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REASONS TO KILL

WHY AMERICANS CHOOSE WAR

A lively, contrarian view of history—fruitful reading for peaceniks and warfighters alike.

A provocative essay on our war-loving, bullying nation.

“No other modern nation has a more bellicose record—and our pace is accelerating,” writes Rubenstein (Conflict Resolution and Public Affairs/George Mason Univ.), who reckons that the United States has been at war for more than 20 of the last 60 years, and nonstop since 2001. The reasons for going to war are myriad, but the author writes that they are usually explained in religious or moral terms. These terms, and the ensuing depiction of the enemy as evil, have been enough to chase off opposition to war. Furthermore, even if Americans profess to be peace-loving, opposition to war usually disappears in the run-up to and early stages of any given conflict. Things are getting worse rather than better, Rubenstein argues. What he calls “the current war system, with its pattern of continuous interventions in an ever-expanding zone of conflict,” asks that Americans accept it as axiomatic that our aims are good, our enemies bad and no consent need be sought or given on the part of a populace only a small number of whom actually participate in battle. The author examines the history of American war in light of the “warrior culture” of the Appalachian frontier and the Puritan view that any war fought had to be justified on moral grounds, and he takes a generally evenhanded view of things, even if his argument seems designed to give fits to the warhawks in Washington, D.C. For instance, he writes, it is entirely reasonable to depict the enemy as evil: “Why else would one feel justified in taking someone else’s life or risking one’s own in battle?” Why indeed? Just so, our enemies, being evil, are ipso facto legitimate targets.

A lively, contrarian view of history—fruitful reading for peaceniks and warfighters alike.

Pub Date: Oct. 1, 2010

ISBN: 978-1-60819-026-3

Page Count: 256

Publisher: Bloomsbury

Review Posted Online: July 23, 2010

Kirkus Reviews Issue: Aug. 15, 2010

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KILLERS OF THE FLOWER MOON

THE OSAGE MURDERS AND THE BIRTH OF THE FBI

Dogged original research and superb narrative skills come together in this gripping account of pitiless evil.

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Greed, depravity, and serial murder in 1920s Oklahoma.

During that time, enrolled members of the Osage Indian nation were among the wealthiest people per capita in the world. The rich oil fields beneath their reservation brought millions of dollars into the tribe annually, distributed to tribal members holding "headrights" that could not be bought or sold but only inherited. This vast wealth attracted the attention of unscrupulous whites who found ways to divert it to themselves by marrying Osage women or by having Osage declared legally incompetent so the whites could fleece them through the administration of their estates. For some, however, these deceptive tactics were not enough, and a plague of violent death—by shooting, poison, orchestrated automobile accident, and bombing—began to decimate the Osage in what they came to call the "Reign of Terror." Corrupt and incompetent law enforcement and judicial systems ensured that the perpetrators were never found or punished until the young J. Edgar Hoover saw cracking these cases as a means of burnishing the reputation of the newly professionalized FBI. Bestselling New Yorker staff writer Grann (The Devil and Sherlock Holmes: Tales of Murder, Madness, and Obsession, 2010, etc.) follows Special Agent Tom White and his assistants as they track the killers of one extended Osage family through a closed local culture of greed, bigotry, and lies in pursuit of protection for the survivors and justice for the dead. But he doesn't stop there; relying almost entirely on primary and unpublished sources, the author goes on to expose a web of conspiracy and corruption that extended far wider than even the FBI ever suspected. This page-turner surges forward with the pacing of a true-crime thriller, elevated by Grann's crisp and evocative prose and enhanced by dozens of period photographs.

Dogged original research and superb narrative skills come together in this gripping account of pitiless evil.

Pub Date: April 18, 2017

ISBN: 978-0-385-53424-6

Page Count: 352

Publisher: Doubleday

Review Posted Online: Feb. 1, 2017

Kirkus Reviews Issue: Feb. 15, 2017

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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