-9354-7
Page Count: 176
Publisher: Spiegel & Grau
Review Posted Online: May 5, 2015
Kirkus Reviews Issue: July 1, 2015
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
BOOK TO SCREEN
BOOK TO SCREEN
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
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